LITMIR.BIZ

_Normal is relative Kill Me Now is a black comedy about Jake who has sacrificed his career as a writer to care for his teenage son Joey. Both are keeping secrets – Jake about his love life and Joey about his plans for the future. But when disaster strikes, they are forced to ask who’s really looking after who. Bittersweet, fast-paced, ricocheting between the comedy and tragedy of disability, Kill Me Now is a funny and moving play about how we care for the people we love.

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It’s best to work with the system, and right now – the system is war. 2003, civil war is raging in Liberia. At a rebel army base four young women are doing their best to survive the conditions of the war. Yet sometimes, the greatest threat comes not from the enemy’s guns, but from the brutality of those on your own side. With the arrival of a new girl, who can read, and an old one, who can kill, how might this transform the future of this hard-bitten sisterhood?

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Picture yourself as a bartender, sipping top-shelf whisky and watching your customers descend into nightly oblivion. Your heart is broken by the world around you and, leaving the whisky aside, you hatch a devious, unthinkable plan of escape… Award-winning FellSwoop Theatre present Ablutions : a dark, modern drama, adapted from the novel by Man Booker shortlisted author, Patrick deWitt. A grimly funny tale from the sodden depths of the Los Angeles underworld, Ablutions blends a live soundtrack and deWitt’s heart-wrenching humour. WINNER: Ignite Theatre Festival’s Critics’ Choice Award

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Run. Keep running. You’re doing the right thing. Lie low. Head down. Don’t look back. Just keep running, but whatever you do don’t tread on the cracks… Leo’s world has been turned upside down. With her parents gone and a creepy uncle becoming too close for comfort she’s certainly sure of one thing…she must get out. Leo’s on the run. She knows what she’s running from. The problem is, where is she running to? Adapted from the novel of the same name by the internationally acclaimed writer Julia Donaldson, Running on the Cracks is a fast-moving new play about runaways, identity, survival and how friendships can develop in the strangest situations.

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Over a weekend in May 2010, in the aftermath of the general election, the political parties are wrangling over who will form the government. Meanwhile, in a village near the Norfolk coast, a disillusioned English teacher and part-time election volunteer comes home for a rare visit and tries to put his life in order. However, the politics of family life can be every bit as vindictive and unpredictable as the Whitehall variety, and alliances can be made or broken without warning. The Heart of Things examines the conundrum that exists in sexual identity and the ‘minor disturbances’ that have far-reaching effects in people’s private lives.

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‘You can always tell a dictator by his roots. They all dye their hair that dodgy soot black. The minute they do, they should be frogmarched off and lynched in the public square. That simple pre-emptive action would save several genocides!’ In 2011, all over the Arab world, women took to the streets to protest and bring about change. Briefly celebrated, then derided, and finally ignored and denied, their amazing stories remain untold. Until now. The Singing Stones is a triad of short plays, each offering a poetic, fearless and sometimes funny exploration of women and the Arab revolutions. From the heroines of Tahrir Square to the female fighting forces defending the borders of Kurdistan, from the women who snitched on Gaddafi to a band of quarrelling artists struggling to invent a future female revolutionary icon. Was the Arab Spring the greatest missed opportunity of the 21st century?

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Arthur is an OAP, hiding out from the world in his grotty top-floor council flat. He’d move – if it weren’t for his missing son. Today is Michael’s twentieth birthday – will he finally come home? But the person Arthur finally lets in turns out to be someone else entirely. This teenager is seeking refuge from The Fights – the raging riots sparked years ago by a notorious computer game.

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Heather and Carla haven’t seen each other since school. Their lives have taken very different paths – Carla lives a handto-mouth existence while Heather has a high-flying career, husband and a beautiful home. And yet, here they are in a café having tea and making awkward conversation. That is until Heather presents Carla with a bag containing a significant amount of cash and an unexpected proposition… Morgan Lloyd Malcolm’s electric new thriller asks how far beyond the playground we carry our childhood experiences and to what lengths some people are willing to go to in order to come to terms with them.

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‘Do you know what they call someone who doesn’t drink, by the way, the Irish…? A pioneer. Isn’t that gas? A pioneer. Like you’re discovering a new continent.’ On a Friday night in Dublin, Stephen Hanrahan ushers a young female colleague in from the summer rain to what was once his marital home. He’s ready to work his magic. But Stephen’s estranged wife and wayward daughter are about to crash back into his living room and his life, casting a history of repressed truths and painful secrets into the light. Set in the build-up to Ireland’s historic divorce referendum of 1995, The Separation is an unsettling – and uproarious – journey into the dark heart of a disintegrating Dublin family.

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The first collection of plays from the multi-award-winning legendary screenwriter and playwright. Contains the plays NEVER THE SINNER, RED, PETER AND ALICE and I’LL EAT YOU LAST.

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