LITMIR.BIZ

      The Death of Sardanapalus.

It is a strange coincidence that the fate which legend ascribes to Sardanapalus was probably that which really overtook the brother of Assur-bani-pal, Samas-sum-yukin. It is likely that the self-immolation of Sardanapalus is merely a legendary statement of a rite well known to Semitic religion, which was practised at Tarsus down to the time of Dio Chrysostom, and the memory of which survives in other Greek legends, especially those of Heracles-Melcarth and Queen Dido. At Tarsus an annual festival was held and a pyre erected upon which the local Heracles or Baal was burned in effigy. This annual commemoration of the death of the god in fire probably had its origin in the older rite in which an actual man or sacred animal was burned as representing the deity. The Golden Bough1 contains an instructive passage concerning the myth of Sardanapalus. Sir James Frazer writes: "There seems to be no doubt that the name Sardanapalus is only the Greek way of representing Ashurbanapal, the name of the greatest and nearly the last King of Assyria. But the records of the real monarch which have come to light within recent years give little support to the fables that attached to his name in classical tradition. For they prove that, far from being the effeminate weakling he seemed to the Greeks of a later age, he was a warlike and enlightened monarch, who carried the arms of Assyria to distant lands and fostered at home the growth of science and letters. Still, though the historical reality of King Ashurbanapal is as well attested as that of Alexander or Charlemagne, it would be no wonder if myths gathered, like clouds, around the great figure that loomed large in the stormy sunset of Assyrian glory. Now the two features that stand out most prominently in the legends of Sardanapalus are his extravagant debauchery and his violent death in the flames of a great pyre, on which he burned himself and his concubines to save them from falling into the hands of his victorious enemies. It is said that the womanish king, with painted face and arrayed in female attire, passed his days in the seclusion of the harem, spinning purple wool among his concubines and wallowing in sensual delights; and that in the epitaph which he caused to be carved on his tomb he recorded that all the days of his life he ate and drank and toyed, remembering that life is short and full of trouble, that fortune is uncertain, and that others would soon enjoy the good things which he must leave behind. These traits bear little resemblance to the portrait of Ashurbanapal either in life or death; for after a brilliant career of conquest the Assyrian king died in old age, at the height of human ambition, with peace at home and triumph abroad, the admiration of his subjects and the terror of his foes. But if the traditional characteristics of Sardanapalus harmonize but ill with what we know of the real monarch of that name, they fit well enough with all that we know or can conjecture of the mock kings who led a short life and a merry during the revelry of the Sacæa, the Asiatic equivalent of the Saturnalia. We can hardly doubt that for the most part such men, with death staring them in the face at the end of a few days, sought to drown care and deaden fear by plunging madly into all the fleeting joys that still offered themselves under the sun. When their brief pleasures and sharp sufferings were over, and their bones or ashes mingled with the dust, what more natural that on their tomb—those mounds in which the people saw, not untruly, the graves of the lovers of Semiramis—there should be carved some such lines as those which tradition placed in the mouth of the great Assyrian king, to remind the heedless passer-by of the shortness and vanity of life?"

      According to Sir James Frazer, then, the real Sardanapalus may have been one of those mock kings who led a short but merry existence before a sacrifice ended their convivial career. We have analogous instances in the sacrifice of Sandan at Tarsus and that of the representative of the Mexican god, Tezcatlipoca. The legend of Sardanapalus is thus a distorted reminiscence of the death of a magnificent king sacrificed in name of a god.

      When the real Assur-bani-pal succeeded Esar-haddon as King of Assyria, his brother Samas-sum-yukin was created Viceroy of Babylonia, but shortly after he claimed the kingship itself, revived the old Sumerian language as the official tongue of the Babylonian court, and initiated a revolt which shook the Assyrian empire from one end to the other. A great struggle ensued between the northern and southern powers, and at last Babylon was forced to surrender through starvation, and Samas-sum-yukin was put to death.

      Assur-bani-pal, like Sardanapalus, his legendary counterpart, found himself surrounded by enemies. Having conquered Elam as well as Babylonia, he had to face the inroads of hordes of Scythians, who poured over his frontiers. He succeeded in defeating and slaying one of their chiefs, Dugdamme, whom in an inscription he calls a "limb of Satan," but shortly after this he died himself. His empire was already in a state of decay, and had not long to stand.

      The First Great Library

      But if Assur-bani-pal was effeminate and lax in government, he was the

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