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As numerous scholars have noted, The Revelation was first received orally. Directed not merely to the intellect, its author deliberately employed different literary schemes and devices to evoke the imagination of his audience. In this new study, Joe Lunceford examines the specific use of parody and counterimaging in The Revelation, arguing that this often overlooked device was an essential means by which its author engaged the imagination of his readers and hearers.
In light of the best of recent scholarship on The Revelation, Lunceford examines over thirty uses of this device–most notably the contrasting images of the «evil trinity» of dragon, beast from the sea, and beast from the earth and the Holy Trinity.

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For many years I have had an interest in the equality of women and men, particularly in the church, where it has been woefully lacking for the most part. More recently Fundamentalist theologians have become increasingly blatant in asserting that the Bible teaches subordination of women to men both inside and outside the church. I have argued that this idea results from an irresponsible proof-texting from the Bible. I am convinced that, when taken as a whole, looking at all passages referring to women, the Bible supports the complete equality of women with men. I have undertaken to demonstrate this fact by looking carefully at the stories of women in the Bible, both named and unnamed, who were not submissive to men and who refused to settle for the role which their society attempted to assign them. I have taken these passages from the Bible and interpreted them within the context into which they are placed, to the degree that this can be determined. My goal was to find every story in the Bible in which a woman stepped out of her societal role and did something only men were supposed to do. I leave to the reader to decide whether or not I have succeeded.

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