LITMIR.BIZ

The former Prime Minister takes a remarkable journey into his family past to tell the richly colourful story of the British music hall in this Theatre Book Prize-shotlisted history.Music hall was one of the glories of Victorian England. Sentimental, vulgar, class-conscious, but always patriotic and on the side of the underdog, it held a mirror to the audiences’ hopes and fears, and sometimes the general absurdity of life.Vast, smoke-filled auditoriums were packed night after night in nearly every town and city in Britain. The most popular performers, such as Marie Lloyd, Vesta Tilley and George Robey, were among the highest paid and most celebrated figures in the land.This was the world that John Major’s father Tom entered at the age of 21 as a comedian and singer. In My Old Man, the former prime minister uses his father’s story as a springboard for telling the entertaining history of the music hall, from its origins in Elizabethan times through to its heyday in the nineteenth century and eventual decline with the rise of radio and cinema in the twentieth century.Packed with colourful anecdotes about the great performers of the day, this warm-hearted history conjures up a lost age.

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‘The best memoir by a senior politician for years.’ Simon Jenkins, Sunday TimesJohn Major’s autobiography is one of the most personal and revealing ever written by a former British Prime Minister. The account of his childhood, rise and fall is candid, scrupulous and unsparing.Major’s early life was extraordinary; his rise through Parliament meteoric. Soon a favourite of Margaret Thatcher, he became Foreign Secretary and then Chancellor of the Exchequer. When Thatcher fell, he fought and won a shrewd campaign to succeed her, and went on to win a remarkable general election victory in 1992. He brought down inflation and ushered in a solid economic recovery, yet within months of the 1992 election, his government was in troubled waters. John Major is candid about his fight to keep sterling in the ERM and his reactions to ‘Black Wednesday’. He is frank about the civil war within his party over Britain’s relationship with the EU. He is honest about what he won and what he lost, about friends and foes within his party as well as outside.

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The former Prime Minister examines the early history of one of the great loves of his life in a book that sheds new light on the summer game’s social origins.All his life John Major has loved cricket. In ‘More Than a Game’ he examines it from its origins up to the coming of the First World War. Along the way he considers the crucial role of the wealthy patrons who gambled huge sums on early matches; the truth behind the legends that have grown up around the famous Hambledon Club; changes in rules and techniques, including the transition from underarm to overarm bowling; the long-standing, but often blurred, distinction between 'gentlemen' and 'players'; the coming of the MCC and its role as the supreme arbiter of the game; the spread of cricket throughout the British Empire; and the emergence of the county game and international competition.It is a story rich in anecdote and colourful characters. Many of the great names from the 'Golden Age' of cricket – C.B. Fry, Ranjitsinhji, 'Demon' Spofforth and of course the towering figure of W.G. Grace – are still well-known today. But long before then the game already had its stars: men like the Kentish innkeeper's son 'Lumpy' Stevens, who played at the highest level until he was nearly sixty; 'Silver Billy' Beldham, who was taught how to play by a gingerbread baker; the notoriously avaricious and ill-tempered Lord Frederic Beauclerk, a direct descendant of Charles II and Nell Gwynne; and the mighty 'Lion of Kent' Alfred Mynn.

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