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Lies for Our Time

      Our time is built upon two fundamental lies about the nature of human beings. The first sees them as independent, free, autonomous, free from symbolic debts to the Other from which they hail. This is the narcissistic lie that feeds the individualistic cult of one’s own image and that, in turn, lays the basis for the fantasy of liberty and self-generation, the ideal of making a name for oneself without passing through the Other.

      The second lie exalts the New as the guiding principle in the life of desire. This lie maintains that goodness, salvation and satisfaction reside in what we do not yet possess: in the new object, the new partner, the new sensation. From this comes a purely nihilistic version of desire, which works to breathlessly pursue that which, in reality, is destined to always be lacking.10

      The libertine regime is sustained by the enchantment of the New, which dissolves any representation of the eternal, considering it a childish product of the human imagination. It aims to render any lasting encounter impossible. It wants to unmask fidelity to the Same as if it were a lie. The desire that wants to be entirely free rejects any idea of fidelity and constancy in the name of a permanent spontaneity. The capitalist discourse experiences every kind of bond as an obstacle to its unquestioned affirmation. In this sense, humans are reduced to nothing more than goods in an even more radical way than that described by Marx. Bonds seem to be unable to hold in the face of a freedom that wants to be absolute, rejecting any experience of the limit. The generalized hyperactivity fed by the capitalist discourse deludes us, causing us to believe that there are no second chances, that what counts in this is not even the accumulation of enjoyment, as the ascetic-Weberian version of capitalism would have it, but its multiplication.12 For this reason, every bond becomes a limit, a point of resistance to the crazed motion of the capitalist discourse’s unchecked machine. Everything is rendered volatile in a purely nihilistic regime of desire, in which, as Lacan wrote, it is not so much the subject that confuses its prey with its shadow, as if there were some kind of visual defect, but the subject itself that is prey to the shadow.13

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