LITMIR.BIZ

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Each time, Bettina fell to her knees, shocked by what she now shared with the village women; that there was nothing to keep her, any of them, safe. The Caslons were the same as the people they aided, adding their own blood to the heated red dirt.

      Neither was religious, and they refused the crosses the Nigerians, thinking they were offering what was right, carved for them. Instead, they asked for wooden placards upon which Jeffrey and Bettina wrote the names of their dead children—Marcus Caslon, Julius Caslon, Cleopatra Caslon—their birthdays, their death days, marking their entombments in an earth that rarely felt the rain, that the wind blew away in devilish swirls of dust.

      A month after their last and final child, called Cleo for short, was laid to rest at the age of three, the same tender age as the others, Bettina stood at the graves of her flesh and blood, and the hot, hard sun seemed ludicrous; death deserved darkness for more than a few hours. She wanted nothing to do with what Jeffrey was offering—a try for a fourth. What was the point of the inevitable prolonged suffering parents and child would endure? Marcus, Julius, and Cleo all set afire by temperatures that traveled up to one hundred and eight, that could not be reduced or assuaged. Three times, sitting by the bedsides of her loves, the fruits of her labor, Bettina had watched the skin peel free from their bones in strips as translucent as butterfly wings.

      Jeffrey, brave and stoic, sure their sacrifices were part of his mandate, would not hear of leaving it all behind, this godforsaken country, as Bettina was then calling it, these people who demanded too much. When the rickety plane carrying Bettina was airborne, its small windows blinded by the light, Jeffrey wondered if, from up there, she was looking down, could see his hand raised, the tears on his cheeks.

      She did not return to the American city of her birth, where her father had raised her, such as he could, where Jeffrey had plucked a young nurse filled with belief from obscurity, leading her into adventure, then into something else that Bettina knew should not be identified. She never sent a card or picked up the phone to call Jeffrey’s parents, his sisters, to say there had been a rift in their marriage, that he remained in the world she had fled from. Instead, Bettina chose a big eastern city where winters were racked with high drifts of dirty snow. Her impressive nursing skills, her experience with diseases most of the doctors had only read about in medical books, allowed her to orchestrate her future: a hospital where she was given free rein over the toughest pediatric unit, with skeletal children who would never enjoy a day at the beach, or play with their older siblings, or fall into or out of crushing love. She cared for their deflated sacks of skin and fat, untested muscles long gone, bound up in heavy blankets, tiny tubes inserted into their tiny veins, watched over by their parents, huddled and grieving, sitting close by, holding tender sets of fingers.

      It was too late to save these parents from suffering as she had, though Bettina never kept them at arm’s distance. She embraced the parents, she cried too when tears swamped their eyes, and she did what she could to make her sullen, saddened babies, her toddlers with a couple of front teeth peeking through swollen gums, comfortable.

      Nigeria had taught Bettina to recognize the irrefutable line, how once it was crossed, it marked the end of time. In the large eastern hospital, when she saw the line crossed, when the parents had gone to the family room for a few hours of desperate sleep, Bettina sent her little foregone loves on to whatever world lay beyond. She emphatically did not view her actions as murder; she was no killer, but a loving nurse whose own maternal history had changed her initial reason for being: when there was nothing left to do, she heeded her training and made the suffering stop.

      When they came for her—

      Fictional Family Life, Ashby’s immensely praised second collection, is a razor-sharp look at family life, focused around a teenaged boy who may, or may not, have tried to kill himself. That unclear violent act is dissected by two sets of narrators: Simon Tabor’s family members, and the doctors and nurses who put him back together again. While the truths and lies of real life are debated, broken Simon Tabor remains in his hospital bed, in an inexplicable coma, and in that netherworld, he creates his own alter ego, a boy his own age, also named Simon Tabor, who is stuck in his room, creating his alter egos—boys who live the fantastical lives both Simon Tabors wished for themselves.

      The following excerpt is from “I Speak,” the only story in the collection in which the real Simon Tabor speaks for himself:

      This is the only time you will hear my voice, the only time I will speak to you directly. Right now, I am on a table in an operating room and the doctor and nurses are racing around, working hard to repair the damage I have done to myself.

      This isn’t one of those stories—about a near-death experience that changes one’s life, or a revelation about what happens when a person dies for some minutes and is revived. I haven’t died and I won’t. I am completely aware of everything going on around me, how, in their gowns and masks, the medical staff look like superheroes protecting their real identities.

      Dr. Miner has just said, “Scalpel,” and is now slicing into my skin, a zzzziiiippppp through the various levels of dermis, then a sucking sound, my blood spurting all over, and he says in this tight voice, “Clamps, now,” and then he’s clamping off various of my blood vessels that are dancing like beheaded snakes. Even with all the activity, my hearing is so stupendous I can tell Judith, RN, is sorting through the plates and screws, and Louise, RN, through the pins, trying to find all the right-sized pieces of hardware Dr. Miner will soon insert into my body.

      Hours from now, when Dr. Miner finishes stitching me physically back together, I plan to slip into an unexplained coma, and stay there for a good long time. I am looking forward to it. I think it will be fun, and restful, and give me time to think.

      Plus, in the five hours I’ve already been in this operating room, I’ve discovered my own superhero power: I have the ability to know what’s going on in the private lives of these people caring for me.

      Like Dr. Miner, for example, he’s setting my shattered left femur now, will do the right femur next, and while he’s focused precisely on what he’s doing, another part of his brain is back home, where just hours ago the woman he loves told him that she doesn’t love him, that he is lousy in bed, and that she has been sleeping around. He doesn’t want her to pack and leave him, but what else is a real man supposed to demand? I agree—the traitor has to go, who needs to love someone frightful like that?—but I can tell Dr. Miner is weak and this betrayal will affect him for the rest of his life.

      And the anesthesiologist monitoring my pulse, calibrating my state of unconsciousness, she’s debating telling her husband she wants a boob job, to reduce, not to inflate, and she knows he’ll put up a fight, the way he loves doing all manner of things to them, stuff she can’t stand, and I can see in my mind the things her husband likes to do. I think the anesthesiologist might be kind of squeamish, because it all looks cool to me.

      And Dr. Miner’s right-hand nurse, Judith Sonnen, she’s handing Dr. Miner a plate to screw into my femur, and she’s got a prayer running through her head in a gobbledygook language, praying not for me but for her own strength. Born Esther Sonnenberg, her parents turned into evangelical Baptists when she was a kid and changed everyone’s names, and Judith Sonnen thinks she may want to be the Jew she was born to be, reclaim her name at birth.

      You can see, right, why I might not want to give up this power I’ve developed out of the blue.

      Eventually, I’ll be wheeled into a hospital room, already deep in my coma. Here’s the warning. When I’m in my coma, you will hear theories about why I did what I did, posited by those who love me and will rarely leave my bedside: my parents, Renata and Harry, my sisters, Phoebe and Rachel, our occasional housekeeper, Consuela, and my dog, Scooter, as well as theories tossed about by Dr. Miner and the nurses, Judith and Louise, who feel a sort of love for me too, because they have seen inside my body, are invested in my slow progress back toward life.

      But don’t believe any of them because they will all be wrong.

      I was not depressed, psychotic, delusional, did not think I was Christ, or some disciple, or a prophet whose name I can’t pronounce. The blood tests will prove I wasn’t

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