LITMIR.BIZ

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to and only refrained out of regard for his modesty.

      In the beginning of the winter of 1805-6 Pierre received one of Anna Pávlovna’s usual pink notes with an invitation to which was added: “You will find the beautiful Hélène here, whom it is always delightful to see.”

      When he read that sentence, Pierre felt for the first time that some link which other people recognized had grown up between himself and Hélène, and that thought both alarmed him, as if some obligation were being imposed on him which he could not fulfill, and pleased him as an entertaining supposition.

      Anna Pávlovna’s “At Home” was like the former one, only the novelty she offered her guests this time was not Mortemart, but a diplomatist fresh from Berlin with the very latest details of the Emperor Alexander’s visit to Potsdam, and of how the two august friends had pledged themselves in an indissoluble alliance to uphold the cause of justice against the enemy of the human race. Anna Pávlovna received Pierre with a shade of melancholy, evidently relating to the young man’s recent loss by the death of Count Bezúkhov (everyone constantly considered it a duty to assure Pierre that he was greatly afflicted by the death of the father he had hardly known), and her melancholy was just like the august melancholy she showed at the mention of Her Most August Majesty the Empress Márya Fëdorovna. Pierre felt flattered by this. Anna Pávlovna arranged the different groups in her drawing room with her habitual skill. The large group, in which were Prince Vasíli and the generals, had the benefit of the diplomat. Another group was at the tea table. Pierre wished to join the former, but Anna Pávlovna—who was in the excited condition of a commander on a battlefield to whom thousands of new and brilliant ideas occur which there is hardly time to put in action—seeing Pierre, touched his sleeve with her finger, saying:

      “Wait a bit, I have something in view for you this evening.” (She glanced at Hélène and smiled at her.) “My dear Hélène, be charitable to my poor aunt who adores you. Go and keep her company for ten minutes. And that it will not be too dull, here is the dear count who will not refuse to accompany you.”

      The beauty went to the aunt, but Anna Pávlovna detained Pierre, looking as if she had to give some final necessary instructions.

      “Isn’t she exquisite?” she said to Pierre, pointing to the stately beauty as she glided away. “And how she carries herself! For so young a girl, such tact, such masterly perfection of manner! It comes from her heart. Happy the man who wins her! With her the least worldly of men would occupy a most brilliant position in society. Don’t you think so? I only wanted to know your opinion,” and Anna Pávlovna let Pierre go.

      Pierre, in reply, sincerely agreed with her as to Hélène’s perfection of manner. If he ever thought of Hélène, it was just of her beauty and her remarkable skill in appearing silently dignified in society.

      The old aunt received the two young people in her corner, but seemed desirous of hiding her adoration for Hélène and inclined rather to show her fear of Anna Pávlovna. She looked at her niece, as if inquiring what she was to do with these people. On leaving them, Anna Pávlovna again touched Pierre’s sleeve, saying: “I hope you won’t say that it is dull in my house again,” and she glanced at Hélène.

      Hélène smiled, with a look implying that she did not admit the possibility of anyone seeing her without being enchanted. The aunt coughed, swallowed, and said in French that she was very pleased to see Hélène, then she turned to Pierre with the same words of welcome and the same look. In the middle of a dull and halting conversation, Hélène turned to Pierre with the beautiful bright smile that she gave to everyone. Pierre was so used to that smile, and it had so little meaning for him, that he paid no attention to it. The aunt was just speaking of a collection of snuffboxes that had belonged to Pierre’s father, Count Bezúkhov, and showed them her own box. Princess Hélène asked to see the portrait of the aunt’s husband on the box lid.

      “That is probably the work of Vinesse,” said Pierre, mentioning a celebrated miniaturist, and he leaned over the table to take the snuffbox while trying to hear what was being said at the other table.

      He half rose, meaning to go round, but the aunt handed him the snuffbox, passing it across Hélène’s back. Hélène stooped forward to make room, and looked round with a smile. She was, as always at evening parties, wearing a dress such as was then fashionable, cut very low at front and back. Her bust, which had always seemed like marble to Pierre, was so close to him that his shortsighted eyes could not but perceive the living charm of her neck and shoulders, so near to his lips that he need only have bent his head a little to have touched them. He was conscious of the warmth of her body, the scent of perfume, and the creaking of her corset as she moved. He did not see her marble beauty forming a complete whole with her dress, but all the charm of her body only covered by her garments. And having once seen this he could not help being aware of it, just as we cannot renew an illusion we have once seen through.

      “So you have never noticed before how beautiful I am?” Hélène seemed to say. “You had not noticed that I am a woman? Yes, I am a woman who may belong to anyone—to you too,” said her glance. And at that moment Pierre felt that Hélène not only could, but must, be his wife, and that it could not be otherwise.

      He knew this at that moment as surely as if he had been standing at the altar with her. How and when this would be he did not know, he did not even know if it would be a good thing (he even felt, he knew not why, that it would be a bad thing), but he knew it would happen.

      Pierre dropped his eyes, lifted them again, and wished once more to see her as a distant beauty far removed from him, as he had seen her every day until then, but he could no longer do it. He could not, any more than a man who has been looking at a tuft of steppe grass through the mist and taking it for a tree can again take it for a tree after he has once recognized it to be a tuft of grass. She was terribly close to him. She already had power over him, and between them there was no longer any barrier except the barrier of his own will.

      “Well, I will leave you in your little corner,” came Anna Pávlovna’s voice, “I see you are all right there.”

      And Pierre, anxiously trying to remember whether he had done anything reprehensible, looked round with a blush. It seemed to him that everyone knew what had happened to him as he knew it himself.

      A little later when he went up to the large circle, Anna Pávlovna said to him: “I hear you are refitting your Petersburg house?”

      This was true. The architect had told him that it was necessary, and Pierre, without knowing why, was having his enormous Petersburg house done up.

      “That’s a good thing, but don’t move from Prince Vasíli’s. It is good to have a friend like the prince,” she said, smiling at Prince Vasíli. “I know something about that. Don’t I? And you are still so young. You need advice. Don’t be angry with me for exercising an old woman’s privilege.”

      She paused, as women always do, expecting something after they have mentioned their age. “If you marry it will be a different thing,” she continued, uniting them both in one glance. Pierre did not look at Hélène nor she at him. But she was just as terribly close to him. He muttered something and colored.

      When he got home he could not sleep for a long time for thinking of what had happened. What had happened? Nothing. He had merely understood that the woman he had known as a child, of whom when her beauty was mentioned he had said absent-mindedly: “Yes, she’s good looking,” he had understood that this woman might belong to him.

      “But she’s stupid. I have myself said she is stupid,” he thought. “There is something nasty, something wrong, in the feeling she excites in me. I have been told that her brother Anatole was in love with her and she with him, that there was quite a scandal and that that’s why he was sent away. Hippolyte is her brother … Prince Vasíli is her father … It’s bad… .” he reflected, but while he was thinking this (the reflection was still incomplete), he caught himself smiling and was conscious that another line of thought had sprung up, and while thinking of her worthlessness he was also dreaming of how she would be his wife, how she would love him become quite different, and how all he had thought and heard of her might be false.

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