LITMIR.BIZ

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Baskets made of baleen, the fibrous substance found in the mouths of plankton-eating whales�a malleable and durable material that once had commercial uses equivalent to those of plastics today�were first created by Alaska Natives in the early years of the twentieth century. Because they were made for the tourist trade, they were initially disdained by scholars and collectors, but today they have joined other art forms as a highly prized symbol of native identity. Baskets of exquisite workmanship, often topped with fanciful ivory carvings, have been created for almost a century, contributing significantly to the livelihood of their makers in the Arctic villages of Barrow, Point Hope, Wainwright, and Point Lay, Alaska.Baleen Basketry of the North Alaskan Eskimo, originally published in 1983, was the first book on this unusual basket form. In this completely redesigned edition, it remains the most informative work on baleen baskets, covering their history, characteristics, and construction, as well as profiling their makers. Illustrations of the basketmakers at work and line drawings showing the methods of construction are a charming addition to this book, which belongs in the library of all those with an interest in the art of basketry and in Alaskan Native arts in general.

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From a Three-Cornered World presents 60 poems by James Mitsui, 25 of them new. His poetry has, over two decades� time and three previous volumes, asserted a strong and significant voice within the growing tradition of Asian American literature.Mitsui�s poems contain a family history of immigration to the Pacific Northwest from Japan and the assimilation of American culture over three generations, including the relocation of Japanese Americans during World War II. His vignettes of family life are gems of bittersweet humor and tenacious affection, revealing a deft and earthly poetic charm. Mitsui ranges over many subjects and deals with major themes in language that is spare yet lyrical, expressing historical insight in profoundly moving imagery.

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Although Franz Boas–one of the most influential anthropologists of the twentieth century–is best known for his voluminous writings on cultural, physical, and linguistic anthropology, he is also recognized for breaking new ground in the study of so-called primitive art. His writings on art have major historical value because they embody a profound change in art history.Nineteenth-century scholars assumed that all art lay on a continuum from primitive to advanced: artworks of all nonliterate peoples were therefore examples of early stages of development. But Boas�s case studies from his own fieldwork in the Pacific Northwest demonstrated different tenets: the variety of history, the influence of diffusion, the symbolic and stylistic variation in art styles found among groups and sometimes within one group, and the role of imagination and creativity on the part of the artist.This volume presents Boas�s most significant writings on art (dated 1889-1916), many originally published in obscure sources now difficult to locate. The original illustrations and an extensive, combined bibliography are included.Aldona Jonaitis�s careful compilation of articles and the thorough historical and theoretical framework in which she casts them in her introductory and concluding essays make this volume a valuable reference for students of art history and Northwest anthropology, and a special delight for admirers of Boas.

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