LITMIR.BIZ

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mass for three weeks.'

      ''That is sad! very sad! Well, what next?'

      ''Three days ago I stabbed an Inglez—a heretic.'

      ''Well, my dear son, your sins are venial sins; I absolve you.'

      ''Pepito, how did that dagger come into your hands?' I exclaimed, for I was astonished to see in his belt the dagger I had lost on the night when Adéle took refuge in my room.

      ''From my dear—Adéle.'

      ''And the Inglez—the heretic you stabbed—who was he?'

      ''Her husband—she wished it—promised to be mine—and I obeyed. But, stand back—I want air—air.'

      'I turned away my head, sickened at the fearful revelation. When I again looked, my eyes fell on a corpse. I snatched the dagger, which was still wet with Pedro's blood, from his belt, and hurried almost frantic to the Hotel de las Diligencias. Mrs. Percival had been waiting for me about two hours.

      'The violent emotions which raged within me must have been portrayed on my countenance, for on my entering the apartment, she started back in dismay.

      ''Mrs. Percival,' said I, striving to master the repulsive feeling which the mere sight of her excited, 'Pepito has, within the past hour, been murdered.'

      ''Murdered!' she repeated. 'And the secret—'

      ''Is dead—for you—forever! Madame, that infernal mine has for years been driving you to the blackest crime! It is time that the bait fell from the devil's hook.'

      ''What do you mean by this altered tone?'

      ''I mean, madame, that, thanks to Heaven, your crimes have been revealed to me. Shall I enumerate the list of your victims—General Ramiro, Arthur Livermore, Edward Percival, your husband, and last of all, Pepito? Your path, since you have sought this mine, is marked at every step by treachery and crime. The boldest heart must shudder to look at the ghastly procession led on by the General you poisoned.'

      '''Tis false! God help me, 'tis false!'

      ''False—is it false—that three days since your husband was murdered at your instigation, by Pepito? Stay—hear me! Look at this dagger! did you not steal it from my room and give it to Pepito to perpetrate the crime? Madame, pause, ere you dare to swear it is false.'

      'She trembled, and falling on her knees, exclaimed:

      ''My God! my God! forgive me!'

      ''It is not, madame, for erring man to limit the infinite mercy of Heaven; but for such crimes as yours there must be a fearful retribution. Farewell; may you go and sin no more.'

      'I left the room, but in a few moments heard a piercing shriek; and rushing back, found the wretched woman extended on the floor in the agonies of death. She had picked up the dagger which I had thrown away, and stabbed herself to the heart.

      'And the opal-mine?'

      'I meant, at first, to leave the Nibelungen Hoard alone; but time tames all things except the love of gold. I went there; it was rich, but not inexhaustible. You have all had proof that I am neither poor nor parsimonious; but neither am I extravagant. I have all that I want—a cottage at Newport, a neat house in the Rue de la Paix, stocks, and real estate. The opal-mine started me; I have kept myself going very well ever since.

      'Gentlemen, my tale is ended. I am sorry it has proved so long, and am grateful to you all for the attentive hearing you have given me. I have been constantly looking round expecting to detect some one of you falling into a gentle slumber; I therefore feel really flattered at finding you all still awake.'

      'But what became of the child that Percival was seeking?' shouted one.

      'Did you ever find out any thing about Adéle's previous history?' asked another.

      'And look here, Rideau, what did you—?'

      'Gentlemen, take pity on me; while I have been spinning this long yarn, you have been smoking and imbibing; I am very willing to join you in both; but to-night I am tired out. The next time we meet, I shall be delighted to tell you what particulars I learned on my return to New Orleans, relative to Adéle and her poor orphan child; but no more to-night.'

      THE RED, WHITE, AND BLUE

      Red was the lightning's flashing,

      And down through the driving rain,

      We saw the red eyes dashing

      Of the merciless midnight train;

      Soon many crowded together,

      Under the lamp's red glow,

      But I saw one figure only—

      Ah! why did I tremble so?

      The eyes that gazed in the darkness

      After the midnight train,

      Are red with watching and weeping,

      For it brings none back again.

      Clouds hang in the west like banners,

      Red banners of war unfurled,

      And the prairie sod is crimson

      With the best blood of the world.

      White faces are pressed to the window,

      Watching the sun go down,

      Looking out to the coming darkness,

      That covers the noisy town.

      White are the hands, too, and quiet,

      Over the pulseless breast;

      No more will the vision of parting

      Disturb the white sleeper's rest.

      Over sleeper, and grave, and tombstone,

      Like a pitying mantle spread,

      The snow comes down in the night-time,

      With a shy and noiseless tread.

      Blue smoke rolls away on the north-wind,

      Blue skies grow dusk in the din,

      Blue waters look dark with the shadow

      That gathers the world within.

      Rigid and blue are the fingers

      That clutch at the fading sky;

      Blue lips in their agony mutter:

      'O God! let this cup pass by.'

      Blue eyes grow weary with watching;

      Strong hands with waiting to do;

      While brave hearts echo the watchword:

      'Hurrah! for the Red, White, and Blue.'

      MACCARONI AND CANVAS

      IV.

      THE FAIR AT GROTTO FERRATA

      No matter how well and hearty you may be, if you are in Rome, in summer, when the scirócco blows, you will feel as if convalescent from some debilitating fever; in winter, however, this gentle-breathing south-east wind will act more mildly; it will woo you to the country, induce you to sit down in a shady place, smoke, and 'muse.' That incarnate essence of enterprise, business, industry, economy, sharpness, shrewdness, and keenness—that Prometheus whose liver was torn by the vulture of cent per cent—eternally tossing, restless DOOLITTLE, was one day seen asleep, during bank hours, on a seat in the Villa Madama. The scirócco blew that day: Doolittle fell.

      At breakfast, one morning in the latter part of the month of March, Caper proposed to Roejean and another artist named Bagswell, to attend the fair held that day at Grotto Ferrata.

      'What will you find there?' asked Roejean.

      'Find?—I remember, in the Bohemian Girl, a song that will answer you,' replied Caper; 'the words were composed by the theatrical poet Bunn':

      'Rank, in its halls, may not find

      The calm of a happy mind;

      So

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