The Fallen Queen - Emily Purdy

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for what happens when my back is turned!” and pointedly turned away, giving her full attention to the pastry crust she was making, as Kate crept into the cellar to pilfer a bottle of our father’s favourite red Gascony wine, the kind that is spicy and sweet all at the same time.

      Kate concealed the bottle inside her coat as she passed back through the kitchen, smiling sweet and brazen, pausing only long enough to kiss the cook’s cheek and whisper a promise that when she returned the cups and spoon she would bring her back some of our syllabub.

      Everyone loved Kate, and no one could resist her; she was so saucy and vivacious, with a heart tender and loving as could be. She had a smile that made you feel like roses were growing around your feet, beautiful, sweet-smelling roses without the nasty thorns, just like my rosy, pink-cheeked, and smiling sister. She was thirteen then, glowing, and growing more beautiful every day, ripening into womanhood with rounded hips and pert little breasts of which she was very proud and longed to feel a lover’s hand reach around to cup as he kissed the nape of her neck. Unlike Jane, who shrank from such “sordid speculations,” and far preferred her ancient Greek, Latin, and Hebrew texts instead, Kate was avid for more fleshly knowledge, to learn all she could about carnal matters, and the “good and merry sport that happens between a man and his wife behind the bedcurtains at night.” She was eager to be wedded and bedded and prayed that our parents wouldn’t tarry too long over finding her a husband.

      When Kate appeared at the kitchen door, I left the pail with Jane and the cow and ran to help relieve her of her sweet burden—the three full, brimming tin cups, wine bottle, and wooden spoon made a clumsy and precarious armful. Kate handed the rest to Jane and approached the cow. She rubbed her gloved hands together to warm them for the cow, she explained, for she would not like someone’s icy fingers on her teats and didn’t imagine the cow would either. Then, furrowing her brow in concentration—she had never milked a cow before—she gave the cow a pat, said, “Please pardon the presumption, My Lady Brown Eyes,” squatted down, and began to gently pull at its cold pink teats, squirting the milk straight into the ice-cold pail I had brought from the barn. When the pail was full, we poured in the cinnamon, sugar, honey, and wine and took turns stirring vigorously, whipping it into a rich, creamy froth that we scooped into the now empty cups.

      We sat back, sipping our syllabub, sprawled in a snowbank, as if it were a warm feather bed and not wet and cold, giggling and waving our arms and legs, making angels with flowing skirts and fluttering wings, laughing as the wine warmed us within, imagining the sugar, cinnamon, and wine blazing a zesty, spicy-sweet trail through our veins, racing to see which would be first to reach our heads and make us giddy. Jane started to expound on something she had read in a tedious medical tome, but neither Kate nor I was listening and she soon drifted back into glum silence again.

      Suddenly Kate flung her cup aside and leapt up, pulling me and a most reluctant Jane after her, and we began to dance.

      I was eight then, and my joints not yet so badly afflicted that I could not dance a joyful jig. Though in my bed that night I might ache and cry and beg Hetty, my nurse, to heat stones in the fire, then wrap and tuck them in against my back and hips or ’neath my knees, I was not thinking about that then; time enough for that when the pain held me in its grip, impossible to ignore, when all I wanted to do was sleep. I kicked up my heels, raising clouds of snow, like dainty, dwarfish blizzards, and gave myself wholeheartedly to the dance, laughing at the wet slap-flap my skirts made when I kicked my little legs as high as I could. With my sisters, I could dance, free and easy, giddy and gay, as I would never dare do before others.

      When I was a little girl and first discovered the delight of twirling round and round, skipping, prancing, kicking, and leaping, I thought there could be nothing better than to be a dancing girl, but when my lady-mother overheard me prattling this dream to my nurse one evening, she seized me roughly by the arm, her fingernails biting hard enough to draw blood, and dragged me out into the gallery overlooking the Great Hall. There she swung me up, with a roughness that made the burly men who carted and carried sacks of grain seem tender, to stand upon a bench, and pointed down to where a troupe of dwarves clad in rainbow motley and tinkling bells capered and danced before my parents’ guests seated around the banqueting table, rocking and howling with laughter and tossing coins, crusts of bread, fruit, and sweetmeats at them.

      “Look!” she commanded. “Never forget, children like you are often put out to die, exposed to the elements if the wolves don’t get them first! If you were not my daughter, with royal Tudor blood flowing through your veins, if you had been let to live, that would be you down there, puffing out your cheeks and boggling your eyes, cavorting and playing the fool for pennies and crusts from a nobleman’s table! Never forget that, daughter! Only my blood saves you from being a fool in motley, no better than a performing monkey, and worse because you’re no dumb animal and have the wit to understand what is said of you and feel the hurt of it!”

      I understood at once. After that, though I never lost my joy in dancing, it became my secret. I never dared let any but my sisters and, many years later, the husband I thought I never would have, see me dance. When the dressmaker came the next day and unfurled her lengths of vivid, jewel-hued silks, I remembered the rainbow patchwork of the fool’s motley the dancing dwarves had worn and burst into tears, fearing that my lady-mother had changed her mind and, as a punishment for my deformity and the shame it brought my family, had decided to clothe me thus and send me away to join their troupe. How I screamed and bawled in my terror, so incoherent with fear that I could not make its cause clearly understood. And though Kate and Jane were quick to comfort and shush me, before our lady-mother came storming in, and Hetty made excuses for me—“For the life of me, I do not know what has gotten into the child! She is usually so quiet and sweet. I am with her every day and night and I can assure you …”—I ever afterward, though my heart craved and cried out for bright colours, chose to clothe myself in darker, more somber, and subdued shades, the better to blend into the shadows and hide, lest I ever be mistaken by my bright, festive attire for a jester, some nobleman or lady’s pet fool, instead of the Duke of Suffolk’s youngest daughter, and someone hurl a penny at my feet and command, “Dance, dwarf, dance!”

      Perhaps that was why I loved dressmaking so, especially for my beautiful Kate, and Jane when she let me. With Kate I could let my fancy fly free and unfettered and deck her peaches and cream and red gold, stormy-blue-eyed beauty with all the bright colours I longed to wear but didn’t dare. For Kate I could stitch gold and green together, like the diamond-shaped panes in a window, and trim it with a double layer of green silk and gold tinsel fringe, to create the kind of gown I, with my dwarf’s body, didn’t dare wear. No one would ever mistake my beautiful Kate for a fool; they would only applaud her dazzling beauty. Kate was my living doll and I loved to dress her. And when she wore the dresses I made, I, vicariously, went out with her, and in those moments I was in the world and of the world, beautiful and brilliant, zesty as a pepper pot but sweet as cream, not hiding shy and nervous in the shadows. In those ruffles and frills, embroideries, cunningly cut bodices, and gracefully draped skirts, I was, through my glorious Kate, the centre of attention, adored and admired.

      When Jane pulled back, refusing to dance with us and complaining of the cold, Kate gaily insisted it was spring, glorious spring, the merry month of May, and began singing a rollicking May Day tune full of true love and new flowers, blue skies and bird song, kicking up her heels, as high as she could, seemingly light as air, even in her heavy boots and snow-sodden hems. That was my lively, lovely Kate; she brought sunshine to even the greyest winter day. When I looked at her I could well imagine her in a billowing white gown, with a wreath of May flowers and silk ribbon streamers on her unbound hair, dancing on the warm green grass in her bare feet. I laughed and sang along with her while Jane frowned and shook her head and pronounced decisively, “too much wine in the syllabub!” But Kate just threw back her head and laughed as she spun round and round before, at the end of her song, she flung wide her limbs and fell, flopping back in the snow again, and I tumbled down beside her, reaching out to pull Jane down so that we lay like three May flowers blooming in a row, and finally even Jane had to smile. And then she began to laugh along with us.

      “Good-bye, Miss Glum and Serious!” Kate crowed and turned to plant a smacking kiss on our sister’s laughter-flushed

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