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translations from Hebrew and Greek are our own.

      As with any such textbook there is always room for improvement. We know that there are multiple ways in which virtually everything that is written here could be footnoted, qualified, and balanced with other perspectives. What this introduction provides is one general outline of a historical approach to the Bible that students can then supplement, correct, and balance in their future studies. We certainly invite all possible suggestions for correction and improvement of future editions of this textbook.

      Finally, with love we dedicate this volume to our parents, James and Patricia Conway, John (now departed) and Adrienne Carr, whose love of teaching and care for their students helped inspire this book.

      Colleen M. Conway and David M. Carr

      The author and publisher gratefully acknowledge the permission granted to reproduce the copyrighted material in this book:

Figure 0.1 Biblia Hebraica Stuttgartensia, edited by Karl Elliger and Wilhelm Rudolph, Fifth Revised Edition, edited by Adrian Schenker, © 1977 and 1997 Deutsche Bibelgesellschaft, Stuttgart. Used by permission.
Figure 0.2 Israel Talby/Israel images/Alamy Stock Photo
Figure 1.1 FALKENSTEINFOTO/Alamy Stock Photo
Figure 2.1 Zev Radovan/BibleLandPictures/Alamy Stock Photo
Figure 2.3 bpk/Vorderasiatisches Museum, SMB/Gudrun Stenzel
Figure 2.4 Jürgen Liepe
Figure 3.1 Lloyd K. Townsend
Figure 3.2 William Schniedewind
Figure 3.3 akg-images/Erich Lessing
Figure 3.4 Courtesy of R. E. Tappy and The Zeitah Excavations Photograph by B. Zuckerman and M. Lundberg, overlay by P. K. McCarter, Jr.
Figure 3.5 Zev Radovan/BibleLandPictures/Alamy Stock Photo
Figure 3.6 © The Trustees of the British Museum. All rights reserved
Figure 3.7 www.BibleLandPictures.com/Alamy Stock Photo
Figure 3.8 Francis G. Mayer/Getty Images
Figure 4.1 Zev Radovan/BibleLandPictures/Alamy Stock Photo
Figure 4.2 akg-images/Erich Lessing
Figure 4.3 Zev Radovan/BibleLandPictures/Alamy Stock Photo
Figure 4.4 AP Images/NAM Y HUH
Figure 4.5 akg-images/Fototeca Gilardi
Figure 4.6 Stiftung BIBEL+ORIENT
Figure 4.7 Stiftung BIBEL+ORIENT
Figure 5.1 Stiftung BIBEL+ORIENT
Figure 6.1 Zev Radovan/BibleLandPictures/Alamy Stock Photo
Figure 6.2 akg-images/Erich Lessing
Figure 6.3 Puddingstone/Natural History Museum, London, UK/Bridgeman Images
Figure 7.1 Prisma by Dukas Presseagentur GmbH/Alamy Stock Photo
Figure 7.2 akg-images/Erich Lessing
Figure 8.1 Photo © The Israel Museum, Jerusalem
Figure 8.2 Courtesy of Carta, Jerusalem
Figure 9.1 Todd Bolen/BiblePlaces.com
Figure 9.2 Bojan Brecelj/Getty Images
Figure 9.3 Berthold Werner, Image taken from https://commons.wikimedia.org/wiki/File:Jerusalem_Modell_BW_2.JPG
Figure 9.4
Figure 9.5 https://commons.wikimedia.org/wiki/File:Sbs-0008_028r_Jesus_macht_die_Tonv%C3%B6gelchen_lebendig.TIF
Figure 9.6 The Picture Art Collection/Alamy Stock Photo
Figure 10.1 Todd Bolen/BiblePlaces.com
Figure 10.2 DEA/G. DAGLI ORTI/De Agostini/Getty Images
Figure 10.3 akg-images/Electa
Figure 10.4 DEA/G. DAGLI ORTI/De Agostini/Getty Images
Figure 10.5 Mary Evans Picture Library/Alinari
Figure 11.1 Courtesy of the American Numismatic Society
Figure 11.2 GRANGER COLLECTION (RDA)/Bridgeman Images
Figure 11.3 Courtesy of the Hecht Museum, University of Haifa, Israel
Figure 12.2 Richard Beacham (2005),The Emperor as Impresario: Producing the Pageantry of Power, pp 151-174. DOI: https://doi.org/10.1017/CCOL0521807964.008 reproduced by Cambridge University Press
Figure 13.1

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