The Speckled People - Hugo Hamilton

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my father jabbed the spade into the mountain and it stayed there, standing up on its own while he went over to Franz and hit him. He hit him on the back of the head so that Franz fell off the wall and his face went down on the bricks. When he got up, there was blood all around his nose and mouth, like the fox. He opened his mouth and said nothing for a long time, as if he had forgotten how to use his voice and I thought he was going to be dead. Then he started crying at last and my father took him by the hand very quickly and brought him inside.

      ‘Mein armer Schatz,’ my mother kept saying as she sat him up beside the sink and started cleaning the blood away from his face. Franz kept crying and trying to say something but he didn’t know what words to use. Then my mother turned around to my father and looked at him as if she could not believe her eyes.

      ‘His nose is broken,’ she said.

      There were drops of blood on the kitchen floor. They made a trail all the way out into the garden. My father said he was very sorry, but the rules had to be obeyed. He said Franz was speaking English again and that had to stop. Then my mother and father had no language at all. My father went outside again and my mother brought Franz upstairs. Even when the blood stopped, he was still crying for a long time and my mother was afraid that he would never start talking again. She sat down on the bed and put her arm around the two of us and told us what happened when she was in Germany in a very bad film. She held us both very hard and I thought my bones would crack. She was crying and her shoulders were shaking. She said she was going to go back to Germany. She would take us with her. She started packing her suitcase, wondering what she should bring and what she should leave behind in Ireland.

      I looked out the window and watched my father fill the wheelbarrow and bring it to another part of the garden, empty it and bring it back to start again. I watched him digging and digging, until the mountain was gone. I wanted to go down and tell him that my mother fixed Franz’s nose with a story. I wanted to tell him that I would never say ‘walk on the wall’ as long as I lived. I wanted to tell him that my mother was going home and she was going to take us with her. But he never looked up and he didn’t see me waving. Instead, he made a big fire in the garden and the smoke went across the walls, away over the other gardens, all around the houses and out on to the street. He kept stacking on more and more weeds and leaves with a big fork, as if he wanted to send a message around the whole world with smoke. The fire crackled and whistled, and it smelled like cigarettes. My father was standing with the fork in his hand and sometimes he disappeared. Sometimes the whole house disappeared and people must have thought we were never coming back.

      My mother carried Maria in one arm and the suitcase in the other. In the hallway, she put the suitcase down so that she could open the front door and escape on to the street. I knew that my father would be searching for us all over the place in the smoke. But my mother said we were not going to be trapped again. She picked up the suitcase and told us to follow her, but then I heard my father coming in from the garden. His footsteps came all the way as if he was counting the drops of blood on the ground. We tried to run away fast, but it was too late because he was already standing right behind us. I could smell the smoke on his clothes. He asked my mother where she was thinking of going to without any money. He said there was nothing left in Germany and she had nowhere to go home to with three children. He closed the front door and said she was married now, so she sat down on the suitcase and cried.

      ‘She’s just a bit homesick, that’s all,’ my father said. He smiled and said he would put on some German music. He kissed my mother’s hand and carried the suitcase back up the stairs.

      Then the big music filled the whole house. It went into every room and all the way up the stairs. Outside, the fire kept going until it got dark and I stood at the window of the bedroom again with my mother, saying goodbye smoke, goodbye birds, goodbye trees. But we didn’t go anywhere. We stayed in Ireland and my mother told us to get into bed: Eins, Zwei, Drei.

       Five

      My father’s name is Jack and he’s in a song, a long ballad with lots of verses about leaving Ireland and emigrating. The song is so long that you couldn’t even sing it all in one day. It has more than a thousand verses, all about freedom and dying of hunger and going away to some other land at the end of it all. My father is not much good at singing, but he keeps repeating the chorus about how we should live in Ireland and be Irish.

      ‘No more shall we roam from our own native home,’ is what he says when we’re standing at the seafront, holding on to the blue railings, looking out at the white sailing boats. He doesn’t want us to live in England or America where they speak only English and keep dreaming about going back home. So we stay in Ireland where we were born, with the sea between us and all the other countries, with the church bell ringing and the mailboat going out across the water. Instead of always going away, my father had a new idea. Why not bring people from somewhere else over to Ireland? So that’s why he married my mother and now she’s the one who does all the dreaming and singing about being far away from home. It’s my mother who left her own native shores, and that means we still end up living in a foreign country because we’re the children from somewhere else.

      My father comes from a small town in west Cork called Leap and he had lots of uncles and cousins who had to emigrate. One of his uncles only sent his first letter back from America after twenty years, just to tell everybody that the rumours still going around in Ireland about a girl he left behind with a baby were not true. It was easy to say what you liked about people who went away. And it was easy for those who left to deny Ireland, to look back and say it was full of poverty and failure. Maybe they made a lot of money abroad, my father says, but they were lonely and they wanted everybody who was left in Ireland to come and join them over there. My father and his younger brother Ted were going to emigrate, too. They lived in a house at the end of the town with their mother and a picture of a sailor over the mantelpiece. They had plans to go to America to work with their uncle, but then they got a scholarship and went to school instead.

      The town is called Leap after a famous Irishman by the name of O’Donovan who once got away from the British by leaping across a nearby gorge. Léim Uí Dhonabháin: O’Donovan’s Leap, they call it. The peelers chased him all over the countryside, but he escaped over the impossible gorge and they were afraid to follow him. ‘Beyond the Leap, beyond the law’ is what the people of the town said. There was no freedom at that time. The whole town could hardly jump across the gorge after him, so they stayed behind where they were, under the British. They talked about it and went up there for a walk on summer days to look across to the far side. But nobody could do it. So the town was called after something that might as well not have happened at all. It was called Leap because that’s what the people in the town wished they had done, what they dreamed about and sang songs about.

      Lots of them emigrated after that, my father says. The people who stayed told their children that unless they wanted to jump after the famous O’Donovan and spend the rest of their lives running away, they might as well speak English, because that’s all they spoke in places like America and Canada and Australia and South Africa. It was English they spoke on ships and English they spoke in films. The Irish language was bad for business, they said, so why should anyone have to risk his life across a deadly gorge for being Irish? It was madness even to think of it. Everybody in Cork started speaking English and calling each other ‘boy’ at the end of every sentence whether you were young or old. You’d only kill yourself, boy, they said. They started saying they could make the leap across the gorge any time they liked, no problem at all, boy. They said everything twice to make sure you believed them. They claimed they were living beyond the law and there was no need to prove it, boy.

      There was lots of killing and dying and big houses on fire in my father’s song, too. He tells us bits of the song, like the time the fighting started around west Cork when they tried to take down the British flag. About children hiding sweets in bullet holes along the wall of the creamery, and about a man named Terence MacSwiney, the Cork lord mayor who died on hunger strike in a London jail. He puts on the record with the song about another man named Kevin Barry who was hanged one Monday morning in Dublin. He tells

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