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Ужасы и Мистика
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Аннотация
It's Halloween night, 1963, in De Pere, Wisconsin. Local children dressed as ghosts, vampires, and hoboes chase one another on and off porches and through the streets, hunting for Dum Dums, Slo Pokes, and thrills. Meanwhile their parents fill the local bars, joking and fighting, bobbing for apples, and dancing to the jukebox. But all is not well. Evelyn Schmidt's life is almost at an end; she's been diagnosed with cancer and given only days to live. She'll be damned if she'll go quietly, though, in the hospital or at home. She's heading for the Idle Hour to drink up a storm, whether her fellow drinkers want her there or not. Steve Omsted is only sixteen, but it seems to him his life might as well be over. He's on academic probation, he's been kicked off the football team, and now his girlfriend has dropped him. He's looking for an easy target for his rage and has set up a nighttime ambush for his victim. Chuck Williams feels like his life hasn't even started yet, but he can't wait any longer. He'll go trick-or-treating, but he doesn't want to end up waxing windows with the other fifth-graders; he's aiming to hang out with the older kids and cause some real trouble. As the evening unfolds, the paths of these and other characters converge in a series of shocking events that will change the lives of all involved. In stark language and with bold, cinematic vision, John Dixon delivers a stunning portrait of a small town at war with itself.
Аннотация
June Wright wrote this lost gem in the mid-1950s, but consigned it to her bottom drawer after her publisher foolishly rejected it. Perhaps it was a little ahead of its time? Because while it’s a tour de force of the classic ‘country house’ murder mystery, it’s also a delightful romp, poking fun at the conventions of the genre. When someone takes advantage of a duck hunt to murder publisher Athol Sefton at a remote hunting inn, it soon turns out that virtually everyone, guests and staff alike, had a good reason for shooting him. Sefton’s nephew Charles thinks he can solve the crime by applying the “rules of the game” he’s absorbed from his years as a reviewer of detective fiction – only the killer evidently isn’t playing by those rules. Duck Season Death is a both a fiendishly clever whodunit and a marvellous entertainment.
Аннотация
First published in 1948, when it was the best-selling mystery of the year in the author’s native Australia, Murder in the Telephone Exchange stars feisty young operator Maggie Byrnes. When one of her more unpopular colleagues is murdered — her head bashed in with a “buttinski,” a piece of equipment used to listen in on phone calls — Maggie resolves to turn sleuth. Some of her coworkers are acting strangely, and Maggie is convinced she has a better chance of figuring out who is responsible for the killing than the rather stolid police team assigned to the case, who seem to think she herself might have had something to do with it. But then one of her friends is murdered too, and it looks like Maggie might be next. Narrated with verve and wit, this is a whodunit in the tradition of Dorothy L. Sayers and Daphne du Maurier, by turns entertaining and suspenseful, and building to a gripping climax.
