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prevails in them is half French and half Flemish. Not so is the character of the plaster figures which cover the left side on entering. These, my friend, are no less than the representation of the procession of Henry VIII. and Francis I. to the famous CHAMP DE DRAP D'OR: of which Montfaucon63 has published engravings. Having carefully examined this very curious relic, of the beginning of the sixteenth century, I have no hesitation in pronouncing the copy of Montfaucon (or rather of the artist employed by him) to be most egregiously faithless. I visited it again and again, considering it to be worth all the "huge clocks" in Rouen put together. I hardly know how to take you from this interesting spot--from this exhibition of beautiful old art--especially too when I consider that Francis himself once occupied the mansion, and held a Council here, with both English and French; that his bugles once sounded from beneath the gate way, and that his goblets once sparkled upon the chestnut tables of the great hall. I do hope and trust that the Royal Academy of Rouen, will not suffer this architectural relic to perish, without leaving behind a substantial and faithful representation of it.64

      While upon the subject of ancient edifices, let me return; and, crossing the Rue de la Grosse Horloge, contrive to place you in the centre of the square which is formed by the PALAIS DE JUSTICE. The inhabitants consider this building as the principal lion in their city. It has indeed claims to notice and admiration, but will not bear the severe scrutiny of a critic in Gothic architecture. It was partly erected by Louis XII. at the entreaty of the provincial States, through the interest of the famous Cardinal d'Amboise, and partly by Francis I. This building precisely marks the restoration of Gothic taste in France, and the peculiar style of architecture which prevailed in the reign of Francis I. To say the truth, this style, however sparkling and imposing, is objectionable in many respects: for it is, in the first place, neither pure Gothic nor pure Grecian--but an injudicious mixture of both. Greek arabesque borders are running up the sides of a portal terminating in a Gothic arch; and the Gothic ornaments themselves are not in the purest, or the most pleasing, taste. Too much is given to parts, and too little to the whole. The external ornaments are frequently heavy, from their size and elaborate execution; and they seem to be stuck on to the main building without rhyme or reason.

      The criminal offences are tried in the hall to the right, and the prisoners are confined in the lower part of the building to the left: above which you mount by a flight of stone steps, which conducts you to a singularly curious hall,65 about one hundred and seventy-five English feet in length--roofed by wooden ribs, in the form of an arch, and displaying a most curious and exact specimen of carpenter's work. This is justly shewn and commented upon to the enquiring traveller. Parts of the building are devoted to the courts of assize, and to tribunals of audience of almost every description. The first Presidents of the Parliament lived formerly in the building which faces you upon entrance, but matters have now taken a very different turn. Upon the whole, this Town Hall, or call it what you will, is rather a magnificent structure; and certainly superior to most provincial buildings of the kind which we possess in England. I should tell you that the courts for commercial causes are situated near the quays, at the south part of the town: and Monsieur Riaux, who conducted me thither, (and who possesses the choicest library66 of antiquarian books, of all descriptions, relating to Rouen, which I had the good fortune to see) carried me to the Hall of Commerce, which, among other apartments, contains a large chamber (contiguous to the Court of Justice) covered with fleurs de lys upon a light blue ground. It is now however much in need of reparation. Fresh lilies and a new ground are absolutely necessary to harmonise with a large oil-painting at one end of it, in which is represented the reception of Louis XVI. at Rouen by the Mayor and Deputies of the town, in 1786. All the figures are of the size of life, well painted after the originals, and appear to be strong resemblances. On enquiring how many of them were now living, I was told that--ALL WERE DEAD! The fate of the principal figure is but too well known. They should have this interesting subject--interesting undoubtedly to the inhabitants--executed by one of their best engravers. It represents the unfortunate Louis quite in the prime of life; and is the best whole length portrait of him which I have yet seen in painting or in engraving.

      It is right however that you should know, that, in the Tribunal for the determination of commercial causes, there sits a very respectable Bench of Judges: among whom I recognised one that had perfectly the figure, air, and countenance, of an Englishman. On enquiry of my guide, I found my supposition verified. He was an Englishman; but had been thirty years a resident in Rouen. The judicial costume is appropriate in every respect; but I could not help smiling, the other morning, upon meeting my friend the judge, standing before the door of his house, in the open street--with a hairy cap on--leisurely smoking his pipe--And wherein consisted the harm of such a delassement?

LETTER VII.

       Table of Contents

      THE QUAYS. BRIDGE OF BOATS. RUE DU BAC. RUE DE ROBEC. EAUX DE ROBEC ET D'AUBETTE. MONT STE. CATHARINE. HOSPICES--GÉNÉRAL ET D'HUMANITÉ.

      Still tarrying within this old fashioned place? I have indeed yet much to impart before I quit it, and which I have no scruple in avowing will be well deserving of your attention.

      Just letting you know, in few words, that I have visited the famous chemical laboratory of M. Vitalis, (Rue Beauvoisine) and the yet more wonderful spectacle exhibited in M. Lemere's machine for sawing wood of all descriptions, into small or large planks, by means of water works--I must take you along THE QUAYS for a few minutes. These quays are flanked by an architectural front, which, were it finished agreeably to the original plan, would present us with one of the noblest structures in Europe. This stone front was begun in the reign of Louis XV. but many and prosperous must be the years of art, of commerce, and of peace, before money sufficient can be raised for the successful completion of the pile. The quays are long, broad, and full of bustle of every description; while in some of the contiguous squares, ponderous bales of goods, shawls, cloth, and linen, are spread open to catch the observing eye. In the midst of this varied and animated scene, walks a well-known character, in his large cocked hat, and with his tin machine upon his back, filled with lemonade or coffee, surmounted by a bell--which "ever and anon" is sounded for the sake of attracting customers. He is here copied to the life.

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