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3-Book Victorian Crime Collection: Death at Dawn, Death of a Dancer, A Corpse in Shining Armour. Caro Peacock
Читать онлайн.Название 3-Book Victorian Crime Collection: Death at Dawn, Death of a Dancer, A Corpse in Shining Armour
Год выпуска 0
isbn 9780007554973
Автор произведения Caro Peacock
Издательство HarperCollins
It was no use pointing out that it wasn’t my fault either. I managed, without his help, to find a gap for myself and my bag between a box of wax candles and a large ham, and settled back for a ride through the Berkshire countryside. For much of the journey we went through Windsor Great Park, with cattle grazing under oak trees old and gnarled enough to have seen Queen Elizabeth out hunting. Every time I looked back, there was the castle, silver in the sun, dwindling gradually into a child’s toy castle as we trotted in a cloud of our own white dust between hedges twined with honeysuckle and banks of frothy white cow parsley, though in that royal county it probably goes by its country name of Queen Anne’s lace. The smell of strong tobacco from the driver’s clay pipe mingled with the chalky dust, flowers and ham. I’d thought that once we got clear of the town he might turn and speak to me and I could ask him about the family, but he never once looked back.
We came out of the parkland alongside an area of common land that I guessed must be Ascot Heath. The horse races had been run earlier in the month, while the old king was still alive, but a string was at exercise in the distance, stretching out at an easy canter. I thought of Esperance and longed to see her. The racing, and the nearness of Windsor, had clearly attracted the gentry, because there were some grand houses close to the heath. I thought any of them might be Mandeville Hall, but we trotted on past various walls and gatehouses until we came alongside a park railing. The uprights of it flickered into a blur in the sunshine and it was a while before my eyes cleared. They focused first on the railings themselves, newly painted, topped with gilt spearheads. Three men were at work with pots and brushes, re-gilding the spearheads. As we went past, one of them shouted at the driver and looked angry, probably because our dust was spoiling their work. He took no notice. Behind the railing an expanse of parkland sloped upwards, with oaks like Windsor Castle’s but much younger. At the top of the slope was …
‘Good heavens, another castle.’
I said it aloud, to the ham and the fish kettle. At second glance it wasn’t quite a castle, only a very grand notion of an Englishman’s country house. It had enough towers and turrets for a whole chorus of fairy-tale princesses and was bristling with battlements and perforated with arrowslits as if ready to take on an army. In reality, an army of boys armed with catapults could have done it mortal damage because the front was more glass than stone. Three storeys of windows dazzled in the sun, most unmedieval. The whole thing was a perfection of the modern Gothic style, as much antiquity as an ingenious architect could pile on without sacrificing the comfort of the family who were paying his fee. We slowed to a walk, approaching two open gates. They were wrought iron, twenty feet high, freshly painted and gilded like the railings. Cast-iron shields, as tall as a man, with the device of three perched birds were attached to each gate. A small lodge stood beside the right-hand gate, built like a miniature Gothic chapel to match the house.
‘Is this Mandeville Hall?’ I asked the driver, appalled at this magnificence. He nodded, without turning round.
‘Built on slavery,’ I whispered to the ham, desperately trying to keep up my spirits. I knew the Mandevilles lived in some style, but had expected nothing as bad as this. The memory of my father’s body in the morgue came into my mind and I felt a black depression. I was wasting my time. How could his life or death be connected with all this pomp?
A man in a brown coat and leggings came out of the lodge, through an arched gateway between two haughty stone saints. He glanced at me, simply registering my presence, and then away. The driver leaned down from his seat and gave him something in a twist of paper, probably a roll of tobacco. They seemed like old friends as they filled their pipes and started muttering together. I caught the words ‘new governess’ and a moan about the traffic in Windsor. The driver jerked his head towards the house and asked, ‘They back, then?’
‘She is. He isn’t.’
‘When’s he expected?’
‘No telling. I haven’t slept these two nights past, listening for him. You know what he’s like if he has to wait while the gates are opened.’
The driver nodded and tapped out his pipe on his seat.
‘Seeing as they’re open, might as well go up the straight way.’
‘Better not. What if her ladyship sees you?’
‘See two of me, if she does.’
The driver made a tilting motion with his elbow and they both laughed. He jerked the reins and the cob, tiring now, went trotting slowly up the steep drive towards the castle. We hadn’t gone more than a few hundred yards when a shout came from the gate lodge behind us. I turned round and there was the gatekeeper, waving his arms and pointing back the way we’d come. The driver turned too and his face went slack.
‘That’s done it.’
A great cloud of white dust was coming along the road from Windsor, a much larger one than we’d made. At the centre of it was a travelling carriage drawn by four horses, coming at a fast canter. At that point they must have been a half mile away, but we could already hear the harness jingling, the thudding of their hooves and a whip cracking. My driver seemed frozen, irresolute. Then he swore and jerked at the cob’s head, as if intending to go back down to the gate lodge. But it was too late. The carriage was thundering between the gates, at a trot now but still fast. The gatekeeper had to jump aside. There were two men on the box, one in a plain caped coat, the other in a burgundy-coloured jacket, with whip and reins in hand. My driver tried to pull our phaeton off the drive and on to the grass. The wheel must have stuck in a rut because it lurched and wouldn’t go. He struck at the cob with his whip, swearing. By now the carriage was so close the air was full of the sweat of the four labouring horses. The face of the man driving it was red and sweating, his black eyebrows set in a bar.
‘Oh God.’
It was the gentleman who’d disputed his bill in the hotel at Calais. He must have seen that the phaeton was stuck in his path, but he was still whipping up the horses. I don’t know why I didn’t jump out. Perhaps I believed that the driver of the carriage must swerve at the last minute. But he didn’t. The phaeton lurched and juddered as the cob, writhing under the driver’s lash, tried to drag us clear. Then the world came apart in a confusion of whinnying, swearing and splintering wood, and I was in the air with a great downpour of wax candles falling alongside, making splintering sounds round me as I landed with my face on the gravel of the drive and my knee on the fish kettle.
When I managed to get to my feet I found that the cob had saved us at the last second by managing to drag the phaeton out of its rut and far enough on to the grass for the carriage to give us no more than a glancing blow. But the blow had been enough to tear the nearside wheel from its axle and throw the phaeton sideways. The cob, trapped in the shafts, had gone with it and was threshing on his side. The driver was slashing at the harness with a knife, trying to release him, letting out a torrent of obscenities. I limped over to them.
‘Sit on his head, for gawd’s sake,’ he yelled at me.
As instructed, I sat on the cob’s head. That kept him still enough for the driver to release him. When he told me I could get up, the cob scrambled to his feet. His face and neck were grazed, his eyes terrified.
‘He’ll live,’ said the driver, after running his hands down his legs.
‘He could have killed him. He could have killed all of us.’
I was boiling with the anger that follows terror. The driver felt in his pocket for his pipe, found it broken, threw it down on the grass.
‘Shouldn’t have been coming up that way, should we. Only it’s another mile round by the back way.’
At least our danger had made him more conversational, though depressed.
‘But he must have seen us,’ I said.
‘Oh yes, he saw us all right.’
‘Is he a guest here? Surely