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KOONTZ

      The Husband

      This novel is dedicated to Andy and Anne Wickstrom, and to Wesley J. Smith and Debra J. Saunders: two good husbands and their good wives, also good friends, who always brighten the corner where they are.

      Courage is grace under pressure. —ERNEST HEMINGWAY

      That Love is all there is, Is all we know of Love

      —EMILY DICKINSON

      Contents

       Epigraph Part One: What Would You Do For Love? Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty One Chapter Twenty Two Chapter Twenty Three Chapter Twenty Four Chapter Twenty Five Chapter Twenty Six Chapter Twenty Seven Chapter Twenty Eight Part Two: Would You Die For Love? Would You Kill? Chapter Twenty Nine Chapter Thirty Chapter Thirty One Chapter Thirty Two Chapter Thirty Three Chapter Thirty Four Chapter Thirty Five Chapter Thirty Six Chapter Thirty Seven Chapter Thirty Eight Chapter Thirty Nine Chapter Forty Chapter Forty One Chapter Forty Two Chapter Forty Three Chapter Forty Four Chapter Forty Five Part Three: Until Death Us Do Part. Chapter Forty Six Chapter Forty Seven Chapter Forty Eight Chapter Forty Nine Chapter Fifty Chapter Fifty One Chapter Fifty Two Chapter Fifty Three Chapter Fifty Four Chapter Fifty Five Chapter Fifty Six Chapter Fifty Seven Chapter Fifty Eight Chapter Fifty Nine Chapter Sixty Chapter Sixty One Chapter Sixty Two Chapter Sixty Three Chapter Sixty Four Chapter Sixty Five Chapter Sixty Six Chapter Sixty Seven Chapter Sixty Eight About the Author Praise Also By Dean Koontz Copyright About the Publisher

       PART ONE

What Would You Do For Love?

       1

      Aman begins dying at the moment of his birth. Most people live in denial of Death’s patient courtship until, late in life and deep in sickness, they become aware of him sitting bedside.

      Eventually, Mitchell Rafferty would be able to cite the minute that he began to recognize the inevitability of his death: Monday, May 14, 11:43 in the morning—three weeks short of his twenty-eighth birthday.

      Until then, he had rarely thought of dying. A born optimist, charmed by nature’s beauty and amused by humanity, he had no cause or inclination to wonder when and how his mortality would be proven.

      When the call came, he was on his knees.

      Thirty flats of red and purple impatiens remained to be planted. The flowers produced no fragrance, but the fertile smell of the soil pleased him.

      His clients, these particular homeowners, liked saturated colors: red, purple, deep yellow, hot pink. They would not accept white blooms or pastels.

      Mitch understood them. Raised poor, they had built a successful business by working hard and taking risks. To them, life was intense, and saturated colors reflected the truth of nature’s vehemence.

      This

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