LITMIR.BIZ

       Appearance: You may find that Photoshop’s “dark interface” is not to your taste. (Try it for a while — it’ll likely grow on you.) You can select from among two lighter (and one even darker) interface appearances.

       Screen Modes: You can easily customize the look of Photoshop’s three screen modes.

       UI Font Size: If you find yourself squinting to read panel names and such, change the UI Font Size to Large and restart Photoshop. If you still have problems reading the screen, reduce the monitor’s resolution. (See Chapter 2 for details.)

       Show Channels in Color: When only one channel is active in the Channels panel, it normally shows a grayscale representation of the image. If you prefer to have the active channel appear in its own color, select this option. Keep in mind, however, that after you get comfortable working with individual channels, the default grayscale is easier to see.

       Show Menu Colors: As I discuss earlier in this chapter, you can assign colors to specific commands in the Photoshop menus. Assigning colors might make it easier for you to quickly spot and select often-used commands. Use this option to disable the color coding without having to deselect each assigned color.

       Auto-Collapse Iconic Panels: If you prefer an uncluttered workplace, here’s a great option for you! When selected, panels in icon mode (click the upper bar of a group of panels) collapse to buttons. To open a panel, click its button. When Auto-Collapse is selected, the selected panel automatically closes when you click elsewhere in Photoshop. If you need to keep a specific panel open while you work (perhaps Histogram or Info), drag it out of its group and away from the edge of the screen, and it will stay open until you close it.

       Auto-Show Hidden Panels: Position the cursor over a collapsed panel and it springs open.

       Open Documents as Tabs: Photoshop, by default, opens each document as a tab across the top of the work area. You click a tab to bring that image to the front. If you find that you’re constantly dragging tabs off to create floating windows, deselect this option in the Preferences. And if you disable tabbed image windows, you’ll likely also want to disable the Enable Floating Document Window Docking option. This prevents image windows from docking as you drag them around onscreen.

       Memory Usage: Try bumping the memory allocation to 100%. If things seem slower rather than faster, back off the memory allocation to perhaps 85%. In a 64-bit environment, Photoshop can take advantage of all the RAM you can cram (into the computer).

       History States: This field determines how many entries (up to 1,000) appear in the History panel. Storing more history states provides more flexibility, but at a cost: Storing too many history states uses up all your available memory and slows Photoshop to a crawl. Generally speaking, 20 or 30 is a good number. If, however, you do a lot of operations that use what I call “little clicks,” such as painting or dodging/burning with short strokes, that History panel fills quickly. For such operations, a setting of perhaps 50 or even 60 is more appropriate.

       Cache Levels: The image cache stores low-resolution copies of your image to speed onscreen display at various zoom levels. Although this process speeds up screen redraw, the price is accuracy. Unless your video card has trouble driving your monitor at your selected resolution and color depth, you might be better served by Cache Levels: 1. That gives the most accurate picture of your work. (But remember to make critical decisions at 100% zoom, where one image pixel equals one screen pixel.)

       Graphics Processor Settings: This area displays information about your computer’s video card. If your system has the capability, you’ll see a check box for Use Graphics Processor. Using this processor provides smoother, more accurate views at all zoom levels and other enhancements, including the capability to rotate the image onscreen — not rotate the canvas, but rotate just the onscreen image. And that’s too cool for words when painting a complex layer mask!