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Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language.Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.A bilingual Arabic-English edition.

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Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language.Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.A bilingual Arabic-English edition.

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Al-Qadi al-Nu'man was the chief legal theorist and ideologue of the North African Fatimid dynasty in the tenth century. This translation makes available in English for the first time his major work on Islamic legal theory, which presents a legal model in support of the Fatimids’ principle of legitimate rule over the Islamic community. Composed as part of a grand project to establish the theoretical bases of the official Fatimid legal school, Disagreements of the Jurists expounds a distinctly Shi'i system of hermeneutics, which refutes the methods of legal interpretation adopted by Sunni jurists. The work begins with a discussion of the historical causes of jurisprudential divergence in the first Islamic centuries, and goes on to address, point by point, the specific interpretive methods of Sunni legal theory, arguing that they are both illegitimate and ineffective. While its immediate mission is to pave the foundation of the legal Isma'ili tradition, the text also preserves several Islamic legal theoretical works no longer extant—including Ibn Dawud’s manual, al-Wusul ila ma'rifat al-usul —and thus throws light on a critical stage in the historical development of Islamic legal theory ( usul al-fiqh ) that would otherwise be lost to history.A bilingual Arabic-English edition.

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A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the eighteenth century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars. Both entertaining and informative, Classical Arabic Literature ranges from the early Bedouin poems with their evocation of desert life to refined urban lyrical verse, from tender love poetry to sonorous eulogy and vicious lampoon, and from the heights of mystical rapture to the frivolity of comic verse. Prose selections include anecdotes, entertaining or edifying tales and parables, a fairy-tale, a bawdy story, samples of literary criticism, and much more.With this anthology, distinguished Arabist Geert Jan van Gelder brings together well-known texts as well as less familiar pieces new even to scholars. Classical Arabic Literature reveals the rich variety of pre-modern Arabic social and cultural life, where secular texts flourished alongside religious ones. This masterful anthology introduces this vibrant literary heritage—including pieces translated into English for the first time—to a wide spectrum of new readers. An English-only edition.

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This lively volume collects poems by Hmedan al-Shwe'ir, who lived in Najd in the Arabian Peninsula shortly before the hegemony of the Wahhabi movement in the early eighteenth century. A master of satire known for his ribald humor, self-deprecation, and invective verse ( hija' ), Hmedan was acerbic in his criticisms of society and its morals, voiced in in a poetic idiom that is widely referred to as “Nabati,” here a mix of Najdi vernacular and archaic vocabulary and images dating back to the origins of Arabic poetry. In Arabian Satire , Hmedan is mostly concerned with worldly matters, and addresses these in different guises: as the patriarch at the helm of the family boat and its unruly crew; as a picaresque anti-hero who revels in taking potshots at the established order, its hypocrisy, and its moral failings; as a peasant who labors over his palm trees, often to no avail and with no guarantee of success; and as a poet recording in verse how he thinks things ought to be.The poems in Arabian Satire reveal a plucky, headstrong, yet intensely socially committed figure—representative of the traditional Najdi ethos—who infuses his verse with proverbs, maxims, and words of wisdom expressed plainly and conversationally. Hmedan is accordingly quoted by historians of the Gulf region and in anthologies of popular sayings. This is the first full translation of this remarkable poet. A bilingual Arabic-English edition.

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A Treasury of Virtues is a collection of sayings, sermons, and teachings attributed to 'Ali ibn Abi Talib (d. 40/661), the cousin and son-in-law of the Prophet Muhammad, the first Shia Imam and the fourth Sunni Caliph. An acknowledged master of Arabic eloquence and a sage of Islamic wisdom, 'Ali was renowned for his eloquence: his words were collected, quoted, and studied over the centuries, and extensively anthologized, excerpted, and interpreted.Of the many compilations of 'Ali’s words, A Treasury of Virtues , compiled by the Fatimid Shafi'i judge al-Quda'i, arguably possesses the broadest compass of genres and the largest variety of themes. Included are aphorisms, proverbs, sermons, speeches, homilies, prayers, letters, dialogues, and verse, all of which provide instruction on how to be a morally upstanding human being. The shorter compilation included here, One Hundred Proverbs , is attributed to the eminent writer al-Jahiz (d. 255/869). This volume presents the first English translation of both of these important collections.A bilingual Arabic-English edition.

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Witty, bawdy, and vicious, Yusuf al-Shirbini’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbini describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abu Shaduf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbini responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes , a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the tenth-century poet al-Mutanabbi. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era.An English-only edition.

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Witty, bawdy, and vicious, Yusuf al-Shirbini’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbini describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abu Shaduf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbini responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes , a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the tenth-century poet al-Mutanabbi. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era.An English-only edition.

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Written in mid-seventeenth-century Egypt, Risible Rhymes is in part a short, comic disquisition on “rural” verse, mocking the pretensions and absurdities of uneducated poets from Egypt’s countryside. The interest in the countryside as a cultural, social, economic, and religious locus in its own right that is hinted at in this work may be unique in pre-twentieth-century Arabic literature. As such, the work provides a companion piece to its slightly younger contemporary, Yusuf al-Shirbini’s Brains Confounded by the Ode of Abu Shaduf Expounded , which also takes examples of mock-rural poems and subjects them to grammatical analysis. The overlap between the two texts may indicate that they both emanate from a common corpus of pseudo-rural verse that circulated in Ottoman Egypt. Risible Rhymes also examines various kinds of puzzle poems—another popular genre of the day—and presents a debate between scholars over a line of verse by the tenth-century poet al-Mutanabbi. Taken as a whole, Risible Rhymes offers intriguing insight into the critical concerns of mid-Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics that dominated discussions of poetry in al-Sanhuri’s day and shedding light on the literature of this understudied era.A bilingual Arabic-English edition.

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Unique in pre-twentieth-century Arabic literature for taking the countryside as its central theme, Yusuf al-Shirbini’s Brains Confounded combines a mordant satire on seventeenth-century Egyptian rural society with a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day.In Volume One, Al-Shirbini describes the three rural “types”—peasant cultivator, village man-of-religion and rural dervish—offering numerous anecdotes testifying to the ignorance, dirtiness, illiteracy, lack of proper religious understanding, and criminality of each. He follows it in Volume Two with a 47-line poem supposedly written by a peasant named Abu Shaduf, who charts the rise and fall of his fortunes and bewails, above all, the lack of access to delicious foods to which his poverty has condemned him. Wielding the scholarly tools of elite literature, al-Shirbini responds to the poem with derision and ridicule, dotting his satire of the ignorant rustic with numerous digressions into love, food, and flatulence.Witty, bawdy, and vicious, Brains Confounded belongs to an unrecognized genre from an understudied period in Egypt’s Ottoman history, and is a work of outstanding importance for the study of pre-modern colloquial Egyptian Arabic, pitting the “coarse” rural masses against the “refined” and urbane in a contest for cultural and religious primacy, with a heavy emphasis on the writing of verse as a yardstick of social acceptability. A bilingual Arabic-English edition.

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