The Old Inns of England (Vol. 1&2) - Charles G. Harper

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that “damned pretty woman” was whom he saw at one of the windows, and mine host had only just replied that it was his wife, when a hostile crowd, in sympathy with “the persecuted” Queen Caroline, who had died the year before, began to “boo” and howl at the King. “When gentlemen meet, compliments pass,” says the adage, and one Callaghan, a journeyman currier, thrust forward and roared out, in the face of the “First Gentleman in Europe,” “You are a murderer!” a remark which possesses the recommendation neither of truth nor politeness, and resulted, in this instance, in the outrageous Callaghan being punched on the head and felled to the ground by one of the King’s faction. The King himself drove off in such a hurry that the postboy fell off his horse on leaving the town.

      The pilgrims’ hostels that once existed at Rochester are things of the past, but it seems not unlikely that the “George,” in the High Street, almost opposite the Pickwickian “Bull,” was once something in this nature, for although the modern frontage is absolutely uninteresting, not to say distressingly ugly, and although it is now nothing more than a public-house, the very large and very fine Early English crypt, now used as a beer-cellar, shows that a building of semi-ecclesiastical nature once stood on the site. The “George” is an old sign, the present house being built on the ruins of one destroyed by fire a hundred and twenty years ago.

      The crypt, built of chalk, with ribs and bosses of Caen stone, is roofed with four-part vaulting, and is in four bays, the whole 54 ft. in length, by nearly 17 ft. wide, and 11 ft. high.

      CRYPT AT THE “GEORGE,” ROCHESTER.

      Beside the Dover Road, which is of course the pilgrims’ road from London to Canterbury, one mile short of Faversham town, stands the village of Ospringe, identified by some antiquaries as the site of the Roman station of Durolevum. Time was when those who made pilgrimage to Canterbury came to Ospringe through a water-splash, a little stream that flowed across the highway and no one thought worth while bridging. And so it remained, through the coaching age, until modern times. Now it is covered over, and Ospringe is at this day a quite remarkably dusty place.

      There remain, built into the “Red Lion” inn beside the way, fragments of a “maison Dieu,” or God’s House, that stood here so early as the time of Henry the Second: a hostel established for the reception of travellers, and maintained for many years by the Knights Templars and Brethren of the Holy Ghost. Here travellers of all classes found a lavish hospitality awaiting them, and, so sparsely settled was the country in those centuries, that even kings were glad of this rest-house—and of others like it elsewhere. King John, who was for ever spoiling the Church, and bringing upon himself, and the country with him, Papal excommunications major and minor, and yet was always sponging upon abbots and their kind for board and lodging, had what is described as a camera regis here, which seems to modern ears to indicate that he practised photography, centuries before the invention of it. The camera in this case is, however, only the mediæval chronicler’s Latin way of saying that a room was kept for the King’s use.

      A landed gentleman of the neighbouring Preston-by-Faversham, one Macknade by name, who died in 1407, left, among many other bequests, £1 to the “Domus Dei” of Ospringe, together with £10 for the repair of the highway between that point and Boughton-under-Blean. In this manner he hoped to be remembered in the prayers of travellers; and to the same end of bidding for Aves and paternosters for the repose of his soul, he bequeathed 20 pence to all prisoners in Kentish gaols, 12 pence to all debtors similarly situated, £23 to the minor religious houses of the county, and a larger sum to the principal abbeys. In addition to these items we find one of 10 cows, left to Preston church, for the purpose of maintaining a lighted taper at the Easter Sepulchre there. Let us hope his solicitude for his soul has not been without its due results.

      The “maison Dieu” of Ospringe was disestablished long before the general ruin of such institutions was ordained, in the time of Henry the Eighth. In 1479 we find the place inhabited by two brethren, survivors of the eight who once welcomed and made good cheer for pilgrims; but they forsook it the next year, and in 1480–81 it was, as a derelict religious house, escheated to the Crown.

      Canterbury itself was, of course, once full of such travellers’ rests. Chief among these was the inn called “The Chequers of the Hope,” at the corner of Mercery Lane, leading to the Cathedral; but, although the lower part of the walls and the mediæval crypt remain, the present aspect of the building is modern and commonplace. It is, in point of fact, a “Ladies’ Outfitting” shop.

      Travellers in those centuries seem to have been in many ways well cared for. The hospitality of the “houses of God” and pilgrims’ halts, however, does but show the bright side of the medal, and implies a very dark reverse.

      Good, charitable folks, as we have seen, were rightly sorry for wayfarers, and gave or bequeathed money for lightening the trials and tribulations of their lot. The Church itself regarded the succouring of all such as one of its first duties, and so granted all manner of ghostly privileges to such persons as would build causeways, improve roads, or establish hostels. The bargain seemed in those times a fair one, and induced many to give who would not otherwise have given. To buy absolution for gold, or a few days less purgatory by charitable bequest was good business; but we may wonder if those who thus purchased remission of sins or an “early door” into Paradise sometimes spared a pitying thought for those poor devils who had not the needful for such indulgences.

      WESTGATE, CANTERBURY, AND THE “FALSTAFF” INN.

      Day after day travellers—whose very name comes from “travail” = toil or trouble—journeyed amid dangers, and, when by mischance they were benighted, suffered agonies of apprehension. They intended only to “journey”—to travel by day, as the original sense of that word indicated—and were afflicted with the liveliest apprehensions when night came and found them still on the road. Toiling in the hollow roads, deep in ruts and mud, with terror they saw the sun go down while yet the friendly town was far away, and came at last, in fear and darkness, to the walled city, only to find its gates closed for the night. Every fortified town closed its gates at sunset; else, in those dangerous times, what use your gates and walls? As reasonably might the modern citizen leave his street door wide open all night, as the mediæval town not close its gates when the hours of darkness were come; and so those travellers and pilgrims who, from much story-telling, praying, or feasting along the road, arrived late at Canterbury, found the portals of Westgate sternly closed against them. Originally they were obliged to lie outside, under the walls or in the fields, instead of being made welcome at the comfortable hostels within, where a man might find jolly company in the rush-strewn hall, and for food and drink be free of the best; but, for the accommodation of such laggards, the suburb of St. Dunstan, without the walls of Canterbury, sprang up at a very early date, and to the custom they thus brought we owe the existence of the “Falstaff” inn, itself containing some fine “linen-pattern” panelling of the time of Henry the Seventh; but not, of course, the original house that, under some other name than the “Falstaff,” was early established for the entertainment of late-comers.

      The “Falstaff” is a prominent feature of the entrance to Canterbury, and forms, with the stern drum towers of Westgate, built about 1380, as fine an entrance to a city as anything to be found in England. The present sign of the house derives from the instant and extraordinary popularity that Shakespeare’s Fat Knight obtained, from his first appearance upon the Elizabethan stage. The present “Falstaff” is a very spirited rendering, showing the Fat Knight with sword and buckler and an air of determination, apparently “just about to begin” on those numerous “men in buckram” conjured up by his ready imagination on Gad’s Hill. There is an air about this representation of him irresistibly reminiscent of that song which gave British patriots in 1878 the name of “Jingoes.” There are no patriots now: only partisans and placemen—but that is another tale. This Falstaff evidently “don’t want to fight; but by Jingo”—well, you know the rest of it.

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