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INTO THE DARKFran has come back to face her ghosts: the fears she buried four long years ago. If she confronts the creatures from her nightmares, she’ll know that they were only in her mind. Her best friend and the man she loves are waiting, and spring in sunny Oxford seems to light the way ahead. But on Salisbury Plain she meets a living shadow and finds she is destined for a darker road.Martin is still challenging his demons: the phantoms that he’s glimpsed and can’t forget. Before his eyes they swarmed out of a medieval star chart and vanished in the night without a trace. He has unleashed the Ravensbreed: a band of ruthless warriors, sworn to defend their ancient kingdom in its darkest hour. The world has moved on, and yet the land still needs them. Beyond the peaceful English fields, old enemies are gathering again.From city streets to wild woods, among outcasts and resisters, Fran and Martin must join the Ravensbreed in their final, desperate war – a long and bloody struggle which, if lost, will plunge their country and everyone they love into a brutal New Dark Age.

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This provocative novel takes the reader on a wild ride inside the mind of a Mississippi Delta good-old-boy ex-deputy sheriff who is as vicious and racist as the worst 1950s-’60s stereotypes. Junior Ray Loveblood narrates the story in his own profane, colloquial voice, telling why he hates just about everybody and why he wants to shoot Leland Shaw, a shell-shocked World War II hero and poet who is hiding in a silo from what he believes are German patrols. Through a series of sleights of hand, misdirections, and near misses, Junior Ray and his sidekick Voyd give a dark tour of the Delta country as they chase their mysterious prey. Junior Ray’s thoughts are peppered with excerpts from Shaw’s notebooks – sometimes starkly different from Junior Ray’s diatribe, sometimes eerily similar—and by the end of the story, it is up to the reader to sort out whose reality is more fantastic, Shaw’s or Loveblood’s, as the one stalks the other through the pages of this highly original and darkly comedic story.

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Junior Ray Loveblood, one of the most outrageous and original personalities to appear in American literature in many years, returns in The Yazoo Blues, the sequel to John Pritchard’s Junior Ray. Now semi-retired, Loveblood works as a security guard in one of the floating casinos that have replaced cotton as the cash crop in the Mississippi Delta. In his spare time, Junior Ray has become obsessed with the ill-fated Yazoo Pass expedition by a Union armada up the Mississippi River in 1863. He relates dual stories, both that of a soldier slowly driven mad by the haunting countryside, and of Loveblood’s friend Mad Owens, whose search for existential love meets its greatest challenge in the arms of the stripper Money Scatters. Loveblood’s conclusions are hilarious, absurd, and at times intensely revealing. Equally profane and profound, the fictional narrator of Pritchard’s novel illuminates the complex stew of evolving race relations, failed economies, and corrupt politics that define much of the post-civil rights rural Deep South.

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