LITMIR.BIZ

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All day long the sea keeps changing colour with the shifting patterns of the sun and the clouds. It’s utterly gorgeous.

      I’m pleased you’ve settled in and that you like what you’ve found, but don’t worry about me. I’m enjoying the sunshine and I’m very happy.

      Oh, and thanks also for your helpful notes about the fish in the freezer and the pot plants and the washing machine’s spin cycle and the geckos. All points duly noted.

      Best wishes

      Patrick

      To: Felicity Knight <[email protected]>

      From: Patrick Knight <[email protected]>

      Subject: Re: Touching base

      Hi Mother

      Everything’s fine, thanks. I’m settled in here and all’s well. Will keep in touch. It’s paradise down here, so don’t worry about me.

      Love to you and to Jonathan

      Patrick x

       Private Writing Journal, Magnetic Island, April 10th

       This feels very uncomfortable.

       I’ve never kept any kind of diary, but apparently it’s helpful for serious writers to keep a journal of ‘free writing’. Any thoughts or ideas are grist for the mill, and the aim is to keep the ‘writing muscle’ exercised while waiting for divine inspiration.

       I wasn’t going to bother. I’m used to figures and spreadsheets, to getting results and getting them quickly, and it feels such a waste of effort to dredge up words that might never be used. But after spending an entire day at my laptop staring at ‘Chapter One’ at the top of a blank page, I feel moved to try something.

       I can blame jet-lag for the lack of productivity. I’m sure my muse will kick in after a day or two, but rather than waste the next couple of days waiting for the words to flow, I’m trying this alternative.

      So … what to say?

       This isn’t a test—no one else will be reading it—so I might as well start with the obvious.

       It’s an interesting experience to move into someone else’s house on the other side of the world, and to be surrounded by a completely different landscape and soundtrack, even different smells.

       As soon as I found notes from Molly scattered all over the house, I knew I’d arrived in an alien world. A few examples:

      Note on a pot plant: Patrick, would you mind watering this twice a week? But don’t leave water lying in the saucer, or mosquitoes will breed.

      On the fridge door: Help yourself to the fish in the freezer. There’s coral trout, queen fish, wahoo and nannygai. Don’t be put off by the strange names, they’re delicious. Try them on the barbecue. There’s a great barbecue recipe book on the shelf beside the stove.

      On the lounge wall, beside the light switch: Don’t freak if you see small, cute lizards running on the walls. They’re geckos—harmless, and great for keeping the insects down.

       Beyond the cottage, the plants and trees are nothing like trees at home. Some are much wilder and stragglier, others lusher and thicker, and all seem to grow in the barest cracks of soil between the huge boulders on this headland.

       The birds not only look different but they sound totally alien. There’s a bright green parrot with a blue head and yellow throat that chatters and screeches. The kookaburra’s laugh is hilarious. Another bird lets out a blood-curdling, mournful cry in the night.

       Even the light here is a surprise. So bright it takes a bit of getting used to.

       God, this is pathetic. I need red wine. I’m not a writer’s toenail.

       But I can’t give up on the first day. Getting this leave was a miracle. I couldn’t believe how generous old George Sims was. Such a surprise that he was worried about me ‘burning out’.

      But now … my writing. I’d always imagined that writing would be relaxing. I’m sure it is once the words really start to come. I’ll plug on.

       In spite of all the differences here, or perhaps because of them, Molly Cooper’s little cottage feels good to me. It’s simple, but it has loads of personality and it’s almost as if she hasn’t really left. It’s bizarre, but I feel as if I’ve actually met her simply by being here and seeing all her things, touching them, using the soap she left (sandalwood, I believe), eating from her dishes, sleeping in her bed under a white mosquito net.

       There’s a photo of her stuck on the fridge with a magnet shaped like a slice of watermelon. She’s with an elderly woman and it says on the back ‘Molly and Gran’. It was taken about a year ago, and Gran looks very frail, but Molly has long, light brown curly hair, a pretty smile, friendly eyes, dimples and terrific legs.

       Not that Molly’s appearance or personality is in any way relevant. I’m never going to meet her in the flesh. Our houses are our only points of connection.

      So … a bit more about her house.

       I must admit that I was worried that it might be too girlie, a bit too cute with pastel shades, ribbons and bows. The sort of warm and fuzzy place that could lower a man’s testosterone overnight. But it’s fine. I especially like its rugged and spectacular setting.

       The house itself is small—two bedrooms, one bathroom and one big open room for the kitchen, dining and lounge. It’s all on one level and it feels strange not going upstairs to bed at night.

       Lots of windows and shutters catch the breezes and the views. Loads of candles. You’d think there was no electricity, the way the candles are scattered everywhere, along with pieces of driftwood and shells, and decorative touches of blue.

       I wouldn’t normally notice colours, but for fear of sounding like a total dweeb I like all Molly’s bits of blue—like echoes of the sea and the sky outside. Very restful.

      When I leave the house, the island is hot and sultry, but inside it’s cool and quiet and … soothing.

      After these past years of financial crisis and endless overtime, this place has exactly the kind of vibe I need. I’m glad I told everyone I was going to be out of contact for the next three months. Apart from the odd e-mail from Molly or my mother, there’ll be no phone calls. No text messages, no tweets, no business e-mails …

       I think I might try the hammock in the mango tree.

      To: Patrick Knight <[email protected]>

      From: Molly Cooper <[email protected]>

      Subject: Update

      Hi Patrick

      How are you? I do hope the island is working its magic on you and that the book is flowing brilliantly.

      I’ve begun to explore London (on foot, or riding in the gorgeous red double-decker buses—takes more time, but I still can’t face the Tube), and I’m trying to do as much sightseeing as I can. Turns out most museums in the city of London don’t charge any entrance fee, which is awesome.

      To make the most of my time here, I’ve made a few rules for myself.

      Rule 1: Avoid other Aussies. I don’t want to spend my whole time talking about home. Just shoot me now.

      Rule 2: Educate myself about the ‘real’ London—not just the tourist must-sees, like Buckingham Palace and Trafalgar Square.

      Just as

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