LITMIR.BIZ

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one’s been in touch to ask which field they can use – and they’re on your land, not mine. I went up there earlier, but no one was around. No caravans yet, but a dozen or more tents. I’ve sent a couple of the lads to check it out now, see if anyone’s turned up yet and find out what it’s all about.’

      Unsettled by Giles’s concern, Shelley was recalling the stories she’d heard about clashes with the Gypsy fraternity, the kind of damage to land and property they inflicted if crossed, the violence and threats to children and animals. ‘If they don’t turn out to be your regular travellers, is there anything we can do to make them leave?’ she asked.

      Giles tipped back his head and drained the bottle of beer. ‘One step at a time,’ he cautioned. ‘For all we know it could be a bunch of hippies aiming to set up some New Age cult for nudists and nutters. But if they are pikeys of some sort we definitely don’t want to start off by upsetting them.’

      Shelley turned to Jack and felt another twist of unease when she saw the determined look on his face. She wanted to remind him that the top fields were a long way distant from the house – at least a mile and a half – so this unexpected settlement surely wasn’t anything to get too worked up about, but he was already addressing Giles.

      ‘Come on,’ he said, putting down a beer he hadn’t yet touched. ‘Let’s go take a look.’

      Minutes after Jack and Giles had taken off on foot across the fields, heading for the ancient forest and beyond, the children came thundering in demanding food. Nate and Kat were close behind, a sleepy Perry in his mother’s arms. Catching Shelley’s worried expression, Nate glanced from her to his father.

      ‘What’s going on?’ he wanted to know.

      David nodded to where Jack and Giles were clambering over a stile at the far end of the nearest field, a trail of sheep trotting along in Jack’s wake.

      Clearly sensing he might be needed, Nate took off at a pace to catch up with them.

      Kat’s eyebrows were raised as she looked at Shelley. ‘Later,’ Shelley murmured, aware of the children watching them.

      ‘Where’s Daddy gone?’ Josh demanded, unused to his father going anywhere on the farm without him.

      ‘I want him to hang up Milady’s rosette,’ Zoe protested.

      ‘You’re all so mean,’ Hanna snapped at them. ‘Grandpa’s made lemonade and you haven’t even said thank you.’

      At that the younger ones threw themselves at David, who took them inside for drinks and snacks before tea.

      ‘What is it?’ Kat prompted Shelley.

      Shelley was still watching the men’s retreating backs. ‘I don’t know,’ she replied quietly, ‘but I have such a horrible feeling about this that I wish I knew how to bring them back.’

      By the time dusk started to settle over the fields there was still no sign of the men, and as Giles had left his walkie-talkie on the table, and neither Jack nor Nate had taken theirs, Shelley had no way to get hold of them. She rang Giles’s wife, Cathy, but Cathy hadn’t heard from them either, and she was just as worried, which wasn’t like the usually sanguine Cathy at all.

      In the end, unable to stand doing nothing, Shelley told Kat to stay with David and the children while she went down to the basement and took a key from a box on the topmost shelf of a wall cupboard. She used it to unlock the cabinet where Jack kept his shotgun. She’d never fired it in her life (nor had he, since learning how to handle it), but mindful of the premonition she’d had as the men had left, she needed something to bolster her courage if she was going out to look for them. Obviously she wouldn’t shoot anyone, that wasn’t her intention at all, but venturing out alone in the dark with nothing to help make a point, if necessary, didn’t feel like a good way to go.

      Twenty minutes later Shelley was in the Land Rover, driving gingerly through the narrow country lanes at the furthest perimeter of their land and keeping her eyes peeled for any signs of Jack and the others. The car’s windows were open to let in some air, along with any number of insects to buzz around her face like the irritating pests they were.

      The shotgun was on the passenger seat beside her.

      She was close now to where their fields joined with Giles’s, but there was no sign of anyone. The night was black; hedgerows and trees rolled in from the wings and disappeared again as the headlights passed by. A fox darted across the road in front of her and was gone almost before she hit the brakes.

      Quite suddenly, the road flooded with light. A car came speeding towards her, headlights blazing; blinding her. She swerved frantically into a ditch, but needn’t have worried – the other driver skidded into a hard left turn and disappeared through an open gate (that should have been closed), bumping and revving into one of their top fields. It was followed by another car, and another … She counted six in all, each with its headlamps blazing and music blaring.

      Quickly backing up onto the road she killed her lights and edged forward in a low gear, her heart thudding and ears straining as she pulled in close to the hedge. The music had stopped, but she could see torch beams moving about wildly in the night air and then she heard the sound of voices, shouting, threatening. With an unsteady hand she reached for the gun, got out of the Land Rover and moved silently into the field.

      The cars had been abandoned, some doors left open and interior lights still on. Ahead of them was an encampment of a dozen or more tents, all shapes and sizes. The voices were louder now, but she still couldn’t see anyone, so she crept closer, keeping to the shadows and praying that no one would spot her. She didn’t want to think about what would happen if they did; all sorts of scenarios were flitting into her head and none were good.

      As she peered round the edge of a tent towards the commotion, her stomach gave a lurch of fear. A truly ugly scene was under way with Jack, Giles and Nate at the centre of it, yelling, waving fists and threatening violence if the travellers didn’t move off now.

      Except they weren’t travellers, she realized, they were a bunch of drunk, arrogant youths who’d apparently set up camp in the field and were now showing off in front of their girlfriends, watching from the shadows, by refusing to budge.

      Recognizing the ghastly Bleasdale twins from Dean Manor, Shelley moved closer still, and as one of the obnoxious oiks began yelling threats that could (or should in her opinion) get his head blown off, she raised the gun, pointed it straight at him and yelled, ‘Get away from my husband or I’ll shoot.’

      To her dismay no one heard; so directing the gun skywards she pulled the trigger and almost came off her feet as the explosion tore through the night.

      Everyone froze.

      She took another step forward, aiming the gun at any yob who moved. She could hear voices muttering, ‘What the fuck?’ ‘Madwoman’ ‘Get out of here.’ Jack was gaping at her in astonishment, then ran swiftly to wrest the weapon from her trembling grasp before any real harm was done.

      An even uglier scene immediately flared up, with Shelley joining in the yelling and no one seeming ready to give way, until a couple of Terry Yarwood’s farmhands turned up with a trailer packed full of farm waste. As they dumped it over the tents Jack’s party roared with laughter, while the Bleasdales and their fellow yobs began gagging and spluttering obscenities that could still be heard as they pressed the protesting girls back into the cars and disappeared into the night.

      ‘What the hell were you thinking, bringing the gun?’ Jack laughed, as he and Nate followed Shelley to the Land Rover.

      ‘I was expecting travellers,’ she reminded him. ‘And you’ve been out here for so long.’

      ‘We were waiting for them to show up,’ he explained. ‘We’d already guessed it was kids so we decided to have ourselves some sport.’

      Rolling her eyes as if to say men! she returned to the driver’s seat, while he stowed the shotgun in the boot and Nate climbed into the back.

      ‘What

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