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Аннотация
Аннотация
Boris Pahor spent the last fourteen months of World War II as a prisoner and medic in the Nazi camps at Bergen-Belsen, Harzungen, Dachau and Natzweiler-Struthof. Twenty years later, as he visited the preserved remains of a camp, his experiences came back to him: the emaciated prisoners; the ragged, zebra-striped uniforms; the infirmary reeking of dysentery and death.
Necropolis is Pahor’s stirring account of providing medical aid to prisoners in the face of the utter brutality of the camps – and coming to terms with the guilt of surviving when millions did not. It is a classic account of the Holocaust and a powerful act of remembrance.
Necropolis is Pahor’s stirring account of providing medical aid to prisoners in the face of the utter brutality of the camps – and coming to terms with the guilt of surviving when millions did not. It is a classic account of the Holocaust and a powerful act of remembrance.
Аннотация
LA, 1997. The city is restless and simmering with tension. In two seemingly unconnected attacks, rap superstars Tupac Shakur and Notorious B.I.G. are brutally murdered. Across town, a black off-duty cop is gunned down by a white undercover cop in broad daylight.
Award-winning journalist Randall Sullivan's searing investigation uncovers a mass of connections to Suge Knight and his infamous label Death Row Records. But as Sullivan follows his leads into the darkest corners of the city, he finds the case thwarted at every turn by the LAPD itself – and realises that he is caught in a web of police corruption that spreads wider than he could have ever imagined.
Award-winning journalist Randall Sullivan's searing investigation uncovers a mass of connections to Suge Knight and his infamous label Death Row Records. But as Sullivan follows his leads into the darkest corners of the city, he finds the case thwarted at every turn by the LAPD itself – and realises that he is caught in a web of police corruption that spreads wider than he could have ever imagined.
Аннотация
Edited and introduced by Andrew Tod.
‘I was born on the 7th May 1797 of a Sunday evening at No. 5 N. side of Charlotte Square, Edinburgh, in my father’s own lately built house and I am the eldest of five children he and my mother raised to maturity.’
Thus opens one of the most famous set of memoirs ever written. Since its first bowdlerised edition in 1898, they have been consistently in print. This is the first ever complete text.
Written between 1845 and 1854 the memoirs were originally intended simply for Elizabeth’s family, but these vivid and inimitable records of life in the early 19th century, and above all on the great Rothiemurchus estate, full of sharp observation and wit, form an unforgettable picture of her time. The story ends with the thirty-three-year-old Elizabeth finding her own future happiness in marriage to an Irish landowner, Colonel Smith of Baltiboys.
‘A masterpiece of historical and personal recall.’ Scotsman
‘I was born on the 7th May 1797 of a Sunday evening at No. 5 N. side of Charlotte Square, Edinburgh, in my father’s own lately built house and I am the eldest of five children he and my mother raised to maturity.’
Thus opens one of the most famous set of memoirs ever written. Since its first bowdlerised edition in 1898, they have been consistently in print. This is the first ever complete text.
Written between 1845 and 1854 the memoirs were originally intended simply for Elizabeth’s family, but these vivid and inimitable records of life in the early 19th century, and above all on the great Rothiemurchus estate, full of sharp observation and wit, form an unforgettable picture of her time. The story ends with the thirty-three-year-old Elizabeth finding her own future happiness in marriage to an Irish landowner, Colonel Smith of Baltiboys.
‘A masterpiece of historical and personal recall.’ Scotsman
Информация о книге
Автор произведения Elizabeth Grant
Жанр Биографии и Мемуары
Серия Canongate Classics
Аннотация
THE SUNDAY TIMES TOP TEN BESTSELLER SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZE
'Tender, wise and funny' Sunday Express 'Beautifully observed, deadly funny' Max Porter
Before becoming an acclaimed musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties and the female pop icons who hinted at a new kind of living.
Returning to the scene of her childhood, Thorn takes us beyond the bus shelters, the pub car parks and the weekly discos, to the parents who wanted so much for their children and the children who wanted none of it. With great wit and insight, Thorn reconsiders the Green Belt post-war dream so many artists have mocked, and yet so many artists have come from.
'Tender, wise and funny' Sunday Express 'Beautifully observed, deadly funny' Max Porter
Before becoming an acclaimed musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties and the female pop icons who hinted at a new kind of living.
Returning to the scene of her childhood, Thorn takes us beyond the bus shelters, the pub car parks and the weekly discos, to the parents who wanted so much for their children and the children who wanted none of it. With great wit and insight, Thorn reconsiders the Green Belt post-war dream so many artists have mocked, and yet so many artists have come from.