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First published in 2005, <I>Understanding Jihad</I> unravels the tangled historical, intellectual, and political meanings of <I>jihad</I> within the context of Islamic life. In this revised and expanded second edition, author David Cook has included new material in light of pivotal developments such as the extraordinary events of the Arab Spring, the death of Usama b. Ladin, and the rise of new Islamic factions such as ISIS.<BR /><BR /><I>Jihad</I> is one of the most loaded and misunderstood terms in the news today. Contrary to popular understanding, the term does not mean &quot;holy war.&quot; Nor does it simply refer to an inner spiritual struggle. This judiciously balanced, accessibly written, and highly relevant book looks closely at a range of sources from sacred Islamic texts to modern interpretations, opening a critically important perspective on the role of Islam in the contemporary world.<BR /><BR /> David Cook cites from scriptural, legal, and newly translated texts to give readers insight into the often ambiguous information that is used to construct Islamic doctrine. He sheds light on legal developments relevant to fighting and warfare and places the internal, spiritual jihad within the larger context of Islamic religion. He describes some of the conflicts that occur in radical groups and shows how the more mainstream supporters of these groups have come to understand and justify violence. He has also included a special appendix of relevant documents including materials related to the September 11 attacks and published manifestos issued by Usama b. Ladin and Palestinian suicide-martyrs.<BR /><BR /><BR /> &#160;

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Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, <I>Sensational Movies</I> examines video movies as seismographic devices recording a culture and society in turmoil. This book captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination and tracks the interlacing of the medium’s technological, economic, social, cultural, and religious aspects. Stepping into the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other.<BR /><BR /> Birgit Meyer analyzes Ghanaian video as a powerful, sensational form. Colliding with the state film industry’s representations of culture, these movies are indebted to religious notions of divination and revelation. Exploring the format of «film as revelation,» Meyer unpacks the affinity between cinematic and popular Christian modes of looking and showcases the transgressive potential haunting figurations of the occult. In this brilliant study, Meyer offers a deep, conceptually innovative analysis of the role of visual culture within the politics and aesthetics of religious world making.

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Missionary Stories and the Formation of the Syriac Churches analyzes the hagiographic traditions of seven missionary saints in the Syriac heritage during late antiquity: Thomas, Addai, Mari, John of Ephesus, Simeon of Beth Arsham, Jacob Baradaeus, and Ahudemmeh. Jeanne-Nicole Mellon Saint-Laurent studies a body of legends about the missionaries’ voyages in the Syrian Orient to illustrate their shared symbols and motifs. Revealing how these texts encapsulated the concerns of the communities that produced them, she draws attention to the role of hagiography as a malleable genre that was well-suited for the idealized presentation of the beginnings of Christian communities. Hagiographers, through their reworking of missionary themes, asserted autonomy, orthodoxy, and apostolicity for their individual civic and monastic communities, positioning themselves in relationship to the rulers of their empires and to competing forms of Christianity. Saint-Laurent argues that missionary hagiography is an important and neglected source for understanding the development of the East and West Syriac ecclesiastical bodies: the Syrian Orthodox Church and the Church of the East. Given that many of these Syriac-speaking churches remain today in the Middle East and India, with diaspora communities in Europe and North America, this work opens the door for further study of the role of saints and stories as symbolic links between ancient and modern traditions.

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Handbook of Religion and the Asian City highlights the creative and innovative role of urban aspirations in Asian world cities. It does not assume that religion is of the past and that the urban is secular, but instead points out that urban politics and governance often manifest religious boundaries and sensibilities—in short, that public religion is politics. The essays in this book show how projects of secularism come up against projects and ambitions of a religious nature, a particular form of contestation that takes the city as its public arena. Questioning the limits of cities like Mumbai, Singapore, Seoul, Beijing, Bangkok, and Shanghai, the authors assert that Asian cities have to be understood not as global models of futuristic city planning but as larger landscapes of spatial imagination that have specific cultural and political trajectories. Religion plays a central role in the politics of heritage that is emerging from the debris of modernist city planning. Megacities are arenas for the assertion of national and transnational aspirations as Asia confronts modernity. Cities are also sites of speculation, not only for those who invest in real estate but also for those who look for housing, employment, and salvation. In its potential and actual mobility, the sacred creates social space in which they all can meet. Handbook of Religion and the Asian City makes the comparative case that one cannot study the historical patterns of urbanization in Asia without paying attention to the role of religion in urban aspirations.

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We Are Amphibians tells the fascinating story of two brothers who changed the way we think about the future of our species. As a pioneering biologist and conservationist, Julian Huxley helped advance the «modern synthesis» in evolutionary biology and played a pivotal role in founding UNESCO and the World Wildlife Fund. His argument that we must accept responsibility for our future evolution as a species has attracted a growing number of scientists and intellectuals who embrace the concept of Transhumanism that he first outlined in the 1950s. Although Aldous Huxley is most widely known for his dystopian novel Brave New World, his writings on religion, ecology, and human consciousness were powerful catalysts for the environmental and human potential movements that grew rapidly in the second half of the twentieth century. While they often disagreed about the role of science and technology in human progress, Julian and Aldous Huxley both believed that the future of our species depends on a saner set of relations with each other and with our environment. Their common concern for ecology has given their ideas about the future of Homo sapiens an enduring resonance in the twenty-first century. The amphibian metaphor that both brothers used to describe humanity highlights not only the complexity and mutability of our species but also our ecologically precarious situation.

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Comprised of primary sources assembled from a broad chronological and geographic spectrum, <i>Islamic Theological Themes</i> is a comprehensive anthology of primary Islamic sacred texts in translation. The volume includes rare and never before translated selections, all freshly situated and introduced with a view to opening doors into the larger world of Islamic life, belief, and culture. From pre-theological material on the scriptural end of the spectrum, to the more practical material at the other, John Renard broadens our concepts of what counts as «Islamic theology,» situating Islamic theological literature within the context of the emerging sub-discipline of Relational/Comparative Theology. Divided into five parts, students and scholars will find this collection to be an indispensible tool.

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One of the critical issues in interreligious relations today is the connection, both actual and perceived, between sacred sources and the justification of violent acts as divinely mandated. <i>Fighting Words</i> makes solid text-based scholarship accessible to the general public, beginning with the premise that a balanced approach to religious pluralism in our world must build on a measured, well-informed response to the increasingly publicized and sensationalized association of terrorism and large-scale violence with religion. <br /><br />In his introduction, Renard provides background on the major scriptures of seven religious traditions—Jewish, Christian (including both the Old and New Testaments), Islamic, Baha’i, Zoroastrian, Hindu, and Sikh. Eight chapters then explore the interpretation of select facets of these scriptures, focusing on those texts so often claimed, both historically and more recently, as inspiration and justification for every kind of violence, from individual assassination to mass murder. With its nuanced consideration of a complex topic, this book is not merely about the religious sanctioning of violence but also about diverse ways of reading sacred textual sources.

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The violent partitioning of British India along religious lines and ongoing communalist aggression have compelled Indian citizens to contend with the notion that an exclusive, fixed religious identity is fundamental to selfhood. Even so, Muslim saint shrines known as dargahs attract a religiously diverse range of pilgrims. In this accessible and groundbreaking ethnography, Carla Bellamy traces the long-term healing processes of Muslim and Hindu devotees of a complex of dargahs in northwestern India. Drawing on pilgrims’ narratives, ritual and everyday practices, archival documents, and popular publications in Hindi and Urdu, Bellamy considers questions about the nature of religion in general and Indian religion in particular. Grounded in stories from individual lives and experiences, <i>The Powerful Ephemeral</i> offers not only a humane, highly readable portrait of dargah culture, but also new insight into notions of selfhood and religious difference in contemporary India.

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Foreigners and Their Food explores how Jews, Christians, and Muslims conceptualize «us» and «them» through rules about the preparation of food by adherents of other religions and the act of eating with such outsiders. David M. Freidenreich analyzes the significance of food to religious formation, elucidating the ways ancient and medieval scholars use food restrictions to think about the «other.» Freidenreich illuminates the subtly different ways Jews, Christians, and Muslims perceive themselves, and he demonstrates how these distinctive self-conceptions shape ideas about religious foreigners and communal boundaries. This work, the first to analyze change over time across the legal literatures of Judaism, Christianity, and Islam, makes pathbreaking contributions to the history of interreligious intolerance and to the comparative study of religion.

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"Today on <i>Oprah</i>," intoned the TV announcer, and all over America viewers tuned in to learn, empathize, and celebrate. In this book, Kathryn Lofton investigates the Oprah phenomenon and finds in Winfrey’s empire—Harpo Productions, <i>O Magazine</i>, and her new television network—an uncanny reflection of religion in modern society. Lofton shows that when Oprah liked, needed, or believed something, she offered her audience nothing less than spiritual revolution, reinforced by practices that fuse consumer behavior, celebrity ambition, and religious idiom. In short, Oprah Winfrey is a media messiah for a secular age. Lofton’s unique approach also situates the Oprah enterprise culturally, illuminating how Winfrey reflects and continues historical patterns of American religions.

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