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and holding your banjo

      Keeping your instrument in tune is something that you practice each time you play — and an absolutely essential skill when playing music with others. Tuning your banjo can be frustrating at first, but with careful listening to compare one pitch with another and some trial and error, you can have this skill mastered in no time.

      After you're in tune, you want to adopt a comfortable playing position for both sitting or standing. You have a lot of individual options in this regard. Just remember not to raise the neck too high and try using a strap. If you follow these two suggestions, you'll be well on your way to finding your personal comfort zone.

      I cover getting your banjo in tune in Chapter 2. Check out Chapter 3 to help you get comfortable holding the banjo and fitting the strap.

      Fretting chords with the left hand

      A chord is three or more notes sounded together. Chords support a melody and are the building blocks for accompanying other musicians. The best way to begin your playing adventures is to become familiar with well-used chords such as G, C, and D7. A comfortable left-hand position makes forming these chords much more fun. Let your thumb touch the top of the back of the banjo neck, relax your shoulder and elbow into your body, and be sure you're using the tips of your fingers to press the strings just behind the frets — now you're in business.

      In Chapter 3, you can dig deeper into finding a comfortable left-hand position and get used to fretting chords up and down the banjo neck.

      Playing authentic right- and left-hand patterns

      Coordinating right-hand picking techniques with the left-hand work of making chords and creating new notes is a full-time job for banjo players! Mastering exercises that isolate what each hand does by itself lays the foundation for making great banjo music with both hands together.

      In Chapters 5, 6, 8, and 9, you take a look at these techniques, because you need them in clawhammer and bluegrass banjo to create melodies and to play with others in jam sessions.

      Practicing some real tunes

      

The real fun begins when you utilize your technique to play melodies on the instrument in authentic banjo styles. Melody notes can usually be organized as a group of notes, called a scale. Finding melody notes in a song becomes easier after you've mastered a few scales on the banjo neck, so I recommend that you start with the scales I outline in Chapter 4.

      After you get the feel for the scales, you can use the right- and left-hand techniques you master to capture as many melody notes as you can and create arrangements that sound good on the instrument.

      In Chapters 7, 8, and 9, you can play beginner and more advanced versions of tunes in clawhammer, old-time fingerpicking, and traditional and contemporary bluegrass styles. Chapter 11 explores early banjo styles from the 19th and early 20th centuries. The online audio examples allow you to hear me play musical examples from this book, and now you can check out video online for the most important exercises and tunes presented. We banjo players have to stick together, and I'm there for you, online 24/7!

      Jamming in good company

      Banjo players love to make music with other musicians — guitarists, fiddlers, mandolin and dobro players, and bassists. When you're playing your banjo with others, remember to play in a way that enhances the sound of the total group. Active listening and playing in good rhythm play a big role in your efforts to make other musicians sound their best.

      Meeting other banjo lovers

      You may be amazed at how many opportunities you have to share your enthusiasm for the banjo with other like-minded players. From finding a teacher to attending a workshop, camp, or festival, you can have more fun with the instrument and become a better player faster by connecting with others who share your enthusiasm for the banjo. As a new player, don't wait until you've already acquired some playing skills before seeking help from others. You'll become a better player much more quickly by seeking out help at the very beginning of your banjo adventure. In Chapter 12, I talk about the world of banjo that lies beyond your doorstep.

      

Camps and workshops are often designed for all levels of students. If you already play, you can recharge your banjo-picking batteries at a regional camp or workshop where you can hang out with the banjo stars, make many new friends, and come away with new playing ideas that will keep your hands busy for months to come.

      Keeping your banjo sounding great

      Banjos are much more adjustable than other stringed instruments such as the guitar or bass. However, you don't have to become an accomplished, all-knowing, instrument-repair person to keep your instrument in top shape.

      

Keeping fresh strings on your instrument is the most important thing you can do to keep your banjo running right. After a few weeks or months of playing, your strings will inevitably become harder to tune — or they may even break. Keep an extra set of strings handy in your case along with a small pair of wire cutters, and you'll be ready for all contingencies!

      You may also want to check out all the movable parts on your banjo every couple of months. For example, keeping the head tight keeps your banjo sounding bright and loud, and checking to see that the bridge is in just the right place on the banjo head keeps your fretted notes in tune. I cover everything you need to know about these topics, as well as determining when you need to seek out professional advice, in Chapter 15.

      Tuning Your Banjo

      IN THIS CHAPTER

      

Sizing up strings and frets for G tuning

      

Tuning your banjo by ear: Relative tuning

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