Home Recording For Dummies - Jeff Strong

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      My current favorite SSDs for recording audio are the SanDisk Extreme Portable External SSD and the WD My Passport Go SSD. Both can be found for around $100 for 500MB.

      

You may also want to add a third hard drive so you can back up your data. I usually buy a duplicate to my recording drive and transfer my work each day. As computer experts often say, “Your data doesn’t exist if it doesn’t exist in at least two places.” If you prefer not to have a third hard drive, you can burn your data to DVDs or even use an online backup or storage service, such as ADrive, Backblaze, Carbonite, or Dropbox. You can find more services like these by searching for “online data storage” in your favorite search engine.)

      Getting the sound in and out

      After you have a computer with enough speed and muscle (see the preceding section), you need the appropriate hardware to transfer the sound into and out of it. This requires a device called an audio interface. Audio interfaces are available with three types of connection methods: PCIe, Thunderbolt, and USB. Here’s a quick rundown on the three types (the details are spelled out in the following sections):

       PCIe: PCIe interfaces are inserted into one of the PCIe slots located inside your desktop computer’s case.

       USB: USB 2.0 and 3.x interfaces are the most common types of audio interfaces, with options starting under $100.

       Thunderbolt (USB-C): Thunderbolt has gone through several iterations since its inception. The current version is Thunderbolt-3 or USB-C. Thunderbolt offers speeds that are considerably faster than PCI and USB options.

      PCIe interfaces

      Peripheral Component Interconnect (PCI) is the old standard for getting audio into and out of a computer. This technology consists of a slot into which you place a card containing the audio transfer components. PCI Express (PCIe) replaced the original PCI slot in computers starting in 2004 and it has essentially replaced them in any computer you’ll find working today (or at least any computer capable of recording music). PCIe had an advantage over the other interface types because of the fast transfer speed of PCIe technology. This type of interface isn’t without its problems, though:

       Many computers (for example, laptops and all Macs except the Mac Pro) don’t have a PCIe slot.

       Because PCIe technology is changing, all cards don’t fit in all computers, so make sure that the PCIe interface that you’re considering can fit into your computer.

      PCIe interfaces come in the following varieties:

       Separate sound card with no analog inputs and outputs: In this case, you need to buy separate preamps, direct boxes, and analog-to-digital (AD) and digital-to-analog (DA) converters. For most home recordists, the separate-sound-card route isn’t the best solution. In fact, even for the pros, this isn’t the most popular choice — so much so that this option is quickly falling from the marketplace. Figure 2-1 shows examples of PCIe sound cards.FIGURE 2-1: A PCIe sound card doesn’t contain analog inputs or outputs, so you need to buy separate components to use this type of card for audio recording.

       Analog inputs and outputs within the card: Having the analog connection located in the card used to cause interference with the other components in the computer’s housing (such as fans and hard drives), which caused low-level hums in the recorded audio (not a sound you would want, I can assure you). This is generally no longer the case unless you buy a really inexpensive card, but the bad rap led buyers to shy away from this approach and it has become uncommon as a result. You can find some less expensive audio interfaces configured this way, but the higher end of the market has generally abandoned it. Figure 2-2 shows an example of a PCIe card with analog connections.

       Analog inputs and outputs housed in a separate box: This box is called a breakout box. Because of the low-level hum problems in the early interfaces, most manufacturers of PCIe-based audio interfaces put their analog circuitry in a separate box with a cord attached to the PCIe card. One advantage to this — besides eliminating the hum in early models — is that you can tweak the input and output levels without having to use a software menu. The dials for the levels are placed on the breakout box within easy reach, as shown in Figure 2-3.

      

If your preferred audio recording computer doesn’t have a PCIe slot, don’t worry (or don’t bother adding one). Thunderbolt and USB are both excellent technologies to use for recording music.

Picture of a PCIe interface that comes with analog connectors run from the computer.

      FIGURE 2-2: Some PCIe interfaces often come with analog connectors run from the computer.

Picture of a PCIe interface with a breakout box for analog inputs and outputs without having to use a software menu. The dials for the levels are placed on the box within easy reach.

      FIGURE 2-3: A PCIe interface with a breakout box for the analog components is the preferred form of PCIe interface.

      USB interfaces

      

Beware of used USB 1.1 interfaces. The latency (delay between the sound entering the interface and exiting your speakers) is too great to keep from being frustrating. You can find decent USB 2.0 and USB 3.0 interfaces for very little money, often starting at about $100 (USB 2.0), though they can run as much as $1,000 (USB 3.0), depending on the manufacturer and the number of tracks and other options they include.

Picture of a USB interface that connects to your computer’s USB port, with a variety of input/output configurations.

      FIGURE 2-4: A USB interface connects to your computer’s USB port.

      Thunderbolt interfaces

      For the last two revisions of this book, I had hoped that I could talk at length about the super, most awesome Thunderbolt interface and how it changed recording in the same way that moving from tape to digital did, but, alas, I wasn’t able to. However, now I can. Though it would be a stretch to say that Thunderbolt has reinvented audio recording, it does offer some benefits that makes it better than either PCIe or USB.

      Compared to USB, Thunderbolt offers eight times faster transfer speed and the ability to chain a variety of devices through the same port without any loss of speed. This means you can have more analog inputs and outputs than USB.

      Compared to PCIe, Thunderbolt connectivity is more available — you can find them on laptops as well as on desktop computers. There are also many more interface options to choose from.

      Thunderbolt audio interfaces tend to be more expensive than USB, not because of the technology, but because these interfaces often include better

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