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       Thomas Hardy

      A Pair of Blue Eyes

      Published by Good Press, 2019

       [email protected]

      EAN 4057664172631

       PREFACE

       Chapter I

       Chapter II

       Chapter III

       Chapter IV

       Chapter V

       Chapter VI

       Chapter VII

       Chapter VIII

       Chapter IX

       Chapter X

       Chapter XI

       Chapter XII

       Chapter XIII

       Chapter XIV

       Chapter XV

       Chapter XVI

       Chapter XVII

       Chapter XVIII

       Chapter XIX

       Chapter XX

       Chapter XXI

       Chapter XXII

       Chapter XXIII

       Chapter XXIV

       Chapter XXV

       Chapter XXVI

       Chapter XXVII

       Chapter XXVIII

       Chapter XXIX

       Chapter XXX

       Chapter XXXI

       Chapter XXXII

       Chapter XXXIII

       Chapter XXXIV

       Chapter XXXV

       Chapter XXXVI

       Chapter XXXVII

       Chapter XXXVIII

       Chapter XXXIX

       Chapter XL

       Table of Contents

      The following chapters were written at a time when the craze for indiscriminate church-restoration had just reached the remotest nooks of western England, where the wild and tragic features of the coast had long combined in perfect harmony with the crude Gothic Art of the ecclesiastical buildings scattered along it, throwing into extraordinary discord all architectural attempts at newness there. To restore the grey carcases of a mediaevalism whose spirit had fled, seemed a not less incongruous act than to set about renovating the adjoining crags themselves.

      Hence it happened that an imaginary history of three human hearts, whose emotions were not without correspondence with these material circumstances, found in the ordinary incidents of such church-renovations a fitting frame for its presentation.

      The shore and country about ‘Castle Boterel’ is now getting well known, and will be readily recognized. The spot is, I may add, the furthest westward of all those convenient corners wherein I have ventured to erect my theatre for these imperfect little dramas of country life and passions; and it lies near to, or no great way beyond, the vague border of the Wessex kingdom on that side, which, like the westering verge of modern American settlements, was progressive and uncertain.

      This, however, is of little importance. The place is pre-eminently (for one person at least) the region of dream and mystery. The ghostly birds, the pall-like sea, the frothy wind, the eternal soliloquy of the waters, the bloom of dark purple cast, that seems to exhale from the shoreward precipices, in themselves lend to the scene an atmosphere like the twilight of a night vision.

      One enormous sea-bord cliff in particular figures in the narrative; and

      for some forgotten reason or other this cliff was described in the story

      as being without a name. Accuracy would require the statement to be

      that

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