LITMIR.BIZ

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the more he thrashes about trying to extract his legs, the deeper in he sinks. Just so, the harder I clamp my jaws, the more my mouth grows heavy and my teeth immobilized. I can feel the resistance to my teeth, but that’s all. I cannot dispose of it. Waverhouse, the aesthete, once described my master as an aliquant man and I must say it’s rather a good description. This rice-cake too, like my master, is aliquant. It looked to me that, however much I continued biting, nothing could ever result: the process could go on and on eternally like the division of ten by three. In the middle of this anguish I found my second truth: that all animals can tell by instinct what is or is not good for them. Although I have now discovered two great truths, I remain unhappy by reason of the adherent rice-cake. My teeth are being sucked into its body, and are becoming excruciatingly painful. Unless I can complete my bite and run away quickly, O-san will be on me. The children seem to have stopped singing, and I’m sure they’ll soon come running into the kitchen. In an extremity of anguish, I lashed about with my tail, but to no effect. I made my ears stand up and then lie flat, but this didn’t help either. Come to think of it, my ears and tail have nothing to do with the rice-cake. In short, I had indulged in a waste of wagging, a waste of ear-erection, and a waste of ear-flattening. So I stopped.

      At long last it dawned on me that the best thing to do is to force the rice-cake down by using my two front paws. First I raised my right paw and stroked it around my mouth. Naturally, this mere stroking brought no relief whatsoever. Next, I stretched out my left paw and with it scraped quick circles around my mouth. These ineffectual passes failed to exorcize the fiend in the rice-cake. Realizing that it was essential to proceed with patience, I scraped alternatively with my right and left paws, but my teeth stayed stuck in the rice-cake. Growing impatient, I now used both front paws simultaneously. Then, only then, I found to my amazement that I could actually stand up on my hind legs. Somehow I feel un-catlike. But not caring whether I am a cat or not, I scratch away like mad at my whole face in frenzied determination to keep on scratching until the fiend in the rice-cake has been driven out. Since the movements of my front paws are so vigorous I am in danger of losing my balance and falling down. To keep my equilibrium I find myself marking time with my hind legs. I begin to tittup from one spot to another, and I finish up prancing madly all over the kitchen. It gives me great pride to realize that I can so dextrously maintain an upright position, and the revelation of a third great truth is thus vouchsafed me: that in conditions of exceptional danger one can surpass one’s normal level of achievement. This is the real meaning of Special Providence.

      Sustained by Special Providence, I am fighting for dear life against that demonic rice-cake when I hear footsteps. Someone seems to be approaching. Thinking it would be fatal to be caught in this predicament, I redouble my efforts and am positively running around the kitchen. The footsteps come closer and closer. Alas, that Special Providence seems not to last forever. In the end I am discovered by the children who loudly shout, “Why look! The cat’s been eating rice-cakes and is dancing.” The first to hear their announcement was that O-san person. Abandoning her shuttlecock and battledore, she flew in through the kitchen door crying, “Gracious me!” Then the mistress, sedate in her formal silk kimono, deigns to remark, “What a naughty cat.” And my master, drawn from his study by the general hubbub, shouts, “You fool!” The children find me funniest, but by general agreement the whole household is having a good old laugh. It is annoying, it is painful, it is impossible to stop dancing. Hell and damnation! When at long last the laughter began to die down, the dear, little five-year-old piped up with an, “Oh what a comical cat,” which had the effect of renewing the tide of their ebbing laughter. They fairly split their sides. I have already heard and seen quite a lot of heartless human behavior, but never before have I felt so bitterly critical of their conduct. Special Providence having vanished into thin air, I was back in my customary position on all fours, finally at my wit’s end, and, by reason of giddiness, cutting a quite ridiculous figure. My master seems to have felt it would be perhaps a pity to let me die before his very eyes, for he said to O-san, “Help him get rid of that rice-cake.” O-san looks at the mistress as if to say, “Why not make him go on dancing?” The mistress would gladly see my minuet continued, but, since she would not go so far as wanting me to dance myself to death, says nothing. My master turned somewhat sharply to the servant and ordered, “Hurry it up, if you don’t help quickly the cat will be dead.” O-san, with a vacant look on her face, as though she had been roughly wakened from some peculiarly delicious dream, took a firm grip on the rice-cake and yanked it out of my mouth. I am not quite as feeble-fanged as Coldmoon, but I really did think my entire front toothwork was about to break off. The pain was indescribable. The teeth embedded in the rice-cake are being pitilessly wrenched. You can’t imagine what it was like. It was then that the fourth enlightenment burst upon me: that all comfort is achieved through hardship. When at last I came to myself and looked around at a world restored to normality, all the members of the household had disappeared into the inner room.

      Having made such a fool of myself, I feel quite unable to face such hostile critics as O-san. It would, I think, unhinge my mind. To restore my mental tranquillity, I decided to visit Tortoiseshell, so I left the kitchen and set off through the backyard to the house of the two-stringed harp. Tortoiseshell is a celebrated beauty in our district. Though I am undoubtedly a cat, I possess a wide general knowledge of the nature of compassion and am deeply sensitive to affection, kind-heartedness, tenderness, and love. Merely to observe the bitterness in my master’s face, just to be snubbed by O-san, leaves me out of sorts. At such times I visit this fair, lady friend of mine and our conversation ranges over many things. Then, before I am aware of it, I find myself refreshed. I forget my worries, hardships, everything. I feel as if reborn. Female influence is indeed a most potent thing. Through a gap in the cedar-hedge, I peer to see if she is anywhere about. Tortoiseshell, wearing a smart new collar in celebration of the season, is sitting very neatly on her veranda. The rondure of her back is indescribably beautiful. It is the most beautiful of all curved lines. The way her tail curves, the way she folds her legs, the charmingly lazy shake of her ears—all these are quite beyond description. She looks so warm sitting there so gracefully in the very sunniest spot. Her body holds an attitude of utter stillness and correctness. And her fur, glossy as velvet that reflects the rays of spring, seems suddenly to quiver although the air is still. For a while I stood, completely enraptured, gazing at her. Then as I came to myself, I softly called, “Miss Tortoiseshell, Miss Tortoiseshell,” and beckoned with my paw.

      “Why, Professor,” she greeted me as she stepped down from the veranda. A tiny bell attached to her scarlet collar made little tinkling sounds. I say to myself, “Ah, it’s for the New Year that she’s wearing a bell,” and, while I am still admiring its lively tinkle, find she has arrived beside me. “A happy NewYear, Professor,” and she waves her tail to the left; for when cats exchange greetings one first holds one’s tail upright like a pole, then twists it round to the left. In our neighborhood it is only Tortoiseshell who calls me Professor. Now, I have already mentioned that I have, as yet, no name; it is Tortoiseshell, and she alone, who pays me the respect due to one that lives in a teacher’s house. Indeed, I am not altogether displeased to be addressed as a Professor, and respond willingly to her apostrophe.

      “And a happy New Year to you,” I say. “How beautifully you’re done up!”

      “Yes, the mistress bought it for me at the end of last year. Isn’t it nice?” and she makes it tinkle for me.

      “Yes indeed, it has a lovely sound. I’ve never seen such a wonderful thing in my life.”

      “No! Everyone’s using them,” and she tinkle-tinkles. “But isn’t it a lovely sound? I’m so happy.” She tinkle-tinkle-tinkles continuously.

      “I can see your mistress loves you very dearly.” Comparing my lot with hers, I hinted at my envy of a pampered life.

      Tortoiseshell is a simple creature. “Yes,” she says, “that’s true; she treats me as if I were her own child.” And she laughs innocently. It is not true that cats never laugh. Human beings are mistaken in their belief that only they are capable of laughter. When I laugh my nostrils grow triangular and my Adam’s apple trembles. No wonder human beings fail to understand it.

      “What is your master really like?”

      “My master? That sounds strange. Mine is

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