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a dream sequence, wherein that Puritan rood enunciates its final wisdom. Equally irresistible, Annie Carey’s Autobiographies of a Lump of Coal; a Grain of Salt; a Drop of Water; a Bit of Old Iron; a Piece of Flint (1870) commences narration by a coal, who interrupts the child about to thump it with a fire poker with a history of its past life as a tree and its geological formation underground, before self-immolating into carbonic afterlife.

      Exemplary Lives and Biography

      Correspondence between interlocutor and developmental gestures is most explicit in children’s genres concerned with self-fashioning. A descendant of Plutarch’s Lives, exemplary biography evolved in the nineteenth century to include such specialized compendiums as Biblical figures, Shakespearean characters, or women’s lives. Biographies of men who rise to prominence, such as engineers James Watt and Robert Stevenson, frequently appear in children’s periodicals, setting the stage for Ragged Dick and Tom Swift, while biographers Jacob Abbott and Mason Locke Weems invented American national mythologies, including the cherry tree episode from Life of Washington (1806 edition). Exemplary lives are generally traditionalist, but the exceptions prove remarkable. In deciding how to represent Benjamin Franklin’s disobedience or Admiral Lord Nelson’s disability, authors contended with complicated figures who challenged established norms (Stabell 2013). Moreover, cautionary and exemplary lives were essential to every social reform movement of the century, from abolition, to animal rights, to temperance, offering children on the margins the concrete political arguments and literacy instruction necessary to fight for their education, livelihoods, and enfranchisement.

      Similar to Priscilla Wakefield’s geographies, children’s biographies contain interlocutor gestures; they model how to write history through the author’s process of compilation, retelling, reprinting, and repurposing of life stories for adults. Valentine K. Tikoff shows, for instance, that when Abigail Field Mott adapted Olaudah Equiano’s Interesting Narrative (1789) into a short children’s edition in 1829 for the New York African Free School pupils, she transformed Equiano from sympathetic “other” to “a role model, the exemplar of what a young African American reader could and should become,” in order to be “successful economic actors” and “responsible citizens” (Capshaw and Duane 2017, pp. 95, 96), thereby preparing Black children to become leaders in the more radical abolitionist movement of the next decade. Following emancipation, inspirational stories of resistance by the enslaved appeared in school readers like Lydia Maria Child’s The Freedmen’s Book (1865) and the American Tract Society’s The Freedman’s primers and readers, again preparing children for political activism that included public reading, recitation, and essay writing in literary societies (Capshaw and Duane 2017, pp. 44–53; McHenry 2002, pp. 187–250).

      This invitation to write back is especially powerful when the biographical subject uses literacy to effect social change. British Radicals William Cobbett and William Lovett reinforced their autobiographical accounts of self-education through journalism and political activism. Cobbett’s many self-help books include a grammar that invites working-class youth to correct the king’s speeches. In America, Ihanktonwan (Yankton Sioux) author Zitkala-Ša began her lifelong advocacy of self-determination in Indian education with her autobiographical essay “Impressions of an Indian Childhood” (1900) published in The Atlantic and later anthologized with Old Indian Legends in children’s school readers (Suhr-Sytsma 2014). In such cases, life writing has proved the first step in producing culturally responsive literacy materials that enable children to see themselves in what they read.

      Life writing thus reproduces itself through intergenerational cycles of emulation that retell history in order to change the future. The Brownies’ Book (1920–1921) showcases this generative exemplarity. A periodical produced by W.E.B. Du Bois and Jessie Fauset for children of color, Brownies interweaves essays and photographs of praiseworthy children (e.g. musicians, graduates) with exemplary biographies (e.g. Toussaint L’Ouverture, Phillis Wheatley), and positions letters from young readers against editorial replies. These exchanges make exemplarity alive even while rewriting Black history.6 While Brownies supported the early career of poet Langston Hughes (who later wrote children’s histories), the periodical is indebted to prior generations of children’s life writing by Ann Plato, Susan Paul, and Abigail Field Mott (Capshaw and Duane 2017, pp. 75–144). Radical nineteenth-century biographies use exemplarity to gesture outward to build interiority, then redirect contemplative readers outward again, calling forth the next generation of author activists. Nonfiction’s metacognitive strategies thus awaken consciousness for both individual children and their communities.

      NOTES

      1 1 A French philosopher of the mind, Helvétius credits chance events with molding character in his picaresque novel Child of Nature: Improved by Chance. Ellenor Fenn describes nursery activities that teach through “the education of each moment” (Immel 1997).

      2 2 Popular examples: Fanny Umphelby, The Child’s Guide to Knowledge (ca. 1828); William Pinnock’s catechisms; Richmal Magnall’s Miscellaneous Questions for the Use of Young People (1800). Many are titled “Common Things”.

      3 3 Fairy science books include Lucy Rider Meyer’s Real Fairy Folds, or Fair Land of Chemistry (1887) by American physician, social worker, and educator Lucy Rider Meyer; Fairy Know-a-Bit, Or, A Nutshell of Knowledge (1866) and its sequel, Fairy Frisket, Or, Peeps at Insect Life (1871) by A.L.O.E. (Charlotte Maria Tucker).

      4 4 For biographies of women writers in science, see Alteri et al. (n.d.).

      5 5

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