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Emily Bronte
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Аннотация
Аннотация
"1801.—I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist's heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name."
"Wuthering Heights" by Emily Brontë challenged strict Victorian ideals regarding religious hypocrisy, morality, and social classes. The novel was first published in 1847. «Wuthering Heights» has inspired several adaptations, including film, radio and television dramatizations.
"Wuthering Heights" by Emily Brontë challenged strict Victorian ideals regarding religious hypocrisy, morality, and social classes. The novel was first published in 1847. «Wuthering Heights» has inspired several adaptations, including film, radio and television dramatizations.
Аннотация
Wuthering Heights, ein vornehmes Anwesen im rauen und unwirtlichen englischen Yorkshire, bewohnt von der Familie Earnshaw. Mr. Earnshaw nimmt das sechsjährige Findelkind Heathcliff auf, einen zarten Knaben, den er in den Straßen Liverpools aufgegriffen hat. Er und Cathy, Earnshaws leibliche Tochter, werden von deren Bruder, Hindley tyrannisiert. Schließlich heiratet Cathy Edgar Linton, um den Schikanen zu entgehen. Obwohl sie Heathcliff zugetan ist, entscheidet sie sich für das gesellschaftliche Ansehen, das mit der Ehe verbunden ist. Heathcliff flieht in Verzweiflung. Drei Jahre später kehrt er als wohlhabender und attraktiver Mann zurück und beginnt, um Cathy zu kämpfen. Das Schicksal nimmt seinen Lauf. Eine romantische Geschichte um Liebe, Leidenschaft und Rache. Eins der berühmtesten Werke der englischen Literatur des 19. Jahrhunderts und ein Klassiker der Weltliteratur.
Аннотация
Das Findelkind Heathcliff wächst auf dem abgelegenen Gutshof «Sturnhöhe» im englischen Yorkshire auf. Als er älter wird, entwickelt er eine immer tiefere Beziehung zu Catherine, der Tochter des Hauses. Doch Catherine gibt der Beziehung keine Chance: Sie entscheidet sich für einen wohlsituierten anderen Mann, den sie nicht liebt. Der Beststeller «Sturmhöhe» machte Emily Brontë weltbekannt.
Аннотация
Mr Earnshaw, père de famille, a deux enfants: un fils, Hindley, et une fille, Catherine. Parti en voyage à Liverpool pendant plusieurs semaines, le vieil Earnshaw revient avec sous son manteau un petit bohémien errant d'environ 6 ans, Heathcliff. Hindley et lui entrent rapidement en conflit et, à la mort du père, Hindley devient le maître de maison. Heathcliff est alors traité plus durement que jamais. La petite Catherine et lui se découvrent de tendres sentiments qui n'auront de cesse de s'approfondir au fil de leur adolescence. Rêvant tous deux d'un avenir plus glorieux que leurs vies respectives, les deux enfants s'échappent fréquemment dans la lande pour aspirer à de jours meilleurs. " Les Hauts de Hurlevent " de Emily Brontë est reconnu comme l'un des plus grands classiques de la littérature du XIXe siècle, et il possède une place non négligeable dans la culture britannique et mondiale. Le roman est un des derniers ouvrages majeurs du romantisme européen en littérature.
Аннотация
Die »dämonische« Gestalt eines Heathcliff ist keineswegs unnatürlich. Es gibt und gab wohl stets Menschen von solch suggestiver Gewalt wie dieser Heathcliff, von so geheimnisvollem Lebenswandel und so immenser Willenskraft. Und es gibt Menschen, die zehnmal weiter gehen in ihrer Lust am Bösen, als dieser Mann, dessen leiderschütterte Seele ihn zwang, mit Energie und Bosheit ein ganzes Geschlecht zu vernichten.
Аннотация
Esta edición crítica más vendida de Norton se basa en la primera edición de 1847 de la novela. Para la Cuarta Edición, el editor ha recopilado el texto de 1847 con varias ediciones modernas y ha corregido una serie de variantes, incluidas las accidentales. El texto va acompañado de anotaciones explicativas completamente nuevas.Nuevas para la cuarta edición son doce de las cartas de Emily Bronte sobre la publicación de la edición de 1847 de Cumbres borrascosas, así como la evolución de la edición de 1850, las selecciones en prosa y poesía del autor, cuatro reseñas de la novela y selecciones de poesía del autor. autor, cuatro reseñas de la novela y la cronología perspicaz e informativa de Edward Chitham del proceso creativo detrás de la obra querida.Se incluyen cinco interpretaciones críticas importantes de Cumbres borrascosas, tres de ellas nuevas en la Cuarta Edición. A Stuart Daley considera la importancia de la cronología en la novela. J. Hillis Miller examina los problemas de género y reputación crítica de Wuthering Heights. Sandra M. Gilbert evalúa el papel del cristianismo victoriano en la novela, mientras que Martha Nussbaum traza el romanticismo de la novela. Finalmente, Lin Haire-Sargeant analiza el papel de Heathcliff en las adaptaciones cinematográficas de Cumbres borrascosas.
Аннотация
Considered lurid and shocking by mid-19th-century standards, Wuthering Heights was initially thought to be such a publishing risk that its author, Emily Brontë, was asked to pay some of the publication costs. Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.
A fiend of a book – an incredible monster… The action is laid in hell, – only it seems places and people have English names there. —Dante Gabriel Rossetti A monument of the most striking genius that nineteenth-century womanhood has given us. —Clement Shorter The greatest work of fiction by any man or woman Europe has produced to date. —Anthony Ludovici There is no "I" in 'Wuthering Heights'. There are no governesses. There are no employers. There is love, but it is not the love of men and women. Emily was inspired by some more general conception. The impulse which urged her to create was not her own suffering or her own injuries. She looked out upon a world cleft into gigantic disorder and felt within her the power to unite it in a book. —Virginia Woolf
A fiend of a book – an incredible monster… The action is laid in hell, – only it seems places and people have English names there. —Dante Gabriel Rossetti A monument of the most striking genius that nineteenth-century womanhood has given us. —Clement Shorter The greatest work of fiction by any man or woman Europe has produced to date. —Anthony Ludovici There is no "I" in 'Wuthering Heights'. There are no governesses. There are no employers. There is love, but it is not the love of men and women. Emily was inspired by some more general conception. The impulse which urged her to create was not her own suffering or her own injuries. She looked out upon a world cleft into gigantic disorder and felt within her the power to unite it in a book. —Virginia Woolf
Аннотация
Аннотация
Considered lurid and shocking by mid-19th-century standards, Wuthering Heights was initially thought to be such a publishing risk that its author, Emily Brontë, was asked to pay some of the publication costs. Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.
A fiend of a book – an incredible monster… The action is laid in hell, – only it seems places and people have English names there. —Dante Gabriel Rossetti A monument of the most striking genius that nineteenth-century womanhood has given us. —Clement Shorter The greatest work of fiction by any man or woman Europe has produced to date. —Anthony Ludovici There is no "I" in 'Wuthering Heights'. There are no governesses. There are no employers. There is love, but it is not the love of men and women. Emily was inspired by some more general conception. The impulse which urged her to create was not her own suffering or her own injuries. She looked out upon a world cleft into gigantic disorder and felt within her the power to unite it in a book. —Virginia Woolf
A fiend of a book – an incredible monster… The action is laid in hell, – only it seems places and people have English names there. —Dante Gabriel Rossetti A monument of the most striking genius that nineteenth-century womanhood has given us. —Clement Shorter The greatest work of fiction by any man or woman Europe has produced to date. —Anthony Ludovici There is no "I" in 'Wuthering Heights'. There are no governesses. There are no employers. There is love, but it is not the love of men and women. Emily was inspired by some more general conception. The impulse which urged her to create was not her own suffering or her own injuries. She looked out upon a world cleft into gigantic disorder and felt within her the power to unite it in a book. —Virginia Woolf