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       Julian Hawthorne

      Dust

      A Novel

      Published by Good Press, 2019

       [email protected]

      EAN 4064066248994

       CHAPTER I.

       CHAPTER II.

       CHAPTER III.

       CHAPTER IV.

       CHAPTER V.

       CHAPTER VI.

       CHAPTER VII.

       CHAPTER VIII.

       CHAPTER IX.

       CHAPTER X.

       CHAPTER XI.

       CHAPTER XII.

       CHAPTER XIII.

       CHAPTER XIV.

       CHAPTER XV.

       CHAPTER XVI.

       CHAPTER XVII.

       CHAPTER XVIII.

       CHAPTER XIX.

       CHAPTER XX.

       CHAPTER XXI.

       CHAPTER XXII.

       CHAPTER XXIII.

       CHAPTER XXIV.

       CHAPTER XXV.

       CHAPTER XXVI.

       CHAPTER XXVII.

       CHAPTER XXVIII.

       CHAPTER XXIX.

       CHAPTER XXX.

       CHAPTER XXXI.

       CHAPTER XXXII.

       CHAPTER XXXIII.

       CHAPTER XXXIV.

       CHAPTER XXXV.

       CHAPTER XXXVI.

       CHAPTER XXXVII.

       Table of Contents

      THE time at which this story begins was a time of many beginnings and many endings. The Eighteenth Century had expired the better part of a score of years before, and everything was in confusion. Youth—tumultuous, hearty, reckless, showy, slangy, insolent, kindly, savage—was the genius of the hour. The Iron Duke had thrashed the Corsican Ogre, England was the Queen of nations, and Englishmen thought so much of themselves and of one another that society, for all its caste, became well-nigh republican. Gentlemen were bruisers and bruisers were gentlemen. At Ranelagh and Vauxhall fine ladies rubbed shoulders with actresses, magistrates foregathered with jockeys and sharpers, and the guardians of public order had more to fear from young bloods and sprigs of nobility than from professional thieves and blacklegs. Costumes were grotesque and irrational, but were worn with a dash and effrontery that made them becoming. There were cocked hats and steeple-crowned hats; yards of neck-cloth and mountains of coat-collar; green coats and blue coats, claret coats and white coats; four or five great coats, one on top of another; small clothes and tight breeches, corduroys, hessians and pumps. Beards were shaved smooth, and hair grew long. Young ladies wore drab josephs and flat-crowned beaver bonnets, and rode to balls on pillions with their ball clothes in bandboxes. The lowest of necks were compensated by the shortest of waists; and the gleam of garter-buckles showed through the filmy skirts that scarcely reached to the ankle. Coral necklaces were the fashion, and silvery twilled silks and lace tuckers; and these fine things were laid up in lavender and rose leaves. Hair was cropped short behind and dressed with flat curls in front. Mob-caps and top-knotted caps, skull-caps and fronts, turbans and muslin kerchiefs, and puffed yellow satins—these things were a trifle antiquated, and belonged to the elder generation. Gentlemen said “Dammy, sir!” “Doosid,” “Egad,” “Stifle me!” “Monstrous fine,” “Faith!” and “S’blood!” The ladies said, “Thank God!” “God A’mighty!” and “Law!” and everybody said “Genteel.” Stage-coaches and post-horses occupied the place of railways and telegraphs, and driving was a fine art, and five hours from Brighton to London was monstrous slow going. Stage-coachmen were among the potentates of the day; they could do but one thing, but that they did perfectly; they were clannish among themselves, bullies to the poor, comrades to gentlemen, lickspittles to lords, and the high-priests of horse-flesh, which was at that epoch one of the most influential religions in England; pugilism being another, caste a third, and drunkenness the fourth. A snuff-box was still the universal wear, blue-pill was the specific

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