LITMIR.BIZ

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(which whoever hears me let him or her set out in search of this day.)

      My final merit I refuse you, I refuse putting from me what I really am,

      Encompass worlds, but never try to encompass me,

      I crowd your sleekest and best by simply looking toward you.

      Writing and talk do not prove me,

      I carry the plenum of proof and every thing else in my face,

      With the hush of my lips I wholly confound the skeptic.

      26

      Now I will do nothing but listen,

      To accrue what I hear into this song, to let sounds contribute toward it.

      I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals,

      I hear the sound I love, the sound of the human voice,

      I hear all sounds running together, combined, fused or following,

      Sounds of the city and sounds out of the city, sounds of the day and night,

      Talkative young ones to those that like them, the loud laugh of work-people at their meals,

      The angry base of disjointed friendship, the faint tones of the sick,

      The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence,

      The heave’e’yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters,

      The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color’d lights,

      The steam-whistle, the solid roll of the train of approaching cars,

      The slow march play’d at the head of the association marching two and two,

      (They go to guard some corpse, the flag-tops are draped with black muslin.)

      I hear the violoncello, (‘tis the young man’s heart’s complaint,)

      I hear the key’d cornet, it glides quickly in through my ears,

      It shakes mad-sweet pangs through my belly and breast.

      I hear the chorus, it is a grand opera,

      Ah this indeed is music—this suits me.

      A tenor large and fresh as the creation fills me,

      The orbic flex of his mouth is pouring and filling me full.

      I hear the train’d soprano (what work with hers is this?)

      The orchestra whirls me wider than Uranus flies,

      It wrenches such ardors from me I did not know I possess’d them,

      It sails me, I dab with bare feet, they are lick’d by the indolent waves,

      I am cut by bitter and angry hail, I lose my breath,

      Steep’d amid honey’d morphine, my windpipe throttled in fakes of death,

      At length let up again to feel the puzzle of puzzles,

      And that we call Being.

      27

      To be in any form, what is that?

      (Round and round we go, all of us, and ever come back thither,)

      If nothing lay more develop’d the quahaug in its callous shell were enough.

      Mine is no callous shell,

      I have instant conductors all over me whether I pass or stop,

      They seize every object and lead it harmlessly through me.

      I merely stir, press, feel with my fingers, and am happy,

      To touch my person to some one else’s is about as much as I can stand.

      28

      Is this then a touch? quivering me to a new identity,

      Flames and ether making a rush for my veins,

      Treacherous tip of me reaching and crowding to help them,

      My flesh and blood playing out lightning to strike what is hardly different from myself,

      On all sides prurient provokers stiffening my limbs,

      Straining the udder of my heart for its withheld drip,

      Behaving licentious toward me, taking no denial,

      Depriving me of my best as for a purpose,

      Unbuttoning my clothes, holding me by the bare waist,

      Deluding my confusion with the calm of the sunlight and pasture-fields,

      Immodestly sliding the fellow-senses away,

      They bribed to swap off with touch and go and graze at the edges of me,

      No consideration, no regard for my draining strength or my anger,

      Fetching the rest of the herd around to enjoy them a while,

      Then all uniting to stand on a headland and worry me.

      The sentries desert every other part of me,

      They have left me helpless to a red marauder,

      They all come to the headland to witness and assist against me.

      I am given up by traitors,

      I talk wildly, I have lost my wits, I and nobody else am the greatest traitor,

      I went myself first to the headland, my own hands carried me there.

      You villain touch! what are you doing? my breath is tight in its throat,

      Unclench your floodgates, you are too much for me.

      29

      Blind loving wrestling touch, sheath’d hooded sharp-tooth’d touch!

      Did it make you ache so, leaving me?

      Parting track’d by arriving, perpetual payment of perpetual loan,

      Rich showering rain, and recompense richer afterward.

      Sprouts take and accumulate, stand by the curb prolific and vital,

      Landscapes projected masculine, full-sized and golden.

      30

      All truths wait in all things,

      They neither hasten their own delivery nor resist it,

      They do not need the obstetric forceps of the surgeon,

      The insignificant is as big to me as any,

      (What is less or more than a touch?)

      Logic and sermons never convince,

      The damp of the night drives deeper into my soul.

      (Only what proves itself to every man and woman is so,

      Only what nobody denies is so.)

      A minute and a drop of me settle my brain,

      I believe the soggy clods shall become lovers and lamps,

      And a compend of compends is the meat of a man or woman,

      And a summit and flower there is the feeling they have for each other,

      And they are to branch boundlessly out of that lesson until it becomes omnific,

      And until one and all shall delight us, and we them.

      31

      I believe a leaf of grass is no less than the journey work of the stars,

      And the pismire is equally perfect, and a grain of sand, and the egg of the wren,

      And

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