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Аннотация
Handball needs quick and correct decisions in each game situation. This can be trained playfully and diversely through handball-specific games. These 60 exercises are divided into seven categories and train the playing skills.
The book deals with the following subjects: – Team ball variants – Team play with different targets – Tag games – Sprint and relay race games – Ball throwing and transportation games – Games from other types of sports – Complex closing game variants
The exercises are illustrated and described in an easy, comprehensible manner. They can be immediately integrated in every training unit. Various difficulty levels, additional notes, and possible variations allow for adjustment to each age group and group size.
This reference book contains 60 individual exercises.
The book deals with the following subjects: – Team ball variants – Team play with different targets – Tag games – Sprint and relay race games – Ball throwing and transportation games – Games from other types of sports – Complex closing game variants
The exercises are illustrated and described in an easy, comprehensible manner. They can be immediately integrated in every training unit. Various difficulty levels, additional notes, and possible variations allow for adjustment to each age group and group size.
This reference book contains 60 individual exercises.
Аннотация
Left-Handedness – Recognize it easily – Nurture it properly – Let it shine! NEW! Quick Test for Left-Handedness in children and adults
Left-handedness is a remarkable topic! Why? Because it affects every second person on the planet! This book dispels popular myths about left-handers, and provides targeted advice on how to nurture left-handedness.
Left-hander or right-hander? It is always possible to find out! Tried-and-trusted indicators will enable you to determine whether or not you, your child or someone else you know is left-handed. Help is also at hand in the form of a new quick test for left-handedness in children and adults. Everyone benefits if left-handers are empowered to use their strong side. This book is an indispensable guide on how to do just that. What other readers say “A book for the brave! And the best I’ve found on this topic!” Sabine B., ergotherapist, customer review on amazon.de “The best non-fiction book I’ve read in a long time. Fascinating, inspiring, well written and illustrated. A real boon for both left-handers and the uninitiated.” Dr. Dagmar Wohlgemuth, dentist “I recommend this book to any parent worried about their child’s handedness. I now have a much better grasp of my left-handers’ strengths and weaknesses. The guide is easy to understand and a pleasure to read.” Tanja Schley, mother of three left-handed children “A must for expectant parents, grandparents and teachers alike.” Thomas Wolfram, grammar school teacher
Left-handedness is a remarkable topic! Why? Because it affects every second person on the planet! This book dispels popular myths about left-handers, and provides targeted advice on how to nurture left-handedness.
Left-hander or right-hander? It is always possible to find out! Tried-and-trusted indicators will enable you to determine whether or not you, your child or someone else you know is left-handed. Help is also at hand in the form of a new quick test for left-handedness in children and adults. Everyone benefits if left-handers are empowered to use their strong side. This book is an indispensable guide on how to do just that. What other readers say “A book for the brave! And the best I’ve found on this topic!” Sabine B., ergotherapist, customer review on amazon.de “The best non-fiction book I’ve read in a long time. Fascinating, inspiring, well written and illustrated. A real boon for both left-handers and the uninitiated.” Dr. Dagmar Wohlgemuth, dentist “I recommend this book to any parent worried about their child’s handedness. I now have a much better grasp of my left-handers’ strengths and weaknesses. The guide is easy to understand and a pleasure to read.” Tanja Schley, mother of three left-handed children “A must for expectant parents, grandparents and teachers alike.” Thomas Wolfram, grammar school teacher
Аннотация
Die Originalversion von «Song And Dance Man» wurde 1936 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehört dieser Song zum Popular Standard. In dieser Ausgabe sind die Klaviernoten in der Tonart Bb-Dur im Violin- und Bassschlüssel notiert. Akkordbezeichnungen, Text und Gesangsmelodie sind in dieser Ausgabe ebenfalls enthalten.
Аннотация
Die Originalversion von «So Long» wurde 1945 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehört dieser Song zum Popular Standard. In dieser Ausgabe sind die Klaviernoten in der Tonart G-Dur im Violin- und Bassschlüssel notiert. Akkordbezeichnungen, Text und Gesangsmelodie sind in dieser Ausgabe ebenfalls enthalten.
Аннотация
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe’s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing.
In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.
In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.
Аннотация
This book explores the central fictional minds in three of Ian McEwan's most popular narratives. Mind presentation constitutes the main part of characterization in the second phase of McEwan's writing, where his plot structure depends to a large degree on the presentation of the characters’ mental workings. In Amsterdam (1998), Atonement (2003), and On Chesil Beach (2007), the construction process of the fictional minds, the degree their functioning is impacted by their experiences, and the way their mental aspect controls their behavior and relationships are critical to the stories. Relying on insights and methods from Cognitive Narratology, this study follows two purposes: It firstly analyzes the function of fictional minds and their operational modes in these narratives. Secondly, it explores the impact of the characters' experiences on both their mental functioning and their behavior, especially with view of their relationships. Nayebpour reveals that the plot structure of these narratives highly depends on the lack of a sound balance between the two aspects of the represented minds (intermental/joint thought and intramental/individual thought) as well as on the dominance of the intramental one. The tragic atmosphere in these narratives, Nayebpour argues, is the result of this imbalance.