LITMIR.BIZ

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      Original

      They say that the centre of the railway station covers the site of the hall of the castle of Edward I, in which that prince righteously awarded the crown of Scotland to John Balliol. The town long used the castle as a quarry, then came the railway, and destroyed all but a few low walls, mere hummocks, and the Bell Tower.

      Naturally the ancient churches perished after the Blessed Reformation: indeed the castle was used as a quarry for a new church of the period of the Civil War.

      Immediately above Berwick, and for some distance, Tweed flows between flat banks, diffusely and tamely: the pools are locally styled "dubs," and deserve the title. The anti-Scottish satirist, Churchill, says,

      "Waft me, some Muse, to Tweed's inspiring stream

      Where, slowly winding, the dull waters creep

      And seem themselves to own the power of sleep."

      "In fact," replies a patriotic Scot, "'the glittering and resolute streams of Tweed,' as an old Cromwellian trooper and angler, Richard Franck, styles them, are only dull and sleepy in the dubs where England provides their flat southern bank."

      Not flat, however, are the banks on either side of Whitadder, Tweed's first tributary, which joins that river two or three miles above Berwick. From its source in the Lammermuirs, almost to its mouth, a distance of between thirty and forty miles, the Whitadder is quite an ideal trouting stream, "sore fished" indeed, and below Chirnside, injured, one fears, by discharge from Paper Mills there, yet full of rippling streams and boulder-strewn pools that make one itch to throw a fly over them. But most of the water is open to the public, and on days when local angling competitions are held it is no uncommon sight to see three, or maybe four, competitors racing for one stream or pool, the second splashing in and whipping the water in front of the first, regardless of unwritten sporting law; a real case of "deil tak the hindmost."

      "Free-fishing" no doubt, from some points of view, is a thing to be desired, but to him who can remember old times, when the anglers he met in the course of a day's fishing might easily be counted on the fingers of one hand, the change now is sad. Yet men, they say, do still in the open stretches of Whitadder catch "a pretty dish" now and again. They must be very early birds, one would suppose—and perhaps they fish with the lure that the early bird is known to pick up.

      On both sides of Whitadder are to be seen places of much interest. First, Edrington Castle, on the left bank a few miles from the river's mouth, once a place of great strength, now crushed by the doom that has wrecked so many of the old strongholds in this part of the country—it was for ages used as a convenient quarry. Then, on the right bank, higher up, on an eminence overhanging the stream, stands Hutton Hall, a picturesque old keep of the fifteenth century, with additions of later date. The original tower was probably built by the Lord Home, who obtained the lands in 1467 by his marriage with the daughter of George Ker of Samuelton. Nearly opposite Hutton, about a mile away, are the ruins of an old castle at Edington. It is remarkable the number of names in this district, all beginning with "Ed":—Edrington, Edington, Ednam, Eden, Edrom, Edinshall, all probably taking their origin from Edwin, king of Northumbria, 626-633. Or does the derivation go still further back, to Odin?

      Higher up, we come to Allanton and the junction of Whitadder with its tributary, Blackadder. Near this lies Allanbank, haunt for many generations of that apparition so famous in Scotland, "Pearlin Jean." Jean, or rather Jeanne, it is said, was a beautiful young French lady, in Paris or elsewhere loved and left by a wicked Baronet of Allanbank, Sir Robert Stuart. The tale is some hundreds of years old, but "Pearlin Jean" and her pathetic story still retain their hold on the imagination of Border folk. The legend goes that when the false lover, after a violent scene, deserted his bride that should have been, the poor lady accidentally met her death, but not before she had vowed that she would "be in Scotland before him." And sure enough, the first thing that greeted the horrified gaze of the baronet as he crossed the threshold of his home, bringing another bride than her he had loved and left, wras the dim form of Jeanne, all decked, as had ever been her wont, in the rich lace that she loved, and from which the apparition derived the name of Pearlin Jean, "pearlin" being the Scottish term for lace. Tradition says nothing as to the end of the false lover, but the ghost was still known—so say the country people—to have haunted the house until it was pulled down sometime early in last century. Sir Thomas Dick Lauder in his "Scottish Rivers" tells how an old woman then anxiously enquired: "Where will Pearlin Jean gang noo when the house is dismolished?"

      That is the tale of "Pearlin Jean" as it is generally told. There is another story, however, less known but much more probable.

      When the reckless extravagance of succeeding generations ended as it always must end; when cards and dire and the facile aid of wine and women had sent bit after bit of the broad lands of an old family into alien keeping, and not tardily the day had come when the last acre slipped through heedless fingers, and even the household furniture—all that remained to the last Baronet of Allanbank—was brought to the hammer, there was one room in the old house into which, ere the gloaming fell, the country folk peered with awe greater even than their curiosity. It was a room in which for near on two generations the dust had been left to lie undisturbed on table and chair and mantel-shelf, a room whose little diamond shaped window panes the storms of more than fifty winters had dimmed, and on whose hearth still lay the ashes of a fire quenched half a century back. Here it was that Pearlin Jean had passed those few not unhappy months of her life, while yet a false lover was not openly untrue to her. But into this chamber, since Jean quilted it for the last time no servant would venture by day or by night, unaccompanied, lest in it might be seen the wraith of that unfortunate and much wronged lady.

      It is a story common enough, unhappily, that of Jeanne. She was the daughter of a Flemish Jew, very beautiful, very young, very light-hearted and loving, and unsuspecting of evil, of a disposition invincibly generous and self-sacrificing. In an evil hour the Fates threw across her path Sir Robert Stuart of Allanbank, then visiting the Hague during his travels on the Continent. Sir Robert was a man now no longer in his first youth, self-indulgent, callous of the feelings and rights of others where they ran athwart his own wants or desires, one to whom the seamy side of life had long been as an open book. His crop of wild oats, indeed, was ere now of rankest growth, and already on the face of the sower were lines that told of the toil of sowing. But he was a handsome man, with a fluent, honeyed tongue, and it did not take him long to steal the heart from one who, like the poor little Jeanne, suspected no evil.

      To the Merse and to Allanbank there came word that the land was returning to his home. The house was to be put in order, great preparations to be made. No doubt, folk thought, all pointed to a wedding in the near future; the wild young baronet was about to settle down at last—and not before it was time, if what folk said regarding his last visit to Allanbank might be trusted. But the local newsmongers were wrong, in this instance at least of the home-coming and what might be expected to follow. When Sir Robert's great coach lumbered up to the door of Allanbank, there stepped down, not the baronet alone, but a very beautiful young woman, a vision all in lace and ribbons, whom the wondering servants were instructed to regard in future as their mistress. And though neighbours—with a few male exceptions—of course kept severely aloof, steadily ignoring the scandalous household of Allanbank, yet after a time, in spite of the fact that no plain gold band graced the third finger of Jeanne's left hand, servants, and the country folk generally, came to have a great liking, and even an affection, for the kindly little foreign lass with the merry grey eyes and the sunny hair, and the quaintly tripping tongue. And for a time Jeanne was happy, singing gaily enough from morning to night some one or other of her numberless sweet old French chansons. She had the man she adored; what mattered neighbours? And so the summer slid by.

      But before the autumn there came a change. The merry lass was no longer so merry, songs came less often from her lips, tears that she could not hide more and more often brimmed over from her eyes; and day by day her lover seemed to become more short in the temper and less considerate of her feelings, more inclined to be absent from home. In a word, he was bored, and he was not the man to conceal it. Then when April was come, and the touch of Spring flushed every bare twig in copse or wooded bank down by the pools where

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