LITMIR.BIZ

Distinguished by black comedy and an international perspective, Ken Kalfus' stories frequently fold into each other and are most often about the abrupt dislocation of people bumping into different cultures, be they real, hallucinated, dreamed, or desired. His characters — which include an endless line of refugees fleeing Sarajevo with no particular destination, an Irish au pair plagued by her own psychosexual fears in a Paris science museum, and an entirely fictitious baseball league — are constantly thumping their heads against a shifting reality. Kalfus' sympathetic portraits of human beings caught in the tectonic cultural shifts that disrupt our lives are frequently hilarious, consistently touching, and powerfully creative.

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Kalfus plucks individual lives from the stew of a century of Russian history and serves them up in tales that range from hair-raising to comic to fabulous. The astonishing title story follows a doomed nuclear power plant worker as he hawks a most unusual package on the black market—a canister of weapons-grade plutonium. In “Orbit,” the first cosmonaut navigates several items not on the preflight checklist as he prepares to blaze the trail for the new communist society, “floating free of terrestrial compromise.” In “Budyonnovsk,” a young man hopes desperately that the takeover of his town by Chechen rebels will somehow save his marriage. Set in the 1920s, “Birobidzhan” is the bittersweet story of a Jewish couple journeying to the Soviet Far East, where they intend to establish the modern world’s first Jewish state. The novella, “Peredelkino,” which closes the book, traces the fortunes of a 1960s literary apparatchik whose romantic intrigues inadvertently become political.Together, these works of fiction capture the famously enigmatic Russian psyche. They display Kalfus’s ability to imagine a variety of believable yet wholly singular characters whose lives percolate against a backdrop of momentous events.

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