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Аннотация
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Автор произведения William L. Lorimer
Жанр Биографии и Мемуары
Серия Canongate Classics
Аннотация
Where do we go when we die? Or is there nowhere to go? Is death something we can do or is it just something that happens to us?
Now in his ninth decade, former Bishop of Edinburgh Richard Holloway has spent a lifetime at the bedsides of the dying, guiding countless men and women towards peaceful deaths. In The Last Bus, he presents a positive, meditative and profound exploration of the many important lessons we can learn from death: facing up to the limitations of our bodies as they falter, reflecting on our failings, and forgiving ourselves and others.
But in a modern world increasingly wary of acknowledging mortality, The Last Bus is also a stirring plea to reacquaint ourselves with death. Facing and welcoming death gives us the chance to think about not only the meaning of our own life, but of life itself; and can mean the difference between ordinary sorrow and unbearable regret at the end.
Radical, joyful and moving, The Last Bus is an invitation to reconsider life's greatest mystery by one of the most important and beloved religious leaders of our time.
Now in his ninth decade, former Bishop of Edinburgh Richard Holloway has spent a lifetime at the bedsides of the dying, guiding countless men and women towards peaceful deaths. In The Last Bus, he presents a positive, meditative and profound exploration of the many important lessons we can learn from death: facing up to the limitations of our bodies as they falter, reflecting on our failings, and forgiving ourselves and others.
But in a modern world increasingly wary of acknowledging mortality, The Last Bus is also a stirring plea to reacquaint ourselves with death. Facing and welcoming death gives us the chance to think about not only the meaning of our own life, but of life itself; and can mean the difference between ordinary sorrow and unbearable regret at the end.
Radical, joyful and moving, The Last Bus is an invitation to reconsider life's greatest mystery by one of the most important and beloved religious leaders of our time.
Аннотация
'One of the most memorable, heart-stopping autobiographies I have ever read' STEPHEN FRY
WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE THE NEW YORK TIMES BESTSELLER ATTITUDE MAGAZINE'S BOOK OF THE YEAR
A beloved star of stage and screen, Alan Cumming's life and career have been shaped by a complex and dark family past – full of troubled memories, kept buried away. But then an unexpected phone call from his long-estranged father brought the pain of the past hurtling back into the present, and unravelled everything he thought he knew about himself. Not My Father's Son is the story of his journey of discovery, both a memoir of his childhood in Scotland, and an investigation into his family history which would change him forever.
'Equal parts memoir, whodunnit and manual for living . . . beautifully written, honest . . . I was completely sucked in' NEIL GAIMAN
WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE THE NEW YORK TIMES BESTSELLER ATTITUDE MAGAZINE'S BOOK OF THE YEAR
A beloved star of stage and screen, Alan Cumming's life and career have been shaped by a complex and dark family past – full of troubled memories, kept buried away. But then an unexpected phone call from his long-estranged father brought the pain of the past hurtling back into the present, and unravelled everything he thought he knew about himself. Not My Father's Son is the story of his journey of discovery, both a memoir of his childhood in Scotland, and an investigation into his family history which would change him forever.
'Equal parts memoir, whodunnit and manual for living . . . beautifully written, honest . . . I was completely sucked in' NEIL GAIMAN
Аннотация
James Rhodes' passion for music has been his absolute lifeline. It has been the thread that has held him together through a life that has encompassed pain, conflict and turmoil. Listening to Rachmaninov on a loop as a traumatised teenager or discovering an Adagio by Bach while in a hospital ward – such exquisite miracles of musical genius have helped him survive his demons, and, along with a chance encounter with a stranger, inspired him to become the renowned concert pianist he is today. This is a memoir like no other: unapologetically candid, boldly outspoken and surprisingly funny – James' prose is shot through with an unexpectedly mordant wit, even at the darkest of moments. An impassioned tribute to the therapeutic powers of music, Instrumental also weaves in fascinating facts about how classical music actually works and about the extraordinary lives of some of the great composers. It explains why and how music has the potential to transform all of our lives.
Аннотация
THE NUMBER ONE SUNDAY TIMES BESTSELLER
WHAT DOES IT MEAN TO FEEL TRULY ALIVE?
Aged 24, Matt Haig's world caved in. He could see no way to go on living. This is the true story of how he came through crisis, triumphed over an illness that almost destroyed him and learned to live again.
A moving, funny and joyous exploration of how to live better, love better and feel more alive, Reasons to Stay Alive is more than a memoir. It is a book about making the most of your time on earth.
"I wrote this book because the oldest clichés remain the truest. Time heals. The bottom of the valley never provides the clearest view. The tunnel does have light at the end of it, even if we haven't been able to see it . . . Words, just sometimes, really can set you free."
WHAT DOES IT MEAN TO FEEL TRULY ALIVE?
Aged 24, Matt Haig's world caved in. He could see no way to go on living. This is the true story of how he came through crisis, triumphed over an illness that almost destroyed him and learned to live again.
A moving, funny and joyous exploration of how to live better, love better and feel more alive, Reasons to Stay Alive is more than a memoir. It is a book about making the most of your time on earth.
"I wrote this book because the oldest clichés remain the truest. Time heals. The bottom of the valley never provides the clearest view. The tunnel does have light at the end of it, even if we haven't been able to see it . . . Words, just sometimes, really can set you free."
Аннотация
In 1966 John Berger spent three months in the Forest of Dean shadowing an English country GP, John Sassall. Sassall is a fortunate man – his work occupies and fulfils him, he lives amongst the patients he treats, the line between his life and his work is happily blurred.
In A Fortunate Man, Berger's text and the photography of Jean Mohr reveal with extraordinary intensity the life of a remarkable man. It is a portrait of one selfless individual and the rural community for which he became the hub. Drawing on psychology, biography and medicine A Fortunate Man is a portrait of sacrifice. It is also a profound exploration of what it means to be a doctor, to serve a community and to heal.
With a new introduction by writer and GP, Gavin Francis.
In A Fortunate Man, Berger's text and the photography of Jean Mohr reveal with extraordinary intensity the life of a remarkable man. It is a portrait of one selfless individual and the rural community for which he became the hub. Drawing on psychology, biography and medicine A Fortunate Man is a portrait of sacrifice. It is also a profound exploration of what it means to be a doctor, to serve a community and to heal.
With a new introduction by writer and GP, Gavin Francis.
Аннотация
When Emmett Till was murdered aged fourteen for allegedly whistling at a white woman, photographs of his destroyed face became a flashpoint in the civil rights movement. A decade earlier Emmett’s father, Louis, had also been killed – court-martialled and hanged. Though the circumstances could hardly have been more different, behind both deaths stood the same crime, of being black.
In Writing to Save a Life, John Edgar Wideman, born the same year as Emmett Till, investigates the tragic fates of father and son. Mixing research, memoir and imagination, this book is an essential commentary on racism in America – illuminating, humane and profound.
In Writing to Save a Life, John Edgar Wideman, born the same year as Emmett Till, investigates the tragic fates of father and son. Mixing research, memoir and imagination, this book is an essential commentary on racism in America – illuminating, humane and profound.
Аннотация
In this dazzling collection, Annie Dillard explores the world over, from the Arctic to the Ecuadorian jungle, from the Galapagos to her beloved Tinker Creek. With her entrancing gaze she captures the wonders of natural facts and human meanings: watching a sublime lunar eclipse, locking eyes with a wild weasel, or beholding mirages appearing over Puget Sound through summer.
Annie Dillard is one of the most respected and influential figures in contemporary non-fiction and winner of the Pulitzer Prize. Teaching a Stone to Talk illuminates the world around us and showcases Dillard in all her enigmatic genius.
Annie Dillard is one of the most respected and influential figures in contemporary non-fiction and winner of the Pulitzer Prize. Teaching a Stone to Talk illuminates the world around us and showcases Dillard in all her enigmatic genius.
Аннотация
Shortlisted for the Penderyn Music Book Prize
Sticky Fingers is the story of how one man's ego and ambition captured the 1960s youth culture of rock and roll and turned it into a hothouse of fame, power, politics, and riches that would last for fifty years. Drawn from dozens of hours of interviews with Jann Wenner, who granted Joe Hagan exclusive access to his vast personal archive, this biography reveals how Wenner manufactured an unforgettable cultural mythology in story and image every other week for five decades.
Hagan captures in stunning detail the extraordinary stories behind Rolling Stone, the magazine that reinvented youth culture, and marketed the libertine world of late-sixties San Francisco. He chronicles Wenner's marksmanship as an editor, his instinctive understanding of the zeitgeist, his endless pursuit of fame and power and his capacity for betrayal that would earn him as many enemies as friends.
Featuring on-the-record interviews with Mick Jagger, Bruce Springsteen, Paul McCartney, Elton John, Keith Richards, Pete Townsend, Yoko Ono, Billy Joel, Tom Wolfe, Cameron Crowe, Lorne Michaels, David Geffen, Dan Aykroyd, Bette Midler, and many others, Hagan describes Wenner with intimacy, nuance, and complexity.
Like a real life Clash of the Titans, STICKY FINGERS captures the spirit of the age and paints an unforgettable portrait of one of the most significant cultural forces of our time.
Sticky Fingers is the story of how one man's ego and ambition captured the 1960s youth culture of rock and roll and turned it into a hothouse of fame, power, politics, and riches that would last for fifty years. Drawn from dozens of hours of interviews with Jann Wenner, who granted Joe Hagan exclusive access to his vast personal archive, this biography reveals how Wenner manufactured an unforgettable cultural mythology in story and image every other week for five decades.
Hagan captures in stunning detail the extraordinary stories behind Rolling Stone, the magazine that reinvented youth culture, and marketed the libertine world of late-sixties San Francisco. He chronicles Wenner's marksmanship as an editor, his instinctive understanding of the zeitgeist, his endless pursuit of fame and power and his capacity for betrayal that would earn him as many enemies as friends.
Featuring on-the-record interviews with Mick Jagger, Bruce Springsteen, Paul McCartney, Elton John, Keith Richards, Pete Townsend, Yoko Ono, Billy Joel, Tom Wolfe, Cameron Crowe, Lorne Michaels, David Geffen, Dan Aykroyd, Bette Midler, and many others, Hagan describes Wenner with intimacy, nuance, and complexity.
Like a real life Clash of the Titans, STICKY FINGERS captures the spirit of the age and paints an unforgettable portrait of one of the most significant cultural forces of our time.