LITMIR.BIZ

I took off my dress and the petticoats and I put on the Englishman’s breeches and shirt. I put on his neckerchief and asked Liz to take the scissors and cut my hair short. My plait fell to the ground and there I was, a young lad. Good boy she said to me, then pulled my face towards her and kissed me on the mouth. It surprised me, I didn’t understand, I didn’t know you could do that and it was revealed to me so naturally: why wouldn’t you be able to do that? Liz’s imperious tongue entered my mouth, her spicy, flowery saliva tasted like curry and tea and lavender water. 1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina’s foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.

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Бурная и беспокойная жизнь во Вселенной полна чудес и приключений. Но выжить в ней весьма непросто. Вот эта бешеная жизнь и заставляет нашего героя постоянно браться за сомнительные задания до тех пор, пока он случайно не попадает на Землю. И после этого события он уже не может избавиться от своей привязанности к ней, раз за разом возвращаясь на ставшую ему родной планету.

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David Shepherd awakes in a cell. The middle-aged London cab driver has vague recollections of attempting to protect his female passenger from a gang of drunken youths. Patchy flash-backs of blood and screams leave him with the ominous feeling that he may have done something rather quite rash. Did he kill one of the attackers? This question is answered by the matter-of-fact Olivia, who assures him that this isn't jail and that David hasn't murdered anyone. His relief is short-lived when Olivia also reveals herself to be an Angel and that David is, in fact, in Purgatory. It appears that there was one fatality the previous night: him. And so begins the Trial of David Shepherd in the Court of Saint Peter. A court that is presided over by Angels, prosecuted by Demons and ultimately judged by a soul's adherence to the Ten Commandments. 'The Devil's in the Detail' is a religious satire, for atheists, agnostics and believers alike. It poses questions that we will all one day ponder: How are the actions we take in this life, ultimately judged? What constitutes a good life? What does it really take to pass through the Pearly Gates? As David tries to answer these questions he will discover that sometimes… The Devil's in the Detail.

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Merton of the Movies, which Gertrude Stein called “the best book about 20th century American youth,” follows midwestern bumpkin Merton Gill’s unlikely journey from a Kansas stockroom to the star-studded set of a silent film. Unfortunately, the actors he’s idolized from afar lose their luster up close, which fuels his desire to become a dramatic leading man – not some slapstick fool. By a stroke of luck, Merton lands a gig as an extra. His natural oafishness catches the eye of stuntwoman Flips Montague, and before long he’s a comic star – the only problem is, it’s all a spoof, and he doesn’t know it.
First published in 1919 in the Saturday Evening Post, and adapted three times to film and once as a Broadway musical, Harry Leon Wilson’s cartoonish tale has earned its place as an essential California classic. This freewheeling romp gets to the heart of any Angeleno’s worst nightmare: what if I’m not in on the joke?

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A woman discovers she has a rogue body part, one she’s never heard of. As she prepares herself for surgery to remove the offense, she travels to London and finds answers to her questions in unexpected places—a locked room in a museum where jars of Victorian body parts are stored, an early 19th century operating room in the attic of a church, and a diary by a woman whose husband dissected a rhinoceros in their flat. Along the way, she ponders the nature of disease, the unfortunate name given to her errant organ, and the marvels of modern surgery. This is the story of the last body part discovered—the parathyroid gland.

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