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Зарубежная драматургия
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Аннотация
A «tale of the tribe» (Ezra Pound's phrase for his own longer work), Park Songs is set during a single day in a down-and-out Midwestern city park where people from all walks of life gather. In this small green space amidst a great gray city, the park provides a refuge for its caretaker (and resident poet), street preachers, retirees, moms, hustlers, and teenagers. Interspersed with blues songs, the community speaks through poetic monologues and conversations, while the homeless provide the introductory chorus—and all of their voices become one great epic tale of comedy and tragedy. Full of unexpected humor, hard-won wisdom, righteous (but sometimes misplaced) anger, and sly tenderness, their stories show us how people learn to live with mistakes and make connections in an antisocial world. As the poem/play engages us in their pain and joy—and the goofy delight of being human—it makes a quietly soulful statement about acceptance and community in our lives. David Budbill has worked as a carpenter's apprentice, short order cook, day laborer, and occasional commentator on NPR's All Thing Considered. His poems can often be heard on Garrison Keillor's Writer's Almanac and his books include the best-selling Happy Life (Copper Canyon Press) and Judevine, a collection of narrative poems that forms the basis for the play Judevine, which has been performed in twenty-two states. Born in Cleveland, Ohio, Budbill now lives in the mountains of northern Vermont. R. C. Irwin, whose absurdist and nostalgic work provides the set design for Park Songs, teaches at San Francisco City College.
Аннотация
Based on the true story of an Irish family with seven sons and one daughter immigrating to Biddulph Township near London, Ontario, in 1844, The Donnellys tells the tale of mystery and truths stranger than fiction. It is the story of a secret society and a massacre that shocked the Canadian public, a story overlooked by the artistic community until Reaney’s play elevated the events to the level of legend. First published in 1975, this script takes its place among other true Canadian classics on university and college course listings and in the hearts of drama lovers everywhere. The Donnellys is a trilogy comprised of Sticks & Stones, St. Nicholas Hotel and Handcuffs, three tense and mythic tragedies that garnered critical praise at the 1973 Tarragon Theatre opening and continue to acquire accolades from professors, actors and artistic directors across the country. As with the drama of Yeats, Eliot, O’Neill, Brecht and Beckett, this rendering of a generation of Irish settlers and their brutal murder at the hands of more than thirty vigilante killers is controversial and exciting to this day. Foreword, Afterword and Chronology by James Noonan.
Аннотация
Romancing the Bard offers a look at the Stratford Festival in its first fifty years as it developed from a bold venture driven by vision of a handful of eager enthusiasts to its present status as a multi-million dollar cultural and commercial enterprise. With profiles of Stratford personalities from founder Tyrone Guthrie to current artistic director Richard Monette, it provides glimpses of intrigue and conflict both offstage and on. The book traces the development of a distinctive Canadian acting style, the soaring costs of production and design, the conflict between artists and moneymen, the external image promoted by publicists or imposed by critics and the changing mandate as the Festival assumes an increasingly populist character. This is a celebration of a uniquely successful artistic enterprise, and focuses on some of the Festival’s finest productions. Illustrated with photographs from the Festival archives.
