LITMIR.BIZ

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the Imperial Palace by whichever convoluted route took her to the Tha’alani Quarter first. But as she had to stop by the Quartermaster to get kitted out in appropriate dress uniform—and as the Quartermaster was still a touch angry, which wasn’t exactly the right word for his state (the right words couldn’t be used in polite company of any race, all of the Hawks being multilingual when it came to swearing)—she actually appreciated Sanabalis’s suspicion, because if the Quartermaster was willing to make her wait or suffer, he was not willing to piss off a Dragon Lord.

      He was, however, unfailingly polite and friendly when talking to Severn. Severn did not lose expensive dresses.

      She took the uniform from Severn’s hands and headed to the lockers, where she added a much cleaner—and longer—surcoat to the clothing she generally wore. If she were a Sword, she’d also get a thin chain hauberk that was shiny and clean, because those looked good; Hawks didn’t generally have them as part of their uniform, dress or no, although most of the human Hawks did own one.

      She had managed to lose her daggers—where lose in this case meant that something magical had transformed them into part of a very elaborate yet somehow very skimpy dress—and had bought a single replacement. The other dagger was coming out of her pay.

      But it wasn’t coming out of her hide, for which she should probably be grateful.

      Severn straightened her surcoat. It had the usual embroidered Hawk, dead center, but the golden thread and the beading was so perfectly clean it almost hurt to look at the flight feathers. To this, Kaylin added a small, beadwork patch.

      “I don’t think it’s necessary,” Severn told her. But he didn’t tell her to take it off, probably because he knew she wouldn’t. The beads survived anything. Which was more, she thought glumly, than could be said about the rest of the clothing she owned.

      She took the time to clean her boots.

      Severn caught her arm and said “There’s nothing to be nervous about.”

      She winced. “That obvious?”

      “You don’t generally care about your boots, no.”

      “I just—Marcus hates it when I go to the Palace. I swear he sits by his damn mirror waiting to hear that I’ve been thrown in the dungeons or eaten or something.”

      They started to walk down the hall, and Sanabalis took the lead.

      “You aren’t reporting directly to the Emperor,” Severn replied. “So it’s unlikely that anyone you offend will have you eaten.”

      “You’re sure?”

      “Unless the Emperor’s decided that you really are a threat to his Empire, in which case he could dispense with the petty part of you actually annoying some high-ranking official, and go straight to the eating. He’s an Emperor. He doesn’t have to worry about the niceties of the Law.”

      She squared her shoulders. Smiled at Severn. “I know I’m going to have to learn how to do this—how to talk with people who’ve never even approached the banks of the Ablayne. But I’m not good at lying. I’m not good at talking.”

      “You talk all the time,” he said, with just the hint of a smile. He was already moving out of the way before she hit him.

      “I talk to people who know more or less what I know, and who don’t bloody care if I say things nicely or not. I hate the idea that my career is riding on my ability to be someone else’s idea of polite.”

      “I would dislike it as well,” Sanabalis said, with a hint of the same smile Severn had offered. “But if it’s of comfort, Kaylin, you will not feel this way in twenty years.”

      She bit her tongue. Hard.

      And he nodded in approval.

      This was going to be a long assignment.

      On the way to the Palace, she read as much of the play as she could. She’d seen some street theater in her time, but her entire familiarity with plays put on for an audience involved a lot of loud children and the Foundling Halls’ small stage. Marrin, the Leontine who guarded and raised the orphans in said Hall, had put aside one of the large rooms in the former manor for just that purpose. For most of the year it stood empty, but during Festival season, and at odd intervals throughout the year, the cloths were dragged off the various bits and pieces of furniture—and the paintings and candelabras—and the room was opened to the visiting actors.

      Kaylin had been there for almost all of the plays that occurred at any time other than Festival; Marrin often called her in to help supervise. She didn’t always get the play—and some of the stories, which were clearly meant to be familiar to small children before they watched the play, were a mystery to her—but the men and women in their funny hats and wigs and makeup were universally friendly and warm. The kids loved plays; they would watch in near silence—near being as much as anyone sane could hope for—and laugh or scream at all the right lines.

      Kaylin seriously hoped that this play wasn’t meant for those children, because they would have been bored to tears. And bored children were a special hell of their own.

      As near as she could tell, Mr. Rennick had decided that a budding romance between two Tha’alani teens was a good idea—for reasons that made no sense to Kaylin. Having seen evidence of the Tha’alani concept of romance, Kaylin had no doubt at all that this would be first on the list of things that Ybelline had attempted to correct. Second on that list would be the disapproving parents. Third on that list would be the couple attempting to sneak off somewhere together so they could be alone.

      She stopped herself from dumping the play out the window, and only partly because the Swords on the streets were in a bad enough mood they might stop even an Imperial Carriage and attempt to hand someone a ticket for littering.

      “Does this ever get to the point?”

      “Hmm?”

      “I mean, does he even get to the docks and the damn tidal wave?”

      “Well, yes—but the love story is meant to convey to the audience that the Tha’alani are as human as we are. And misunderstood love occurs in all species.”

      “It does?”

      “Well, in Mr. Rennick’s mind, yes. But I would say that he is not entirely wrong.”

      “Oh. What does a Dragon romance look like?” she asked.

      Sanabalis snorted. Kaylin swore she saw a small plume of fire erupt just above his beard. Which seemed to constitute his answer on that front, and Kaylin couldn’t offhand recall mention of a female Dragon at court. She was certain they must exist somewhere.

      She wondered, briefly, what a Barrani romance looked like, and decided she probably wouldn’t be able to tell the difference between that and one of their assassination attempts. Instead, she said, “Look, the Tha’alani are like the rest of us. Sort of. But this whole romance—it’s just wrong. I think Ybelline would find the … the possessive-ness, the sense of—”

      “Ownership?”

      “Don’t mock me, Sanabalis. What I’m trying to say is that they don’t experience love that way.”

      “Which is not, in fact, what you did say.”

      “Fine. The point is, they don’t. They don’t have the disapproving parents thing, and they definitely don’t sneak off for privacy.”

      “Ah. Well, then, how would you structure a play in which it was utterly essential that the audience empathize with the Tha’alani?”

      “Honestly?”

      “Honestly.”

      “I’d write about the years in which they were tortured like criminals because they wouldn’t serve the Emperor by reading other people’s minds for him. Because they couldn’t, without going insane, and driving everyone they knew and loved insane in

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