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Nilo Cruz is the most produced Cuban American playwright in the United States and was the first dramatist of Hispanic descent to receive the Pulitzer Prize. In his plays, Cruz almost always journeys back to Cuba, even when the play is not set there. Cruz is a sensualist, a conjurer of mysterious voyages and luxuriant landscapes. He is a poetic chronicler, a documentarian of the presence of Latin people in American life. He conveys the strength and persistence of the Cuban spirit through a wholly dramatic imagination. This volume also includes the one-act play, Capriccio . Two Sisters and a Piano “Cruz’s tightly constructed study of incarcerated sisters provides the spine for an authentic study of oppression that bends but never breaks the human spirit.”— Variety Beauty of the Father “He is that rare American scribe who embraces the role of stage poet and the legacy of Tennessee Williams.”— The Seattle Times Hortensia and the Museum of Dreams “Cruz explores all kinds of loss . . . lost childhood, lost freedom, lost innocence. Yet he infused Hortensia with joy, with desire, with humor and hope and healing.”— The Miami Herald Lorca in a Green Dress “Like Lorca, Cruz is a lyrical writer in whom the surreal is grounded in the musical world of the senses . . . it is fresh, wonderful and dazzling.”— Mail Tribune (Oregon) Nilo Cruz is the author of many plays, including A Park in Our House , A Bicycle Country , Dancing on Her Knees , Night Train to Bolina and other works. He is a recipient of numerous awards, including the Pulitzer Prize for Drama, the Alton Jones Award and the Kesselring Prize. Mr. Cruz is a professor at the Yale School of Drama. He resides in New York City and is a New Dramatists alumnus.

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“In Beauty of the Father one of the American theater’s most promising voices rings true and strong.”—Lynn Jacobson, Variety “Cruz conducts arias with his pen. He is a writer of ideas, who fills the stage with a kind of lush dramatic literature . . . Beauty of the Father brings to mind the playwright Maria Irene Fornes. Like his artistic forebear, Cruz recognizes the magic in the everyday. And he has found an astonishing language with which to describe it.”—Hilton Als, The New Yorker In his latest play, Nilo Cruz asks: What will we sacrifice in the name of love? A young woman named Marina reunites with her father Emiliano in his artistic home, populated by his worldly wise female companion Paquita and the irresistible young Moroccan Karim, whom father and daughter both fall for. Set in the south of Spain, Beauty of the Father invokes the ghost of Federico García Lorca, both with its lyrical language and as a character in a white linen suit who appears to Emiliano as he paints. The play’s rhythms are infused with the spirit of the Andalusians—a people who sing their sorrows in the cante jondo—as Cruz once again creates poetry to the tune of unrequited love. Nilo Cruz won the 2003 Pulitzer Prize for Drama for his play Anna in the Tropics. Other works include Two Sisters and a Piano, Lorca in a Green Dress, Night Train to Bolina, A Bicycle Country, and Dancing on Her Knees. He is one of this country’s most produced Cuban American writers.

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Winner of the 2003 Pulitizer Prize for Drama. . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new «lector» (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land."The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, the world premiere work he created for Coral Gables’ intimate New Theatre, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami HeraldNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, among others. Anna in the Tropics also won the Steinberg Award for Best New Play. Mr. Cruz teaches playwriting at Yale University and lives in New York City.

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“Extraordinary and evocative, the stellar Anna in the Tropics is a work of art.”—Christine Dolen, Miami Herald This lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect of the arrival of a new “lector” (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.

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"The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all."—The Miami Herald One of the United States' most-produced Cuban American writers, Nilo Cruz employs his signature poetic imagery and vivid language to tender and humorous effect in this pair of his newest works. The Color of Desire, set in 1960 Havana, revolves around a passionate romance between an American businessman and an out-of-work Cuban actress. As the relationship becomes a metaphor for their countries' ruptured love affair, Cruz artfully weds magical realism to a familial story that is touching, harrowing, and funny. In Hurricane, a damaged family—a fire-and-brimstone missionary; his wife, who he saved in more than the spiritual sense; and their adopted son, who seems to have materialized from the ocean—face a shocking crisis when a hurricane ravages their Caribbean town. A celebration of humility, generosity, and kindness, Cruz's play explores the nature of identity, faith, and the redemptive power of love. Nilo Cruz is the author of the Pulitzer Prize–winning Anna in the Tropics, as well as A Park in Our House, A Bicycle Country, Dancing on Her Knees, Night Train to Bolina, Two Sisters and a Piano, and other works.

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"The poetry of Cruz's writing is what those who love his work cite most often about his style, and [i]Sotto Voce has that. Yet it also contains passages that are realistic, whimsical, sensual and heartbreaking. Cruz may be that rarity, a poet of the stage, but he is first and foremost a dramatist."—[i]The Miami HeraldAriel Strauss, a Jewish Cuban man, strives to explore his cultural history when he encounters Bemadette Kahn, an older woman and famed novelist who seeks to relive hers. Cruz's passionate romantic drama takes place in a dreamscape, somewhere between history and memory, present and past. [i]Sotto Voce is a work of dramatic poetry and an imaginative exploration of nostalgia and the ensuing heartbreak it comes with.[b]Nilo Cruz was the first Latino playwright to win the Pulitzer Prize for Drama for his play [i]Anna in the Tropics. His other plays include [i]Night Train to Bolina, [i]Dancing on her Knees, [i]A Park in Our House, [i]Two Sisters and a Piano, [i]The Color of Desire, Hurricane, A Bicycle Country, [i]Hortensia and the Museum of Dreams, [i]Lorca in a Green Dress, [i]Beauty of the Father, and translations of Lorca's [i]Doña Rosita the Spinster and [i]The House of Bernarda Alba. He is the third recipient of the Greenfield Prize, a $30,000 grant to produce new work.

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