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This latest volume in the New Naturalist series provides a comprehensive study of wildlife conservation in Britain, concentrating on events in the last 30 years.As our environment is subjected to increasing assault from climatic changes and pollutants, conservation has become a growing concern for both specialists and generalists alike.The first chapter of this book considers the political and institutional development of nature conservation and reviews the physical and biological nature of Britain, its geology, climate and wildlife habitats.Subsequent chapters cover the loss of habitats and species, how these losses have been managed and the techniques used to survey and monitor the integration of nature conservation policies in industries from agriculture to forestry and fisheries.Marren continues by discussing how nature conservation has emerged from the sidelines to become a major concern. He addresses the role of the media, weighs up the successes and failures of the conservation movement and looks to what the future may hold.

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The stunning, specially commissioned cover illustrations are one of the great joys of the New Naturalist series, lending it a distinctive style which has inspired nature enthusiasts for many decades.The Collins New Naturalist series is the longest-running and arguably the most influential natural history series in the world with over 100 volumes published in over 60 years. Throughout the years, the highly characteristic dust jacket illustrations have become iconic, lifting the books to a level of collectibility and increasing the level of admiration for an already well-established and respected series.With early cover illustrations prepared by Clifford and Rosemary Ellis, later and more recent covers have been designed by Robert Gillmor. Featuring prints of the awe-inspiring artwork of the New Naturalists, the book will offer a unique insight into Gillmor’s approach to each subject matter and the intricate and creative way through which he has brought his own distinctive style and craft of printmaking to the New Naturalist series.Marren explores the findings from the Ellis archive, which has thrown up considerable information on how the old covers were developed, approved, in some cases rejected, and then proofed.The Art of the New Naturalists offers a fascinating insight into how the creation of these eminent cover designs has developed and progressed and will be essential reading for everyone interested in the frantic workings behind the seemingly serene collection of artwork that is one of Britain’s iconic book series.

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