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Preachers around the globe have come to rely on Will Willimon for insight and advice on the craft of preaching. For over a decade, Willimon has published his reflections in the «Five-Minute Preaching Workshop,» a quarterly column he writes as editor of Pulpit Resource. Here the best selections from that column have been brought together into a single volume for the first time. Drawing on years of experience, study, and careful observation of the current state of preaching, Willimon offers candid thoughts on a wide range of homiletical issues-from theological to pastoral, cultural, and stylistic. Readers will find challenge and inspiration from a few hours spent in the studio of this master preacher.

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Although Emily Dickinson is sometimes seen as a religious skeptic, she never gave up on God, struggling with issues of faith and doubt throughout her life. Many of her poems depict such struggles, sometimes with humor and sometimes with despair. Reading and reflecting on these poems can be a powerful way to listen to and experience God through the arts.
Mending a Tattered Faith presents, first, an accessible introduction to the mysteries of Dickinson's life and poetry, considering her relationships to her family and the church, the significant poetic strategies she employed, and the dramatic family struggle over publishing her poetry that began soon after her death. It then offers twenty-nine carefully selected poems by Dickinson, each with an accompanying meditation. By helping readers unpack Dickinson's intense but brief poems, supplying absorbing historical background and information, and relating some personal stories and reflections, this book encourages readers to embark upon their own meditative journey with Dickinson, whose engaging struggles with faith and doubt can help illuminate our own spiritual questions, sorrows, and joys.

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This ethnographic study focuses on the religious imagery and practices of a sample of Buddhist temples and Muslim mosques in the greater Los Angeles area. As a way of expanding interfaith dialogue, it is framed as a conversation between the largely Christian researchers and the seventy-five respondents, who were asked about the images, space, and practices of their religious experience. From the respondents in their various religious settings, it seeks to distill the specific religious imaginations and aesthetic profiles that might be said to characterize their experience–to discover what might be considered the living images of these faiths.
Set in the context of contemporary discussions of the nature of religion and visual culture, this richly textured study of visual and sensory practices in religion raises fundamental questions about the place of belief and ritual practice and the role these play in our increasingly pluralistic religious culture.

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Dance in Scripture: How Biblical Dancers Can Revolutionize Worship Today examines the dances of seven biblical figures: Miriam, Jephthah's daughter, David, the Shulamite, Judith, Salome, and Jesus. Each figure offers a virtue that has the potential to revolutionize worship today. Yarber combines feminist and queer hermeneutics with dance history to highlight the nuances of the texts that often go unnoticed in biblical scholarship, while also celebrating the myriad ways the body can be affirmed in worship in creative, empowering, and subversive ways. Liberation, lamentation, abandon, passion, subversion, innocence, and community each contribute to the exciting ways embodied worship can be revolutionized. This is a book for those interested in biblical scholarship, dance, the arts, feminist and queer theory, or revolutionizing worship.

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Senses of the Soul explores the way art and visual elements are incorporated into Christian worship. It incorporates research conducted in Los Angeles congregations. Through extensive interviews in a sample of Protestant, Catholic, and Orthodox congregations it looks into the way visual elements actually become part of the experience of worship. By looking at attitudes and experiences of beauty, art, and memories, it suggests that believers appropriate images and aesthetic encounters in terms of imaginative structures that have been formed through worship practices over time. By comparing responses across denominations, the book proposes that people receive visual elements in ways that have been shaped by long traditions and specific background beliefs. In addition to discussions of the differences between the major Christian traditions, the book also examines the relation of art and beauty to worship, the role of memories and everyday life, and the power of images in spirituality and worship.
By its focus on the worshiper, the book seeks to make a contribution to the growing conversation between the arts and Christian worship and to the process of worship renewal.

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ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art.
ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, «How have particular methods of art history been applied, and with what effect?» The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.

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Blessed is a collection of dramatic monologues that engage the gospel narratives surrounding Mary, the mother of Jesus, through the experiences of contemporary women. Bridging proclamation and protest through theater, the pieces invite the reader to stand at the intersection of faith and doubt alongside women giving birth to the Word in the world, women like Mary–broken and blessed.

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As an artist, Deborah Sokolove has often been surprised and dismayed by the unexamined attitudes and assumptions that the church holds about how artists think and how art functions in human life. By investigating these attitudes and tying them to concrete examples, Sokolove hopes to demystify art–to bring art down to earth, where theologians, pastors, and ordinary Christians can wrestle with its meanings, participate in its processes, and understand its uses. In showing the commonalities and distinctions among the various ways that artists themselves approach their work, Sanctifying Art can help the church talk about the arts in ways that artists will recognize. As a member of both the church and the art world, Sokolove is well-positioned to bridge the gap between the habits of thought that inform the discourse of the art world and those quite different ideas about art that are taken for granted by many Christians. When art is understood as intellectual, technical, and physical as well as ethereal, mysterious, and sacred, we will see it as an integral part of our life together in Christ, fully human and fully divine.

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