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thou didst rise each morning only to feel existence to be dishonour, and to find thyself marked out among surrounding men as something foul and fatal; if it were thy lot, like theirs, at best to drag on a mean and dull career, hopeless and aimless, or with no other hope or aim but that which is degrading, and all this, too, with a keen sense of thy intrinsic worth, and a deep conviction of superior race; why, then, perchance, Honain might even discover ‘twere worth a struggle to be free and honoured.’ ‘I pray your pardon, sir; I thought you were Jabaster’s pupil, a dreaming student. I see you have a deep ambition.’

      ‘I am a prince; and I fain would be a prince without my fetters.’

      ‘Listen to me, Alroy,’ said Honain in a low voice, and he placed his arm around him, ‘I am your friend. Our acquaintance is very brief: no matter, I love you; I rescued you in injury, I tended you in sickness, even now your life is in my power, I would protect it with my own. You cannot doubt me. Our affections are not under our own control; and mine are yours. The sympathy between us is entire. You see me, you see what I am; a Hebrew, though unknown; one of that despised, rejected, persecuted people, of whom you are the chief. I too would be free and honoured. Freedom and honour are mine, but I was my own messiah. I quitted in good time our desperate cause, but I gave it a trial. Ask Jabaster how I fought. Youth could be my only excuse for such indiscretion. I left this country; I studied and resided among the Greeks. I returned from Constantinople, with all their learning, some of their craft. No one knew me. I assumed their turban, and I am the Lord Honain. Take my experience, child, and save yourself much sorrow. Turn your late adventure to good account. No one can recognise you here. I will introduce you amongst the highest as my child by some fair Greek. The world is before you. You may fight, you may love, you may revel. War, and Women, and luxury are all at your command. With your person and talents you may be grand vizir. Clear your head of nonsense. In the present disordered state of the empire, you may even carve yourself out a kingdom, infinitely more delightful than the barren land of milk and honey. I have seen it, child; a rocky wilderness, where I would not let my courser graze.’

      He bent down, and fixed his eyes upon his companion with a scrutinising glance. The moonlight fell upon the resolved visage of the Prince of the Captivity.

      ‘Honain,’ he replied, pressing his hand, ‘I thank thee. Thou knowest not me, but still I thank thee.’

      ‘You are resolved, then, on destruction.’

      ‘On glory, eternal glory.’

      ‘Is it possible to succeed?’

      ‘Is it possible to fail?’

      ‘You are mad.’

      ‘I am a believer.’

      ‘Enough. You have yet one chance. My brother has saddled your enterprise with a condition, and an impossible one. Gain the sceptre of Solomon, and I will agree to be your subject. You will waste a year in this frolic. You are young, and can afford it. I trust you will experience nothing worse than a loss of time, which is, however, valuable. My duty will be, after all your sufferings, to send you forth on your adventures in good condition, and to provide you means for a less toilsome pilgrimage than has hitherto been your lot. Trust me, you will return to Bagdad to accept my offers. At present, the dews are descending, and we will return to our divan, and take some coffee.’

      Some few days after this conversation on the terrace, as Alroy was reclining in a bower, in the beautiful garden of his host, meditating on the future, some one touched him on the back. He looked up. It was Honain.

      ‘Follow me,’ said the brother of Jabaster.

      The Prince rose, and followed him in silence. They entered the house, and, passing through the saloon already described, they proceeded down a long gallery, which terminated in an arched flight of broad steps leading to the river. A boat was fastened to the end of the stairs, floating on the blue line of the Tigris, bright in the sun.

      Honain now gave to Alroy a velvet bag, which he requested him to carry, and then they descended the steps and entered the covered boat; and, without any directions to the rower, they were soon skimming over the water. By the sound of passing vessels, and the occasional shouts of the boatmen, Alroy, although he could observe nothing, was conscious that for some time their course lay through a principal thoroughfare of the city; but by degrees the sounds became less frequent, and in time entirely died away, and all that caught his ear was the regular and monotonous stroke of their own oar.

      At length, after the lapse of nearly an hour from their entrance, the boat stopped, and was moored against a quay. The curtains were withdrawn, and Honain and his companion debarked.

      A low but extensive building, painted in white and gold arabesque, and irregular but picturesque in form, with many small domes, and tall thin towers, rose amid groves of cypress on the bank of the broad and silent river. The rapid stream had carried them far from the city, which was visible but distant. Around was no habitation, no human being. The opposite bank was occupied by enclosed gardens. Not even a boat passed.

      Honain, beckoning to Alroy to accompany him, but still silent, advanced to a small portal, and knocked. It was instantly opened by a single Nubian, who bowed reverently as the visitors passed him. They proceeded along a low and gloomy passage, covered with arches of fretwork, until they arrived at a door of tortoise-shell and mother-of-pearl.22 Here Honain, who was in advance, turned round to Alroy, and said, ‘Whatever happen, and whoever may address you, as you value your life and mine, do not speak.’

      The door opened, and they found themselves in a vast and gorgeous hall. Pillars of many-coloured marbles rose from a red and blue pavement of the same material, and supported a vaulted, circular, and highly-embossed roof of purple, scarlet, and gold.23 Around a fountain, which rose fifty feet in height from an immense basin of lapis-lazuli, and reclining on small yellow Barbary mats, was a group of Nubian eunuchs, dressed in rich habits of scarlet and gold,24 and armed with ivory battle-axes, the white handles worked in precious arabesque finely contrasting with the blue and brilliant blades.

      The commander of the eunuch-guard rose on seeing Honain, and pressing his hand to his head, mouth, and heart, saluted him. The physician of the Caliph, motioning Alroy to remain, advanced some paces in front of him, and entered into a whispering conversation with the eunuch. After a few minutes, this officer resumed his seat, and Honain, beckoning to Alroy to rejoin him, crossed the hall.

      Passing through an open arch, they entered a quadrangular court of roses,25 each bed of flowers surrounded by a stream of sparkling water, and floating like an enchanted islet upon a fairy ocean. The sound of the water and the sweetness of the flowers blended together, and produced a lulling sensation, which nothing but his strong and strange curiosity might have enabled Alroy to resist. Proceeding along a cloister of light airy workmanship which connected the hall with the remainder of the buildings, they stood before a lofty and sumptuous portal.

      It was a monolith gate, thirty feet in height, formed of one block of green and red jasper, and cut into the fanciful undulating arch of the Saracens. The consummate artist had seized the advantage afforded to him by the ruddy veins of the precious stone, and had formed them in bold relief into two vast and sinuous serpents, which shot forth their crested heads and glittering eyes at Honain and his companion.

      The physician of the Caliph, taking his dagger from his girdle, struck the head of one of the serpents thrice. The massy portal opened with a whirl and a roar, and before them stood an Abyssinian giant,26 holding in his leash a roaring lion.

      ‘Hush, Haroun!’ said Honain to the animal, raising at the same time his arm; and the beast crouched in silence. ‘Worthy Morgargon, I bring you a remembrance.’ The Abyssinian showed his tusks, larger and whiter than the lion’s, as he grinningly received the tribute of the courtly Honain; and he uttered a few uncouth sounds, but he could not speak, for he was a mute.

      The jasper portal introduced the companions to a long and lofty and arched chamber, lighted by high windows of stained glass, hung with tapestry of silk and silver, covered with

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<p>22</p>

page 73.—A door of tortoise-shell and mother-of-pearl. This elegant mode of inlay is common in Oriental palaces, and may be observed also in Alhambra, at Granada.

<p>23</p>

page 74.—A vaulted, circular, and highly embossed roof, of purple, scarlet, and gold. In the very first style of Saracenic architecture. See the Hall of the Ambassadors in Alhambra, and many other chambers in that exquisite creation.

<p>24</p>

page 74.—Nubian eunuchs dressed in rich habits of scarlet and gold. Thus the guard of Nubian eunuchs of the present Pacha of Egypt, Mehemet Ali, or rather Caliph, a title which he wishes to assume. They ride upon white horses.

<p>25</p>

page 74.—A quadrangular court of roses. So in Alhambra, ‘The Court of Myrtles,’ leading to the Court of Columns, wherein is the famous Fountain of Lions.

<p>26</p>

page 75.—An Abyssinian giant. A giant is still a common appendage to an Oriental court even at the present day. See a very amusing story in the picturesque ‘Persian Sketches’ of that famous elchee, Sir John Malcolm.