Continental Monthly, Vol. III, No IV, April 1863 - Various

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impatiently waiting, and ever flying round in a circle. 'Follow me into the Scheeren, where thousands of rocky islands, covered with pines and firs, lie along the coasts like flower beds; where the fisherman draws full nets!'

      ''Let yourself down between our outspread wings!' sing the wild swans. 'We will bear you to the great seas, to the ever-roaring, arrow-quick mountain streams, where the oak does not thrive and the birches are stunted; let yourself down between our outspread wings, – we soar high over Sulitelma, the eye of the island, as the mountain is called; we fly from the spring-green valley, over the snow waves, up to the summit of the mountain, whence you may catch a glimpse of the North Sea, beyond Norway. We fly toward Jamtland, with its high blue mountains, where the waterfalls roar, where the signal fires flame up as signs from coast to coast that they are waiting for the ferry boat – up to the deep, cold, hurrying floods, which do not see the sun set in midsummer, where twilight is dawn!'

      'So sing the birds! Shall we hearken to their song – follow them, at least a short way? We do not seat ourselves upon the wings of the swan, nor upon the back of the stork; we stride forward with steam and horses, sometimes upon our own feet, and glance, at the same time, now and then, from the actual, over the hedge into the kingdom of fancy, that is always our near neighborland, and pluck flowers or leaves, which shall be placed together in the memorandum book – they bud indeed on the flight of the journey. We fly, and we sing: Sweden, thou glorious land! Sweden, whither holy gods came in remote antiquity from the mountains of Asia; thou land that art yet illumined by their glitter! It streams out of the flowers, with the name of Linnæus; it beams before thy knightly people from the banner of Charles the Twelfth, it sounds out of the memorial stone erected upon the field at Lutzen. Sweden! thou land of deep feeling, of inward songs, home of the clear streams, where wild swans sing in the northern light's glimmer! thou land, upon whose deep, still seas the fairies of the North build their colonnades and lead their struggling spirit-hosts over the ice mirror. Glorious Sweden, with the perfume-breathing Linea, with Jenny's soulful songs! To thee will we fly with the stork and the swallow, with the unsteady seagull and the wild swan. Thy birchwood throws out its perfume so refreshing and animating, under its hanging, earnest boughs – on its white trunk shall the harp hang. Let the summer wind of the North glide murmuring over its strings.'

      There is true fatherland's love there. I doubt if there was ever yet real patriotism in a hot climate – the North is the only home of unselfish and great union. Italy owes it to the cool breezes of her Apennines that she cherishes unity; had it not been for her northern mountains in a southern clime, she would have long ago forgotten to think of one country. But while the Alps are her backbone, she will always be at least a vertebrate among nations, and one of the higher order. Without the Alps she would soon be eaten up by the cancer of states' rights. It is the North, too, which will supply the great uniting power of America, and keep alive a love for the great national name.

      Very different is the rest – and yet it has too the domestic home-tone of the North. In Sweden, in Germany, in America, in England, the family tie is somewhat other than in the East or in any warm country. With us, old age is not so ever-neglected and little honored as in softer climes. Thank the fireside for that. The hearth, and the stove, and the long, cold months which keep the grandsire and granddame in the easy chair by the warm corner, make a home centre, where the children linger as long as they may for stories, and where love lingers, kept alive by many a cheerful, not to be easily told tie. And it lives – this love – lives in the heart of the man after he has gone forth to business or to battle: he will not tell you of it, but he remembers grandmother and grandfather, as he saw them a boy – the centre of the group, which will never form again save in heaven.

      Let us turn to

'THE GRANDMOTHER

      'Grandmother is very old, has many wrinkles, and perfectly white hair; but her eyes gleam like two stars, yes, much more beautiful; they are so mild, it does one good to look into them! And then she knows how to relate the most beautiful stories. And she has a dress embroidered with great, great flowers; it is such a heavy silk stuff that it rattles. Grandmother knows a great deal, because she has lived much longer than father and mother; that is certain! Grandmother has a hymn book with strong silver clasps, and she reads very often in the book. In the midst of it lies a rose, pressed and dry; it is not so beautiful as the rose which stands in the glass, but yet she smiles upon it in the most friendly way; indeed, it brings the tears to her eyes! Why does grandmother look so at the faded flower in the old book? Do you know? Every time that grandmother's tears fall upon the flower, the colors become fresh again, the rose swells up and fills the whole room with its fragrance, the walls disappear, as if they were only mist, and round about her is the green, glorious wood, where the sun beams through the leaves of the trees; and grandmother is young again; a charming maiden, with full red cheeks, beautiful and innocent – no rose is fresher; but the eyes, the mild, blessing eyes, still belong to grandmother. At her side sits a young man, large and powerful: he reaches her the rose, and she smiles – grandmother does not smile so now! oh yes, look now! – But he has vanished: many thoughts, many forms sweep past – the beautiful young man is gone, the rose lies in the hymn book, and grandmother sits there again as an old woman, and looks upon the faded rose which lies in the book.

      'Now grandmother is dead. She sat in the armchair and related a long, beautiful story; she said, 'Now the story is finished, and I am tired;' and she leaned her head back, in order to sleep a little. We could hear her breathing – she slept; but it became stiller and stiller, her face was full of happiness and peace, it was as if a sunbeam illumined her features; she smiled again, and then the people said, 'She is dead.' She was placed in a black box; there she lay covered with white linen; she was very beautiful, and yet her eyes were closed, but every wrinkle had vanished; she lay there with a smile about her mouth; her hair was silver white, venerable, but it did not frighten one to look upon the corpse, for it was indeed the dear, kind-hearted grandmother. The hymn book was placed under her head – this she had herself desired; the rose lay in the old book; and then they buried grandmother.

      Upon the grave, close by the church wall, a rose tree was planted; it was full of roses, and the nightingale flew singing over the flowers and the grave. Within the church, there resounded from the organ the most beautiful hymns, which were in the old book under the head of the dead one. The moon shone down upon the grave, but the dead was not there; each child could go there quietly by night and pluck a rose from the peaceful courtyard wall. The dead know more than all of us living ones; they are better than we. The earth is heaped up over the coffin, even within the coffin there is earth; the leaves of the hymn book are dust, and the rose, with all its memories. But above bloom fresh roses; above, the nightingale sings, and the organ tones forth; above, the memory of the old grandmother lives, with her mild, ever young eyes. Eyes can never die. Ours will one day see the grandmother again, young and blooming as when she for the first time kissed the fresh red rose, which is now dust in the grave.'

'THE CELL PRISON

      'By separation from other men, by loneliness, in continual silence shall the criminal be punished and benefited; on this account cell prisons are built. In Sweden there are many such, and new ones are building. I visited for the first time one in Marienstadt. The building lies in a beautiful landscape, close by the town, on a small stream of water, like a great villa, white and smiling, with window upon window. But one soon discovers that the stillness of the grave rests over the place; it seems as if no one dwelt here, or as if it were a dwelling forsaken during the plague. The gates of these walls are locked; but one opened and the jailor received us, with his bundle of keys in his hand. The court is empty and clean; even the grass between the paving stones is weeded out. We entered the 'reception room,' to which the prisoner is first taken; then the bath room, whither he is carried next. We ascend a flight of stairs, and find ourselves in a large hall, built the whole length and height of the building. Several galleries, one over another in the different stories, extend round the whole hall, and in the midst of the hall is the chancel, from which, on Sundays, the preacher delivers his sermon before an invisible audience. All the doors of the cells, which lead upon the galleries, are half opened, the prisoners hear the preacher, but they cannot see him, nor he them. The whole is a well-built machine for a pressure of the spirit. In the door of each cell there is a glass of the size of an eye; a valve covers it on the outside, and through this may the warden, unnoticed by the prisoners, observe all which is going

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