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Thierry Sagnier
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Аннотация
It is 1919, and France is beginning its recuperation from the ravages of World War I.
Henri Désiré Landru, seducer and murderer of war widows, has just been caught and is in prison, plotting his escape. Frederick and Easter Cowles, American newlyweds, are in Paris on their honeymoon. Easter, a hopeful artist, is fascinated by the young painter Amedeo Modigliani and wants to study painting.
Frederick’s tastes are simpler; he has no interest in artists or Paris nightlife, but hopes to use this trip as an opportunity to begin a successful, stable marriage with a woman who he is rapidly coming to realize he barely knows. And then, there is the opium…
Henri Désiré Landru, seducer and murderer of war widows, has just been caught and is in prison, plotting his escape. Frederick and Easter Cowles, American newlyweds, are in Paris on their honeymoon. Easter, a hopeful artist, is fascinated by the young painter Amedeo Modigliani and wants to study painting.
Frederick’s tastes are simpler; he has no interest in artists or Paris nightlife, but hopes to use this trip as an opportunity to begin a successful, stable marriage with a woman who he is rapidly coming to realize he barely knows. And then, there is the opium…
Аннотация
Set in Paris shortly after World War II, L’Amérique recounts the fortitude of one Parisian family in a nation humiliated by defeat and torn by recriminations. It is above all the story of Jeanot, a boy raised by disparate people in a middle-class apartment building, and the journey that will take him to L’Amérique, where dreams come true, but rarely as expected.
Jeanot’s world is peopled by his great aunt Tatie, who sleeps with her hat on, her detestable maid Guénolé, and Kharkov, the building’s White Russian concierge. And then there are his extraordinary friends, Dédé and Babette in Paris, and KC and Robert in America.
L’Amérique is a story of growing up in a country with little to offer its people, and of coming of age in a strange mythical land of too many promises.
Jeanot’s world is peopled by his great aunt Tatie, who sleeps with her hat on, her detestable maid Guénolé, and Kharkov, the building’s White Russian concierge. And then there are his extraordinary friends, Dédé and Babette in Paris, and KC and Robert in America.
L’Amérique is a story of growing up in a country with little to offer its people, and of coming of age in a strange mythical land of too many promises.