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refined. The other was of Amazonian stature, and so boldly chiselled that it looked more like masonry than sculpture. The eyes of all were attracted by the first, and turned away in contempt from the second. That, therefore, was adopted, and the other rejected, almost with resentment, as though an insult had been offered to a discerning public. The favored statue was accordingly borne in triumph to the place for which it was designed, in the presence of applauding thousands, but as it receded from their upturned eyes, all, all at once agaze upon it, the thunders of applause unaccountably died away—a general misgiving ran through every bosom—the mob themselves stood like statues, as silent and as petrified, for as it slowly went up, and up the soft expression of those chiselled features, the delicate curves and outlines of the limbs and figure, became gradually fainter and fainter, and when at last it readied the place for which it was intended, it was a shapeless ball, enveloped in mist. Of course, the idol of the hour was now clamored down as rationally as it had been cried up, and its dishonored rival, with no good will and no good looks on the part of the chagrined populace, was reared in its stead. As it ascended, the sharp angles faded away, the rough points became smooth, the features full of expression, the whole figure radiant with majesty and beauty. The rude hewn mass, that before had scarcely appeared to bear even the human form, assumed at once the divinity which it represented, being so perfectly proportioned to the dimensions of the building, and to the elevation on which it stood, that it seemed as though Pallas herself had alighted upon the pinnacle of the temple in person, to receive the homage of her worshippers.

      The woman of the nineteenth century is the shapeless ball in the lofty position which she was designed fully and nobly to fill. The place is not too high, too large, too sacred for woman, but the type that you have chosen is far too small for it. The woman we declare unto you is the rude, misshapen, unpolished object of the successful artist. From your stand-point, you are absorbed with the defects alone. The true artist sees the harmony between the object and its destination. Man, the sculptor, has carved out his ideal, and applauding thousands welcome his success. He has made a woman that from his low stand-point looks fair and beautiful, a being without rights, or hopes, or fears but in him—neither noble, virtuous, nor independent. Where do we see, in Church or State, in school-house or at the fireside, the much talked-of moral power of woman? Like those Athenians, we have bowed down and worshiped in woman, beauty, grace, the exquisite proportions, the soft and beautifully rounded outline, her delicacy, refinement, and silent helplessness—all well when she is viewed simply as an object of sight, never to rise one foot above the dust from which she sprung. But if she is to be raised up to adorn a temple, or represent a divinity—if she is to fill the niche of wife and counsellor to true and noble men, if she is to be the mother, the educator of a race of heroes or martyrs, of a Napoleon, or a Jesus—then must the type of womanhood be on a larger scale than that yet carved by man.

      In vain would the rejected artist have reasoned with the Athenians as to the superiority of his production; nothing short of the experiment they made could have satisfied them. And what of your experiment, what of your wives, your homes? Alas! for the folly and vacancy that meet you there! But for your club-houses and newspapers, what would social life be to you? Where are your beautiful women? your frail ones, taught to lean lovingly and confidingly on man? Where are the crowds of educated dependents—where the long line of pensioners on man's bounty? Where all the young girls, taught to believe that marriage is the only legitimate object of a woman's pursuit—they who stand listlessly on life's shores, waiting, year after year, like the sick man at the pool of Bethesda, for some one to come and put them in? These are they who by their ignorance and folly curse almost every fireside with some human specimen of deformity or imbecility. These are they who fill the gloomy abodes of poverty and vice in our vast metropolis. These are they who patrol the streets of our cities, to give our sons their first lessons in infamy. These are they who fill our asylums, and make night hideous with their cries and groans.

      The women who are called masculine, who are brave, courageous, self-reliant and independent, are they who in the face of adverse winds have kept one steady course upward and onward in the paths of virtue and peace—they who have taken their gauge of womanhood from their own native strength and dignity—they who have learned for themselves the will of God concerning them. This is our type of womanhood. Will you help us raise it up, that you too may see its beautiful proportions—that you may behold the outline of the goddess who is yet to adorn your temple of Freedom? We are building a model republic; our edifice will one day need a crowning glory. Let the artists be wisely chosen. Let them begin their work. Here is a temple to Liberty, to human rights, on whose portals behold the glorious declaration, "All men are created equal." The sun has never yet shone upon any of man's creations that can compare with this. The artist who can mold a statue worthy to crown magnificence like this, must be godlike in his conceptions, grand in his comprehensions, sublimely beautiful in his power of execution. The woman—the crowning glory of the model republic among the nations of the earth—what must she not be? (Loud applause).160

      AN ACT CONCERNING THE RIGHTS AND LIABILITIES OF HUSBAND AND WIFE.

      The Act of 1860161 was offered by Andrew J. Colvin in the Senate as a substitute for a bill from the Assembly, which was simply an amendment of the law of 1848. Senators Hammond, Ramsey, and Colvin constituted the Judiciary Committee, to whom the bill was referred. Mr. Colvin objected to it for want of breadth in giving to married women the rights to which he thought them entitled, and urged that a much more liberal measure was demanded by the spirit of the times. In one of Miss Anthony's interviews with Mr. Colvin, she handed him a very radical bill just introduced in the Massachusetts Legislature, which after due examination and the addition of two or three more liberal clauses, was accepted by the Committee, reported to the Senate by Mr. Colvin, and adopted by that body February 28, 1860162. The bill was concurred in by the Assembly, and signed by the Governor, Edwin D. Morgan. It is quite remarkable that the bill in its transit did not receive a single alteration, modification, or amendment from the time it left Mr. Colvin's hands until it took its place on the statute-book. The women of the State who labored so persistently for this measure, felt that the victory at last was due in no small degree to the deep interest and patient skill of Andrew J. Colvin. Hon. Anson Bingham, chairman of the Judiciary Committee, who did good service in the Assembly at this time, should be gratefully remembered by the women of New York. Mr. Bingham acted in concert with Mr. Colvin, both earnestly putting their shoulders to the wheel, one in the Assembly and one in the Senate, and with the women pulling all the wires they could outside, together they pushed the grand measure through.

      Judge Bingham served our cause also by articles on all phases of the question over the signature of "Senex," published in many journals throughout the State. And this, too, at an early day, when every word in favor of woman's rights was of immense value in breaking down the prejudice of the ages.

      In addition to this, another act of great benefit to a large number of housekeepers, called the "Boarding House Law," was secured by the same members. Miss Emily Howland, Mrs. Margaret Murray, Mrs. Manning, and Mrs. Griffith Satterlee spent some weeks in Albany using their influence in favor of this measure.

      In February, 1860, Emily Howland arranged a course of lectures on Woman's Rights, to be given in Cooper Institute, New York. Henry Ward Beecher delivered his first lecture on the question in this course, receiving his fee of $100 in advance, as it was said he considered no engagement of that sort imperative without previous payment. Mr. Beecher's speech was published in full in The New York Independent, of which he was then editor-in-chief. The State Committee purchased a large number, which Lydia Mott, of Albany, laid on the desk of every member of both Houses. At the time we felt the speech worth to our cause all it cost.

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