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The story of the greatest British sit-com and its enduring appeal.When we laugh at Dad's Army we laugh at ourselves, and nearly fifty years after it was first broadcast, millions of us are still laughing – whenever and wherever it is repeated. With contributions from the people who planned, produced and performed the programme, and material drawn from the BBC archives, acclaimed author Graham McCann has written the definitive story of a very British comedy.This edition does not include any illustrations.

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The Romance Lover's Guide to Movie Must-SeesIf you adore Sleepless in Seattle and Pride and Prejudice and The Avengers, then you want a movie guide aimed at women like you. Women who enjoy romances and more! You like both a good kiss and a good knockout and refuse to be categorized-but you wish someone like you would recommend movies.Which brings Harlequin author and professional movie critic Heidi Rice to the rescue. Whether it's nonstop action with a little heart 'n' soul, sweetly adorable cartoons, a classic black-and-white screwball comedy or that under-the-radar flick that you never knew you were missing, Heidi Rice will lead you through her must-sees and why you will also enjoy them. From Ryan Gosling's six-pack to that iconic orgasm sandwich delivered by Meg Ryan, right up to the double whammy of hotties in Prisoners (Gyllenhaal and Jackman)—there's a little something for everyone.And a little something for that teenager inside you who's ready to watch «nekkid» man-candy and spend two hours falling in love all over again….

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The best jokes, gags and scenes from a true British comedy classic.‘They don't like it up 'em!’'People shout the «Don't tell him, Pike!» line at me regularly – and I didn't even say it!’ Philip Madoc.In the annals of British television, no finer example of classic comedy exists than in the shape of Dad's Army, the Home Guard-based sitcom written by veteran writers Jimmy Perry and David Croft. Although they penned many other sterling programmes, including Hi-De-Hi! and the underrated You Rang, M'Lord?, they'll forever be remembered for their brilliant wartime comedy spotlighting the antics of the Walmington-on-Sea Home Guard, led by the irascible and pompous Captain Mainwaring.Between 1968 and '77, nine series and three Christmas Specials – totalling 80 instalments – were screened, much to the delight of the millions of fans who tuned in; but the show's popularity has continued unabated and even today, four decades since the platoon marched onto the scene, it remains one of the golden offerings from the sitcom genre.With the 40th anniversary of Dad’s Army in 2008, what better time to celebrate the magic of this show.The Best of British Comedy – Dad’s Army includes:• The History: an overview of how Dad’s Army was born and developed• Gags and Catchphrases: a collection of classic quotes from the programme• Did You Know?: snippets of info about the show, cast, etc.• Favourite scenes: the most memorable scenes in full• A Dad’s Army quizEpisode: 'Something Nasty in the Vault'Mainwaring and Wilson are stuck in the bank's strong room. There has been an air raid and they've ended up holding an unexploded bomb. Pike arrives.Pike: Uncle Arthur?Wilson: Oh, what it is, Frank?Pike: Do you think I ought to phone mum and tell her you're holding a bomb?Wilson: No!Pike: But she might get cross if she found out that you'd been holding a bomb and she wasn't told about it.

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Раскрываецца працэс зараджэння, фарміравання і развіцця беларускага прафесійнага нацыянальнага драматычнага тэатра ў гістарычнай прасторы XX–XXI ст. Асвятляецца творчы шлях усіх дзяржаўных прафесійных тэатраў, характарызуюцца найбольш значныя спектаклі, дасягненні і асаблівасці майстэрства вядучых дзеячаў беларускага сцэнічнага мастацтва. Вучэбны дапаможнік прызначаецца студэнтам, магістрантам, аспірантам устаноў вышэйшай адукацыі па спецыяльнасцях культуры і мастацтва.

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Chinese Media in Africa: Perception, Performance, and Paradox analyzes the debate on Chinese media expansion in Africa and its implication for the African media landscape by engaging with African journalists who train and work in Chinese media organizations based in Africa. Emeka Umejei analyzes how African journalists that enter the sphere of Chinese media, often with libertarian notions of journalism, are able to navigate the collisions and collusions that inform journalism in these settings. Through extensive interviews with African journalists, Umejei explores the constant negotiation of freedoms—including the ability to always work in relation to African reality—within state-controlled media organizations. These interviews bring to light the paradoxical nature of Chinese media organizations that both preach equality with Africa and simultaneously promote Chinese hegemony in the media, highlighting the diverse contours that shape and influence journalism practices in these settings. Scholars of journalism, media studies, African studies, international relations, and sociology will find this book particularly useful.

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Did you know that the idea behind the Radio City Music Hall Rockettes was first tried out in Toronto? That Canada produced the world's longest-running annual revue? Few people realize the Canadian influences that are at the heart of American and British culture. Author Mel Atkey's research for Broadway North included interviews with Norman and Elaine Campbell and Don Harron, creators of Anne of Green Gables-The Musical; Mavor Moore, founder of the Charlottetown Festival and of Spring Thaw; John Gray, author of Billy Bishop Goes to War; Ray Jessel and Marian Grudeff, Spring Thaw writers who had success on Broadway with Baker Street; Dolores Claman, composer of the Hockey Night In Canada theme, who also wrote the musicals Mr. Scrooge and Timber!!; and Galt MacDermot, the composer of Hair who started out writing songs for the McGill University revue My Fur Lady. Included is the phenomenal success of The Drowsy Chaperone. Atkey also draws on his own experience as a writer and composer of musicals, and tells the story of why a show that should have starred James Doohan (Star Trek's Scotty) didn't happen. Composer, lyricist and author, Mel Atkey is currently based in the U.K. Proud of his Canadian cultural roots, he has long been fascinated with the notion of a distinctive Canadian musical theatre.

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Arthur Waley (1889-1966) was an influential English orientalist and sinologist who brought countless Eastern texts to English audiences. Associated with the Bloomsbury group, Waley came to prominence with the help of modernist poet Ezra Pound, who helped him find readership in influential literary magazines. In this groundbreaking collection of translations, Waley gives us his skilled renderings of «The N? Plays of Japan.» A traditional form of Japanese theater, N? drama has origins in the 14th century. With its particular strictures of style and content, N? drama is recognizable for is simplistic beauty, use of gesture, and masked actors. The subject matter of the plays is broad—often times combining the physical with the spiritual, the dramas tend to be imbued with a striking philosophical and spiritual atmosphere. Waley includes an insightful introduction into the art form prior to his thoughtful verse/prose translations of the plays. This collection is a perfect text for curious minds and scholars alike.

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Written in 1948, “The Royal Road to Card Magic” by Jean Hugard and Frederick Braué, is an important and classic beginner’s guide to over 100 different card tricks. Jean Hugard, born John Gerard Rodney Boyce in Queensland, Australia in 1872, began his professional career as a magician in 1896, eventually moving to America in 1915, where he worked in vaudeville and as a stage magician. He retired from performing professionally around 1930 and began a prolific and successful career writing books on magic. As he became older and lost his eyesight, the magician Frederick Braué began co-writing several books with Hugard on the art of card magic. Braue was a journalist and semi-professional magician who specialized in card tricks and was viewed as a master at this skill. In their book “The Royal Road to Card Magic” they bring their considerable knowledge and experience to teach beginners how to master an impressive number of famous and difficult card tricks. Complete and easy-to-understand instructions are included for such tricks as false shuffles, the guide, the pass, the classic force, and many, many more. This timeless guide is an important book for anyone looking for an introduction in how to master card magic.

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First published in 1953, “To the Actor: On the Technique of Acting” is the famous and influential guide to acting by Russian-American actor, director, and teacher Michael Chekhov. Born in Saint Petersburg in 1891 and the nephew of Russian playwright Anton Chekhov, Michael Chekhov studied acting from the famed theater director Konstantin Stanislavski at the First Studio of the Moscow Art Theatre and was considered by Stanislavski to be his most brilliant student. While Chekhov was at first a practitioner of Stanislavski’s “system”, which was later known as “Method Acting”, he began to disagree with his teacher’s approach and developed his own system. Chekhov sought to teach actors to discover their characters and themselves through physical gestures and imagination, rather than through a psychological or emotional examination, as favored by Stanislavski. He focused on finding the physical identity of a character and internalizing it until it becomes second nature. Chekhov’s approach was incredibly successful and he personally taught such legends as Clint Eastwood, Yul Brynner, Marilyn Monroe, Anthony Quinn, and Elia Kazan. “To the Actor: On the Technique of Acting” is an essential and timeless text for actors and directors, as well as for students and fans of theater and film.

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