Extraordinary Popular Delusions and the Madness of Crowds (Complete Edition: Volume 1-3) - Charles Mackay

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life!" but not finding more than five or six guineas about him, he took the liberty of entreating him, in the most affable manner, never to come out so ill provided; adding that, if he fell in with him, and he had no more than such a paltry sum, he would give him a good licking. Another story, told by one of Turpin's admirers, was of a robbery he had committed upon a Mr. C. near Cambridge. He took from this gentleman his watch, his snuff-box, and all his money but two shillings, and, before he left him, required his word of honour that he would not cause him to be pursued or brought before a justice. The promise being given, they both parted very courteously. They afterwards met at Newmarket, and renewed their acquaintance. Mr. C. kept his word religiously; he not only refrained from giving Turpin into custody, but made a boast that he had fairly won some of his money back again in an honest way. Turpin offered to bet with him on some favourite horse, and Mr. C. accepted the wager with as good a grace as he could have done from the best gentleman in England. Turpin lost his bet and paid it immediately, and was so smitten with the generous behaviour of Mr. C. that he told him how deeply he regretted that the trifling affair which had happened between them did not permit them to drink together. The narrator of this anecdote was quite proud that England was the birthplace of such a highwayman.

      (The Abbe, in the second volume, in the letter No. 79, dressed to Monsieur de Buffon, gives the following curious particulars of the robbers of 1757, which are not without interest at this day, if it were only to show the vast improvement which has taken place since that period:—"It is usual, in travelling, to put ten or a dozen guineas in a separate pocket, as a tribute to the first that comes to demand them: the right of passport, which custom has established here in favour of the robbers, who are almost the only highway surveyors in England, has made this necessary; and accordingly the English call these fellows the 'Gentlemen of the Road,' the government letting them exercise their jurisdiction upon travellers without giving them any great molestation. To say the truth, they content themselves with only taking the money of those who obey without disputing; but notwithstanding their boasted humanity, the lives of those who endeavour to get away are not always safe. They are very strict and severe in levying their impost; and if a man has not wherewithal to pay them, he may run the chance of getting himself knocked on the head for his poverty.

      "About fifteen years ago, these robbers, with the view of maintaining their rights, fixed up papers at the doors of rich people about London, expressly forbidding all persons, of whatsoever quality or condition, from going out of town without ten guineas and a watch about them, on pain of death. In bad times, when there is little or nothing to be got on the roads, these fellows assemble in gangs, to raise contributions even in London itself; and the watchmen seldom trouble themselves to interfere with them in their vocation.")

      Not less familiar to the people of England is the career of Jack Sheppard, as brutal a ruffian as ever disgraced his country, but who has claims upon the popular admiration which are very generally acknowledged. He did not, like Robin Hood, plunder the rich to relieve the poor, nor rob with an uncouth sort of courtesy, like Turpin; but he escaped from Newgate with the fetters on his limbs. This achievement, more than once repeated, has encircled his felon brow with the wreath of immortality, and made him quite a pattern thief among the populace. He was no more than twenty-three years of age at the time of his execution, and he died much pitied by the crowd. His adventures were the sole topics of conversation for months; the print-shops were filled with his effigies, and a fine painting of him was made by Sir Richard Thornhill. The following complimentary verses to the artist appeared in the "British Journal" of November 28th, 1724.

      "Thornhill! 'tis thine to gild with fame

       Th' obscure, and raise the humble name;

       To make the form elude the grave,

       And Sheppard from oblivion save!

       Apelles Alexander drew—

       Cesar is to Aurelius due;

       Cromwell in Lilly's works doth shine,

       And Sheppard, Thornhill, lives in thine!"

      So high was Jack's fame that a pantomime entertainment, called "Harlequin Jack Sheppard," was devised by one Thurmond, and brought out with great success at Drury Lane Theatre. All the scenes were painted from nature, including the public-house that the robber frequented in Claremarket, and the condemned cell from which he had made his escape in Newgate.

      The Rev. Mr. Villette, the editor of the "Annals of Newgate," published in 1754, relates a curious sermon which, he says, a friend of his heard delivered by a street-preacher about the time of Jack's execution. The orator, after animadverting on the great care men took of their bodies, and the little care they bestowed upon their souls, continued as follows, by way of exemplifying the position:—"We have a remarkable instance of this in a notorious malefactor, well known by the name of Jack Sheppard. What amazing difficulties has he overcome! what astonishing things has he performed! and all for the sake of a stinking, miserable carcass; hardly worth the hanging! How dexterously did he pick the chain of his padlock with a crooked nail! how manfully he burst his fetters asunder!—climb up the chimney!—wrench out an iron bar!—break his way through a stone wall!—make the strong door of a dark entry fly before him, till he got upon the leads of the prison! then, fixing a blanket to the wall with a spike, he stole out of the chapel. How intrepidly did he descend to the top of the turner's house!—how cautiously pass down the stair, and make his escape to the street door!

      "Oh! that ye were all like Jack Sheppard! Mistake me not, my brethren; I don't mean in a carnal, but in a spiritual sense, for I propose to spiritualise these things. What a shame it would be if we should not think it worth our while to take as much pains, and employ as many deep thoughts, to save our souls as he has done to preserve his body!

      "Let me exhort ye, then, to open the locks of your hearts with the nail of repentance! Burst asunder the fetters of your beloved lusts!—mount the chimney of hope!—take from thence the bar of good resolution!—break through the stone wall of despair, and all the strongholds in the dark entry of the valley of the shadow of death! Raise yourselves to the leads of divine meditation!—fix the blanket of faith with the spike of the church! let yourselves down to the turner's house of resignation, and descend the stairs of humility! So shall you come to the door of deliverance from the prison of iniquity, and escape the clutches of that old executioner the Devil!"

      But popular as the name of Jack Sheppard was immediately after he had suffered the last penalty of his crimes, it was as nothing compared to the vast renown which he has acquired in these latter days, after the lapse of a century and a quarter. Poets too often, are not fully appreciated till they have been dead a hundred years, and thieves, it would appear, share the disadvantage. But posterity is grateful if our contemporaries are not; and Jack Sheppard, faintly praised in his own day, shines out in ours the hero of heroes, preeminent above all his fellows. Thornhill made but one picture of the illustrious robber, but Cruikshank has made dozens, and the art of the engraver has multiplied them into thousands and tens of thousands, until the populace of England have become as familiar with Jack's features as they are with their own. Jack, the romantic, is the hero of three goodly volumes, and the delight of the circulating libraries; and the theatres have been smitten with the universal enthusiasm. Managers have set their playmongers at work, and Jack's story has been reproduced in the shape of drama, melodrama, and farce, at half a dozen places of entertainment at once. Never was such a display of popular regard for a hero as was exhibited in London in 1840 for the renowned Jack Sheppard: robbery acquired additional lustre in the popular eye, and not only Englishmen, but foreigners, caught the contagion; and one of the latter, fired by the example, robbed and murdered a venerable, unoffending, and too confiding nobleman, whom it was his especial duty to have obeyed and protected. But he was a coward and a wretch;—it was a solitary crime—he had not made a daring escape from dungeon walls, or ridden from London to York, and he died amid the execrations of the people, affording a melancholy exemplification of the trite remark, that every man is not great who is desirous of being so.

      Jonathan Wild, whose name has been immortalised by Fielding, was no favourite with the people. He had none of the virtues which, combined with crimes, make up the character of the great thief. He was a pitiful fellow, who informed against his comrades, and was afraid of death. This meanness was not to be forgiven by the crowd, and they pelted him with dirt and

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