The Dilemma - B A Paris

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rel="nofollow" href="#ulink_488d70e0-f193-5ec1-b646-2f6ef7fb794f">Adam

      I race along deserted streets, scattering a scavenging cat, cutting a corner too tight, shattering the night’s deathly silence with the roar of my bike. Ahead of me, the slip road to the M4 looms. I open the throttle and take it fast, screaming onto the motorway, slicing in front of a crawling car. My bike shifts under me as I push faster.

      The drag of the wind on my face is intoxicating and I have to fight an overwhelming urge to let go of the handlebars and freefall to my death. Is it terrible that Livia and Josh aren’t enough to make me want to live? Guilt adds itself to the torment of the last fourteen hours and a roar of white-hot anger adds to the noise of the bike as I race down the motorway, bent on destruction.

      Then, in the mirror, through the water streaming from my eyes, I see a car hammering down the motorway behind me, its blue light flashing, and my roar of grief becomes one of frustration. I take the bike to one hundred mph, knowing that if it comes to it I can push it faster, because nothing is going to stop me now. But the police car quickly closes the distance between us, moving swiftly into the outside lane and, as it levels with me, my peripheral vision catches an officer gesticulating wildly from the passenger seat.

      I add more speed but the car sweeps past and moves into my lane, blocking my bike. I’m about to open the throttle and overtake him, taking my bike to its maximum, but something stops me and he slowly reduces his speed, bringing me in. I’m not sure why I let him. Maybe it’s because I don’t want Livia to have even more pieces to pick up. Or maybe it was Marnie’s voice pleading, ‘Don’t, Dad, don’t!’. I swear I could feel her arms tightening around my waist for a moment, her head pressing against the back of my neck.

      My limbs are trembling as I bring the bike to a stop behind the police car and cut the engine. Two officers get out, one male, one female. The male strides towards me.

      ‘Have you got a death wish or something?’ he yells, slamming his cap onto his head.

      The second officer – the driver – approaches. ‘Sir, step away from the bike,’ she barks. ‘Sir, did you hear me? Step away from the bike.’

      I try to unfurl my hands from the handlebars, unstick my legs from the bike. But I seem to be welded to it.

      ‘Sir, if you don’t comply, I’m going to have to arrest you.’

      ‘We’re going to have to arrest him anyway,’ the first officer says. He takes a step towards me and the sight of handcuffs dangling from his belt shocks me into speech.

      I flip up my helmet. ‘Wait!’

      There must be something in my voice, or maybe they read something in my face, because both police officers pause.

      ‘Go on.’

      ‘It’s about Marnie.’

      ‘Marnie?’

      ‘Yes.’

      ‘Who’s Marnie?’

      ‘My daughter.’ I swallow painfully. ‘Marnie’s my daughter.’

      They exchange a glance. ‘Where is your daughter, sir?’

      THE DAY BEFORE

      SATURDAY 8TH JUNE

      8 A.M. – 9 A.M.

      Leaving Livia sleeping, I move from the bed and stretch quietly in the warm air coming through the open window. I stifle a yawn and check the sky; not a single sullen raincloud in sight. Liv will be pleased. The weather is just about the only thing she hasn’t been able to control for her party tonight. She’s been on top of everything else for months, wanting it to be perfect. But the relentless rain of the last few weekends was beginning to get her down.

      I watch the steady rise and fall of her chest as she sleeps, the tiny flicker of her eyelids. She looks so peaceful that I decide not to wake her until I’ve made coffee. I find the clothes I was wearing last night and pull on my jeans, flattening my hair as I tug the T-shirt over my head.

      The stairs creak as I go down to the kitchen and Murphy, our red merle Australian Shepherd, raises his head from where he sleeps in his basket by the wood-burning stove. I crouch next to him for a minute, asking him how he is and if he had a good sleep, and tell him that mine was disturbed by a nightmare. He gives my hand a sympathetic lick, then puts his head back down, ready to sleep the rest of the day away. He’s fifteen now and not as energetic as he used to be, which is just as well because neither am I. He loves his daily walk but the days of our long runs together are a thing of the past.

      Mimi, Marnie’s marmalade cat, who acts as if she’s a purebred pedigree and is anything but, uncurls herself and comes to brush against my leg, reminding me that she exists too. I fill their bowls, then the kettle. As I switch it on, the splutter of water connecting to heat disturbs the silence. I look out of the window at the huge white marquee, crouched on the lawn like a malevolent beast, ready to leap onto the terrace and swallow the house. I remember now, the nightmare that woke me. I dreamt the marquee had blown away. I pull it from my memory – that’s it, I’d been standing on the lawn with Josh and Marnie when the wind began to pick up, and the gentle rustling of the trees became a sinister hissing, then a deafening roar that ripped the leaves from the branches and tossed them into the air, dragging the fairy lights with them into the vortex.

      ‘The tent!’ Josh had cried, as the wind turned its fury on the marquee. And before I could stop her, Marnie was running towards it and had grabbed at one of the flaps.

      ‘Marnie, let go!’ I’d yelled. But the wind caught my words and whipped them away so that she couldn’t hear, and the marquee had carried her high into the sky until we could no longer see her.

      Liv will laugh when I tell her – it turns out she’s not the only one feeling the pressure of the party. I move restlessly from the window and give my body another stretch, my fingertips brushing the ceiling of our old cottage as I raise my arms above my head. I’m not quite sure when Josh overtook me in height, but he’s been able to lay his palms flat on the ceiling for a while now.

      His rucksack is where he left it, dumped at the end of the table along with two plastic bags. I move them onto the floor and run a critical eye over the table. It was one of my earliest pieces, a simple structure of varnished pine that I’d tried to make different by reinforcing the legs with a bridge-like structure, a nod to the dream I once had of becoming a civil engineer. At first, Livia hadn’t liked the lack of space underneath. Now, she loves to sit on the cushioned bench-seat, her feet resting on one of the beams, her body curved back against the wall.

      The kettle clicks off. I fill the cafetière and leaving it to brew, unlock the door to the garden. The noise disturbs a male blackbird sitting in a nearby bush. There’s a panicked flapping of wings, and as I watch him soar into the sky, I’m reminded that Marnie is on her way home.

      Smiling at the thought of seeing her again, because nine months is a long time, I walk across the terrace and climb the five craggy steps, enjoying the feel of rough stone against the soles of my feet, followed by dewy grass as I cross the lawn. The morning air smells of a damp mulch I can’t quite place, something to do with Livia’s roses. There’s a huge bed of them, on the right-hand side of the garden, in front of the wooden fence and as I walk by, I catch the incredible scent of Sweet Juliet. Or maybe it’s Lady Emma Hamilton. I can never remember which, even though Livia tells me often enough.

      I walk around the marquee, checking that it’s properly anchored, in case my nightmare was a premonition of some sort, and see that they’ve taken it so far back it’s practically touching my shed, leaving only the smallest of spaces for me to squeeze through. I know why they’ve done it; they’ve had to leave room for the tables and chairs which will be set up in front of the marquee. But if it’s possible to resent a tent, I’m doing it now.

      I

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