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The Conspiracy. Paul Nizan
Читать онлайн.Название The Conspiracy
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isbn 9781781684276
Автор произведения Paul Nizan
Жанр Контркультура
Издательство Ingram
PAUL NIZAN was born in Tours, France in 1905, the son of a railway engineer. A close friend of Sartre at the Lycée Henri IV and at the Ecole normale supérieure, he joined the Communist Party in the late 1920s and became one of its best-known journalists and intellectuals. His works include Aden, Arabie; Les Chiens de Garde; Antoine Bloyé; and Le Cheval de Troie. In 1939, following the Molotov–Ribbentrop Pact, Nizan left the party and was killed the following year in the Battle of Dunkirk fighting against the German army.
The Conspiracy
Paul Nizan
TRANSLATED BY QUINTIN HOARE
FOREWORD BY JEAN-PAUL SARTRE
Including a previously unpublished letter by Walter Benjamin
English-language edition first published by Verso 1988
This updated paperback edition published by Verso 2011
© Verso 2011
Translation © Quintin Hoare
First published as La Conspiration © Editions Gallimard, Paris 2005
Foreword by Jean-Paul Sartre from his Situations (vol. 1) © Editions Gallimard 1948
Letter to Max Horkheimer (dated 24 January 1939), aus: Walter Benjamin,
Gesammelte Briefe. 6 Bände Band VI: Briefe 19381940 © Suhrkamp Verlag
Frankfurt am Main 2000
Translation © Esther Leslie
All rights reserved
The moral rights of the authors have been asserted
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Verso
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US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201
Verso is the imprint of New Left Books
Epub ISBN-13: 978-1-84467-838-9
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record for this book is available from the Library of Congress
Typeset in MT Janson by Hewer UK Ltd, Edinburgh
Printed in the US by Maple Vail
CONTENTS
Foreword: On The Conspiracy by Jean-Paul Sartre
Appendix: Walter Benjamin to Max Horkheimer
Translator’s Note
In The Conspiracy, Nizan draws on cultural, political and historical sources that will often be unfamiliar to English-speaking readers, half a century after its original publication. A few explanatory notes have, therefore, been provided at the end of the book, to which readers may if they wish refer – but without burdening the text of the novel itself with any inappropriate apparatus of reference numbers.
Perhaps the most important thing to explain is something about the French system of higher education, in which a particular role is played by a group of elite Grandes Écoles in Paris, most of which go back in their present (approximate) form to the Revolutionary or Napoleonic period, and which flank the University of Paris (Sorbonne). Rosenthal and his friends attend what is still the best known of these, the Ecole normale supérieure in Rue d’Ulm. This is entered by annual competition, open to pupils from lycées (roughly equivalent to grammar or high schools) all over France. However, certain well-known Parisian lycées like the Louis-le-Grand of this book (which the author himself attended with Jean-Paul Sartre in the early twenties, and which stands next door to the Sorbonne) specialize in preparing for the Ecole Normale Supérieure entrance: pupils from less prominent lycées throughout the country transfer there at the age of eighteen for this purpose. At the Ecole Normale Supérieure, students are prepared not simply for a first degree (licence), but also for the more difficult agrégation, a competitive examination which qualifies successful candidates to apply for a strictly limited number of teaching posts (in history, mathematics, philosophy, etc.) in lycées – posts which carry higher salaries than those open to teachers who only have ordinary degrees.
Other Grandes Écoles figuring here include the Ecole Nationale des Chartes, for archivists and librarians; the Ecole Libre des Sciences Politiques (now the Institut d’Etudes Politiques) in Rue Saint-Guillaume; the Ecole Polytechnique (familiarly known as X), which has a military status and qualifies pupils either for technical branches of the armed services or for engineering branches of the public services, through an education specializing in mathematics and the physical sciences; and, in the domain of technical and vocational education, the Ecole Centrale des Arts et Manufactures and the Conservatoire National des Arts et Métiers.
The Conspiracy is set in the political context of France between 1924 and 1929. In 1924, the Right-dominated Horizon-Blue Chamber (so called after the colour of the French Army’s field uniform between 1915 and 1927) was replaced in general elections which led to a coalition government of the Left Cartel. Poincaré, the conservative politician most identified with France’s hard line towards defeated Germany and in particular with French occupation of the Ruhr (1923), was replaced as Premier by the Radical-Socialist Herriot, while Millerand was similarly replaced as President by Doumergue. By 1925, however, the Right held governmental power once more, with a series of ministries headed for the most part either by Briand (1925–26 and again in 1929) or Poincaré (1926–29).
I should like to express my gratitude to Christine Donougher, Marie-Thérèse Weal, and especially Madame Rirette Nizan, for their kind help when I was finalizing this translation.
Foreword: On The Conspiracy
Nizan speaks about youth. But a Marxist has too much historical sense to describe an age of life – such as Youth or Maturity – in general, just as it marches past in Strasburg Cathedral when the clock strikes midday. His young men are dated and attached to their class: like Nizan himself, they were twenty in 1929 – the heyday of ‘prosperity’ in the middle of the post-war period that has just ended. They are bourgeois, sons for the most part of that grande bourgeoisie which entertains ‘anxious doubts about its future’, of those ‘rich tradespeople who brought up their children admirably, but who had ended up respecting only the Spirit, without thinking that this ludicrous veneration for the most disinterested activities of life ruined everything, and that it was merely the mark of their commercial decadence and of a bourgeois